THE DOUBLE ACT
Arcola Theatre
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“It truly is a masterful example of dark comedy”
The Double Act is an incredibly witty and fiercely topical dark comedy by Mark Jagasia. It follows Billy Bash as he visits his estranged ex-comedy partner while on tour, discovering heβs now a reclusive madman obsessed with their past. As he appears to wear the title of Britainβs Third Most Offensive Comedian like a reclaimed badge of honour, he fails to recognise the descent of his comedy career. Can Cliff convince him to let him out the dark, and join forces to resurrect their old act? With darker forces from their past at play, that is doubtful.
From the very start The Double Act keeps the audience on their toes asking questions about the next mystery. Beginning with Billy (Nigel Betts) and Gulliverβs (Edward Hogg) search for Cliff (Nigel Cooke) in Cliffβs own flat. Gulliver is Cliffβs lodger, who appears to be deeply affectionate and attentive of Cliff, keen to get him back on stage. Yet after finding Cliff – and questioning whether his pet python is real or not – Gulliverβs true identity and motivations is another mystery the audience is esteemed to investigate. Jagasia succeeds in holding such intrigue and managing to keep everyone laughing with joke after joke that hit on almost every other line. It truly is a masterful example of dark comedy. The themes of forgiveness, guilt, value of laughter and retribution are constant throughout. Billy represents the βyou canβt say anything nowadays, and yet Iβm saying it with no consequenceβ comedy brigade, where Cliff represents an almost Christmas future-like ghost of him. And unknowingly to the pair of them, Gulliver is their ultimate critic. The question of Billyβs morals within his comedy style is always alive, in a way constantly brought up by himself as he is persistently on the defence. As Cliff questions βWhat if some laughs are bad?β, the play takes a controversial and heated debate and transforms it into a meaningful and thoughtful conversation about the value of comedy.
The cast are undoubtedly incredible. Nigel Betts plays Billy with a stern focus, never dropping his proud successful straight man ego. His physicality also of his repeatedly breaking back made me wince. Nigel Cooke as Cliff was adorably child-like, in spite of his insanity driven creepiness. He excels in his physical comedy, as does Edward Hogg as Gulliver, both sharing hilarious moments of movement on stage. Praise here is pointed towards Movement Director Sian Williams. Oscar Pearceβs direction keeps the action constantly moving, assisting the playβs tendency of keeping the audience in anticipation. Overall making the very intimate space, with a wonderfully rundown naturalistic living room design of the set (Sarah Beaton), feel larger than life from the stalls. This is complimented by the subtleties of the sound design (Dan Balfour), which goes from silence to creepy horror music when driving the tension, alongside the occasional spooky snake sound effect.
Overall, The Double Act is a hilarious and exciting show that successfully brings life to comedy ghosts of the past. A masterpiece of dark comedy drama.
THE DOUBLE ACT
Arcola Theatre
Reviewed on 27th January 2025
by Rachel Isobel Heritage
Photography by Alex Brenner
Previously reviewed at this venue:
TARANTULA | β β β β | January 2025
HOLD ON TO YOUR BUTTS | β β β β | December 2024
DISTANT MEMORIES OF THE NEAR FUTURE | β β β | November 2024
THE BAND BACK TOGETHER | β β β β | September 2024
MR PUNCH AT THE OPERA | β β β | August 2024
FABULOUS CREATURES | β β β | May 2024
THE BOOK OF GRACE | β β β β β | May 2024
LIFE WITH OSCAR | β β β | April 2024
WHEN YOU PASS OVER MY TOMB | β β β β β | February 2024
SPUTNIK SWEETHEART | β β β | October 2023
GENTLEMEN | β β β β | October 2023
THE BRIEF LIFE & MYSTERIOUS DEATH OF BORIS III, KING OF BULGARIA | β β β β β | September 2023
THE DOUBLE ACT
THE DOUBLE ACT
THE DOUBLE ACT