Theatre Royal Plymouth Archives - Page 2 of 3

You Stupid Darkness!

Southwark Playhouse

Reviewed – 20th January 2020

★★★

“There’s a lot to like in the gentleness of Steiner’s script, but it’s a slow burn that’s really too slow”

In a time of political chaos, social turmoil, and environmental catastrophe, it’s easy to feel like the end of the world is right around the corner. It’s no surprise apocalypse stories feel particularly relevant right now.

Sam Steiner’s play, directed by James Grieve, is set in a future, disintegrating Britain. People are more-or-less keeping calm and carrying on despite toxic air, power outages, bridges collapsing, and buildings crumbling. The disaster is never specified – we don’t know whether this is the aftermath of WWIII, the effects of unchecked climate change, or both – but we do know trees are falling and the sea has turned viscous.

Four volunteers meet in a dilapidated call centre one night a week to run an emotional support helpline. Their job is to provide reassurance, although they’re barely holding it together themselves. On top of the world falling apart, Frances (Jenni Maitland) is heavily pregnant at a time when pregnancy is considered misguided or radically optimistic. Jon (Andy Rush) is going through a rough patch in his marriage. Angie (Lydia Larson) makes the best of her difficult upbringing. Joey (Andrew Finnigan), seventeen years old, is facing what feels like a pointless question of applying for university.

It may sound bleak, but Steiner handles the dark subject matter with a refreshingly light touch. While the apocalypse rages outside, the Brightline volunteers do their best to simply get on with the day. They hang up their gas masks when they arrive, attempt to make coffee without a working kettle, deal with perverts on the phones, and reluctantly participate in Frances’ positivity exercises.

The play is a series of small moments. Steiner gives us little window-like scenes through which we see the characters try to make connections with the people on the phones and each other, conversations hinting at personal lives and troubles beyond the office walls. There’s a lot to like in the gentleness of Steiner’s script, but it’s a slow burn that’s really too slow. Without much in the way of story, the two-hour runtime feels very long. Steiner’s scenes may be delicate and perceptive, but they lack momentum. And while the characters are strong, and well-performed by a talented cast, the show needs the backbone of a plot to help support its length.

Amy Jane Cook’s astute design presents the call centre as a little haven from the desolation outside, held together purely by blind optimism and denial. Everywhere signs of deterioration are refusing to be acknowledged. Gaping holes in the walls are covered up by motivational posters. Frances stubbornly tacks them back up each time they fall down. A whiteboard enthusiastically displays the word of the week (‘Communication’ ‘Optimism’). Intense storm winds blowing snow-like debris occasionally blast open the door. When the call centre floods, the stage fills with water. But when Frances fills the space with candles, the scene conveys a powerful sense of hope. The message of perseverance, resilience, and hope, no matter how irrational, will undoubtedly resonate with anyone feeling overwhelmed by the world today.

You Stupid Darkness! is a show full of heart and humour about the end of the world. A distinctive, insightful script with something to say – it’s a shame it’s missing a trick.

Reviewed by Addison Waite

Photography by Ali Wright

You Stupid Darkness!

Southwark Playhouse until 22nd February

Last ten shows reviewed at this venue:

The Curious Case Of Benjamin Button | ★★★★★ | May 2019

Once On This Island | ★★★ | August 2019

Preludes | ★★★★ | September 2019

Islander | ★★★★★ | October 2019

Superstar | ★★★★ | November 2019

Potted Panto | ★★★★ | December 2019

Click here to see our most recent reviews

★★★

“a wonderful display of talented performances with a script not quite up to scratch”

A tragedy doesn’t just befall the victim in the middle, it happens to so many people. One Under explores the effects of loss, ownership of grief, and the sometimes-bizarre ways we deal with it, whether we knew the person or not.

Sonny (Reece Pantry), a good-natured and well-loved young man full of potential, jumps in front of a train. His mother (Shenagh Govan) and sister (Evlyne Oyedokun) are left to manage their understandable grief. Train driver Cyrus (Stanley J. Browne) finds himself incapable of moving past the incident, and takes on the mystery of Sonny’s suicide, insistent that the story is more complicated than it might seem. We’re also privy to Sonny’s last day before his death, in which he decides to anoint himself the guardian angel of Christine (Clare-Louise English), a complete stranger.

The story works best when we’re unsure of how it will all piece together. Dialogue is playful and snappy; various relationships are displayed organically, painting a true-to-life image. But as soon as we reach an attempt at clarity- I’d say about an hour in- it all starts to drag a little. Each plotline is too complex to meet any other with any kind of harmony, as though writer Winsome Pinnock had lots of ideas, but no ending in mind.

The first ten minutes are also distractingly confusing, as Govan plays both a jaded fellow train driver trying to down-play Sonny’s death, and, in the following scene, his grieving mother. It’s unclear for too long that these are two different people. I’m sure casting director Sarah Hughes was working to a budget, but maybe next time splash out and get someone to step in for the first role. That being said, Hughes has done a splendid job otherwise. Govan as the mother perfectly balances force and affection; her relationships with both her children seem well-worn and honest. Pantry is spectacular, showing the full range of someone on the brink. English, too, expresses incredible nuance, full of kindness whilst distrustful of others’ good nature.

The scenery (Amelia Jane Hankin), though very pretty, doesn’t work. Two free-standing wooden shelves bow over the stage, carefully curated with plants and artfully stacked books. Scenes come and go in various locations, and I’m waiting for the backdrop to make sense. It’s possible it suits a scene in a hotel, or maybe Sonny’s flat, but the story takes place in a bunch of different places, so it really doesn’t make sense even if it were either of those, and it’s unclear either way.

The main trouble, though, is that within this one play, Pinnock has enough material for a series, following various characters, each with their own story, each suffering in their own private way. But in attempting to squeeze it in to one plot under two hours, she’s lost the thread. I would love to see this story properly unpacked, but for now, One Under, as directed by Amit Sharma, is a wonderful display of talented performances with a script not quite up to scratch.

Reviewed by Miriam Sallon

Photography by Patrick Baldwin

Southwark Playhouse

Reviewed – 20th January 2020

★★★

“There’s a lot to like in the gentleness of Steiner’s script, but it’s a slow burn that’s really too slow”

In a time of political chaos, social turmoil, and environmental catastrophe, it’s easy to feel like the end of the world is right around the corner. It’s no surprise apocalypse stories feel particularly relevant right now.

You Stupid Darkness! is a show full of heart and humour about the end of the world. A distinctive, insightful script with something to say – it’s a shame it’s missing a trick.

Reviewed by Addison Waite

Photography by Ali Wright

You Stupid Darkness!

Southwark Playhouse until 22nd February

Last ten shows reviewed at this venue:

Arcola Theatre

Reviewed – 11th December 2019

★★★

“a wonderful display of talented performances with a script not quite up to scratch”

A tragedy doesn’t just befall the victim in the middle, it happens to so many people. One Under explores the effects of loss, ownership of grief, and the sometimes-bizarre ways we deal with it, whether we knew the person or not.

Reviewed by Miriam Sallon

Photography by Patrick Baldwin

One Under

Arcola Theatre until 21st December

Last ten shows reviewed at this venue: