Tag Archives: Tara Boom

THE KAYE HOLE

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Edinburgh Festival Fringe

THE KAYE HOLE at the Edinburgh Festival Fringe

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“a tremendous night of outstanding queer entertainment”

I mean, where do I start with this one!? β€˜You going to Kaye Hole?’, I kept being asked last year, having never heard of it and missing getting my hands on a ticket before it sold out during my short visit. Naturally, I made it one of the first things to book this time. And boy oh boy will I be returning!

Reuben Kaye, an Australian comedian, singer and writer, hosts this queer late-night cabaret at Assembly’s Palais du VariΓ©tΓ©. Each night, an eclectic line up of guest performers take to the stage to entertain the crowd.

After warming up the crowd with an electric energy and stage presence, and inviting us warmly to his β€˜hole’, Kaye introduces the first act, New York cabaret artist Salty Brine. Brine compels us with us an Annie Lennox number (from their solo show These Are The Contents of My Head) in a performance which is mesmerising and offers real star quality. It sets the bar high for the rest of the night. Next up, it’s comedian Josephine Lacey, a self-described β€˜gilf’, who terrifies one particular member of the audience by menacingly flirting with him before making jokes about his genitals. Her humour is quite blunt and brutal, but the jokes are so funny you can’t help but laugh. She’s also up here with her show Autism Mama, and if this snippet of her comedy style is anything to go by I’m sure it’s an absolute hit.

Marshall Arkley is next to heat things up – literally – with an act combining fire-eating and striptease. This is quite different from the standard street performers you’ll see here at fringe though, with a jaw-dropping moment which involves balancing one of the fire sticks on the tip of his penis. Alex Hines then performs a hilarious act which at one point involves being breastfed by Kaye who wears a giant pair of fake breasts. It’s totally mad and you can’t take your eyes away. The penultimate act of the night, Jacqueline Furey, impresses with her sword swallowing, which is sexy and terrifying all at once.

But the most bonkers act of the night is definitely saved until last, as Tara Boom performs a hula-hooping routine, completely naked, with a popcorn maker strapped to her head popping actual kernels as she smothers her body in butter. It’s completely unhinged, off-the-scale level of bonkers, and a beautiful end to the night which has the audience in fits of laughter as we’re cheering her on. I’ll save the final twist in her act for you to see for yourself!

Throughout the night, Kaye promotes all of the performers’ solo shows, and concludes the night with a wonderful act of community as everyone in the crowd is encouraged to promote their own fringe shows. It might be hard to believe that, in a night involving a man balancing a fire stick in his urethra, this moment is one of the most memorable, but it really is. Kaye delivers a little monologue about the financial struggles of performing at the festival, and it’s a really touching moment that shows Kaye’s care for the artists is just as a high as his passion for the craft.

The Kaye Hole is a tremendous night of outstanding queer entertainment which is quickly selling out its run, so get a ticket!


THE KAYE HOLE at the Edinburgh Festival Fringe – Assembly George Square Gardens – Palais du VariΓ©tΓ©

Reviewed on 15th August 2024

by Joseph Dunitz

 

 


THE KAYE HOLE

THE KAYE HOLE

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La Clique

La Clique

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Christmas in Leicester Square

LA CLIQUE at the Christmas in Leicester Square

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La Clique

“Thrilling and awe-inspiring”

 

The literal translation of β€˜La Clique’ from the French describes a group of people who are β€œfriendly with each other but exclude others”. Tip number one: pay absolutely no attention to that definition when attending β€œLa Clique”, the alternative cabaret-come-circus show at the Spiegeltent in Leicester Square. Expect the complete opposite. The show couldn’t be more inclusive if it tried. Tip number two: get there early if you want to secure a front row seat. Provided, that is, you like the idea of being soaked by the foamy bath water of a near-naked Burlesque songbird, or straddled by a highly toned aerialist in nothing but sequined trunks enjoying his moment of post-crucifixion passion. (Tip number three: if this doesn’t sound like your thing then either; a) stop reading now or b) make it your thing – you don’t know what you’re missing).

Born at the Edinburgh Festival back in 2004, the Olivier award-winning β€œLa Clique” created its own genre with its mix of circus, cabaret, music and mayhem; topped with irreverence, sexiness and mind-blowing thrills. It has since travelled the world with its extended family of performers that represent the cream of the cabaret and circus scene. Wandering into the Spiegeltent in Leicester Square is like straying into an alternative wonderland, away from the tourists. An intimate world. A club in which you belong, and the penny drops. β€œLa Clique” is faithful to its definition. It is the outside world that is excluded, and you are immersed within, and embraced by, this eccentric family.

There appears to be nobody in charge. No MC. Each performer is calling the shots. Miss Jolie Papillon appears like magic. The β€˜Bird of Oceana’, with aquamarine feathers not quite concealing the climax of her exotic routine. Later returning with her bathtub burlesque (see above). A grotesque hospital patient transforms into the beauty that is aerialist Katharine Arnold. This show is not just about technique and virtuosic skill. It is performance art. Theatre. Spectacle. Arnold returns to the ring with Hugo Desmarais with a unique and exquisite display of passion and synchronicity, suspended high above the crowd, defying gravity with the ultimate wickedness.

Ashley Stroud, on the surface, has fewer tricks up her sleeve. The magic lies in the beauty – of body and soul. And voice. Mikael Bres takes pole dancing to another level, merging acrobatics, dance, drama and his mastery of the Chinese Pole. Comic relief comes from Sam Goodburn with his unicycle and slapstick reverse striptease. (Tip number four: avoid the front row if you’re at all fussy about where a biscuit has been before you eat it). Tara Boom is the popcorn seller from Hell – or Heaven, depending on your penchants. An act that should come with every Government health warning imaginable.

Whether these are highlights or whether I’ve managed to cover the whole line up is irrelevant. Every moment is a highlight. A revolution and a revelation. A place where you can leave your troubles outside. In the Spiegeltent life is beautiful. Sensuous, sensual and sexual. Thrilling and awe-inspiring. And unpredictable, sometimes dangerous. You smile, gape and laugh in equal measure. Entertainment is taken to the edge. And it takes you with it. Unmissable. (Tip number five: see tip number three – part b).

 

 

 

Reviewed on 15th November 2022

by Jonathan Evans

Photography by Craig Sugden

 

La Clique

 

Previously reviewed at this venue:

 

La Clique | β˜…β˜…β˜…β˜…β˜… | November 2021

 

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