Tag Archives: Theatre Royal Plymouth

IN THE LADY GARDEN

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Edinburgh Festival Fringe

IN THE LADY GARDEN at the Edinburgh Festival Fringe

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“a charming and very funny play”

Things have never been the same for Alice since that time when she was a kid when she took all her clothes off and ran naked into the living room. She couldn’t understand what all the fuss was about. Her brother was naked all the time and it didn’t seem to bother anyone, but something about her doing it was different. It’s ever since then that she’s wondered: would things be different if she were born a boy? She’s now 69 years’ old and she’s here to tell us her story. Oh, and she’s somehow found herself locked up in a jail cell (the reason for which will become clear as the story goes on!). Through an hour of storytelling, we find out all about her life; from being expelled from convent school to the struggles of her family life and relationships.

This is a charming and very funny play, and an Edinburgh Fringe debut from The Lady Gardeners, a company of three women all over the age of 60. Julia Faulkner is fantastic as Alice, energetically moving around the stage in her grey tracksuit and slippers as she morphs seamlessly into the different characters in Alice’s life. She does an incredible job at getting all of the audience around the thrust stage really involved in the story, in a staging which has been skilfully directed by Deborah Edgington.

As well as having lots of brilliant one-liners and a really touching, human story about growing old and reflecting on the past, Babs Horton’s play is also filled with beautiful poetry and imagery, which delightfully paints Alice’s world for the audience and makes it an utter joy to listen to. There are also plenty of hilarious moments; a scene featuring a trip to Ann Summers as Alice shops for a vibrator provides some particularly laugh-out-loud moments, and Alice’s exploration of the world of social media becomes a real eye-opener for her. Horton’s script also cleverly weaves exposition into the text; a funny moment sharply turning dark as we’re told of the loss of a child, for instance, is really delicately handled, and provides lots of layers to Alice’s life which allow us to become really invested in her as a character.

All of this is underscored with music that sets the scene and atmosphere, and there’s a lovely costume change towards the end as Alice finds her sense of freedom with an escape to Sicily. A little more could be done with the play’s pacing, particularly the first half, and some of the jokes could land a little neater, but luckily Faulkner’s charm and rapport with the audience keeps us engaged throughout. A brilliant debut show and a great way to spend the afternoon in Edinburgh


IN THE LADY GARDEN at the Edinburgh Festival Fringe – Pleasance Courtyard

Reviewed on 8th August 2024

by Joseph Dunitz

 

 


IN THE LADY GARDEN

IN THE LADY GARDEN

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You Stupid Darkness!

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Southwark Playhouse

You Stupid Darkness!

You Stupid Darkness!

Southwark Playhouse

Reviewed – 20th January 2020

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“There’s a lot to like in the gentleness of Steiner’s script, but it’s a slow burn that’s really too slow”

 

In a time of political chaos, social turmoil, and environmental catastrophe, it’s easy to feel like the end of the world is right around the corner. It’s no surprise apocalypse stories feel particularly relevant right now.

Sam Steiner’s play, directed by James Grieve, is set in a future, disintegrating Britain. People are more-or-less keeping calm and carrying on despite toxic air, power outages, bridges collapsing, and buildings crumbling. The disaster is never specified – we don’t know whether this is the aftermath of WWIII, the effects of unchecked climate change, or both – but we do know trees are falling and the sea has turned viscous.

Four volunteers meet in a dilapidated call centre one night a week to run an emotional support helpline. Their job is to provide reassurance, although they’re barely holding it together themselves. On top of the world falling apart, Frances (Jenni Maitland) is heavily pregnant at a time when pregnancy is considered misguided or radically optimistic. Jon (Andy Rush) is going through a rough patch in his marriage. Angie (Lydia Larson) makes the best of her difficult upbringing. Joey (Andrew Finnigan), seventeen years old, is facing what feels like a pointless question of applying for university.

It may sound bleak, but Steiner handles the dark subject matter with a refreshingly light touch. While the apocalypse rages outside, the Brightline volunteers do their best to simply get on with the day. They hang up their gas masks when they arrive, attempt to make coffee without a working kettle, deal with perverts on the phones, and reluctantly participate in Frances’ positivity exercises.

The play is a series of small moments. Steiner gives us little window-like scenes through which we see the characters try to make connections with the people on the phones and each other, conversations hinting at personal lives and troubles beyond the office walls. There’s a lot to like in the gentleness of Steiner’s script, but it’s a slow burn that’s really too slow. Without much in the way of story, the two-hour runtime feels very long. Steiner’s scenes may be delicate and perceptive, but they lack momentum. And while the characters are strong, and well-performed by a talented cast, the show needs the backbone of a plot to help support its length.

Amy Jane Cook’s astute design presents the call centre as a little haven from the desolation outside, held together purely by blind optimism and denial. Everywhere signs of deterioration are refusing to be acknowledged. Gaping holes in the walls are covered up by motivational posters. Frances stubbornly tacks them back up each time they fall down. A whiteboard enthusiastically displays the word of the week (β€˜Communication’ β€˜Optimism’). Intense storm winds blowing snow-like debris occasionally blast open the door. When the call centre floods, the stage fills with water. But when Frances fills the space with candles, the scene conveys a powerful sense of hope. The message of perseverance, resilience, and hope, no matter how irrational, will undoubtedly resonate with anyone feeling overwhelmed by the world today.

You Stupid Darkness! is a show full of heart and humour about the end of the world. A distinctive, insightful script with something to say – it’s a shame it’s missing a trick.

 

Reviewed by Addison Waite

Photography by Ali Wright

 


You Stupid Darkness!

Southwark Playhouse until 22nd February

 

Last ten shows reviewed at this venue:
The Curious Case Of Benjamin Button | β˜…β˜…β˜…β˜…β˜… | May 2019
Afterglow | β˜…β˜…β˜…Β½ | June 2019
Fiver | β˜…β˜…β˜…β˜… | July 2019
Dogfight | β˜…β˜…β˜…β˜… | August 2019
Once On This Island | β˜…β˜…β˜… | August 2019
Preludes | β˜…β˜…β˜…β˜… | September 2019
Islander | β˜…β˜…β˜…β˜…β˜… | October 2019
Superstar | β˜…β˜…β˜…β˜… | November 2019
Potted Panto | β˜…β˜…β˜…β˜… | December 2019
Cops | β˜…β˜…β˜…β˜…β˜… | January 2020

 

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