Tag Archives: Theatre Royal Windsor

Love Letters

Love Letters

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Theatre Royal Windsor

Love Letters

Love Letters

Theatre Royal Windsor

Reviewed – 13th October 2020

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“Martin Shaw and Jenny Seagrove are perfectly cast for this agreeably wry game of theatrical tennis”

 

Windsor’s Theatre Royal successfully re-opened last night with A.R. Gurney’s gentle hit β€˜Love Letters’ starring Martin Shaw and Jenny Seagrove. The affection in which this lovely old theatre is held locally was evident in the warm reception given to Producer Bill Kenwright as he paid tribute to the team behind the show and welcomed the audience back. He also announced β€˜Windsor on Air’ – a new season of radio style one week runs which includes hits like β€˜The Lady in the Van’ and Tom Conti and Felicity Kendal in β€˜Lloyd George Knew my Father’. A comprehensive set of measures ensure audience safety, including serving drinks to your seat.

β€˜Love Letters’ began in 1988 as an epistolatory novel, but it soon became a big Broadway hit. It’s a play which β€˜needs no theatre, no special set, no memorization of lines’. The two characters sit at desks at 60 degrees to each other and read letters and cards which chart a half century of hectic and privileged East Coast American living. A glittering roster of past performers has included the likes of Elizabeth Taylor, Charlton Heston, Ali MacGraw – and even Larry Hagman.

At its soft heart the play is about maintaining togetherness through separation, as childhood sweethearts stay close by correspondence, as their lives dramatically diverge. Only in the last, poignant moments does one character finally look at the other.

Martin Shaw (β€˜Judge John Deed’ and many others) and Jenny Seagrove (β€˜Peak Practice’, β€˜Judge John Deed’, the film β€˜A Chorus of Disapproval’ and much more) are perfectly cast for this agreeably wry game of theatrical tennis. The writing is excellent, particularly in the second half, when the pair of elementary students grow into adults. She is a β€˜lascivious old dame’ and he a β€˜shifty [but very successful] bastard’. His dogged defence of the power of letter-writing gets gently patted back by her one-liners and aching silences.

Roy Marsden directs this bittersweet and delightful Pulitzer-listed comedy with a light touch.

 

 

Reviewed by David Woodward

Photography Simon Vail

 


Love Letters

Theatre Royal Windsor until 17th October

 

Previously reviewed by David:
Assassins | β˜…β˜…β˜…β˜…β˜… | Watermill Theatre Newbury | September 2019
The Mousetrap | β˜…β˜…β˜…β˜… | Theatre Royal Windsor | October 2019
The Nutcracker | β˜…β˜…β˜…β˜… | Theatre Royal Windsor | November 2019
What’s In A Name? | β˜…β˜…β˜…β˜… | Theatre Royal Windsor | November 2019
Ten Times Table | β˜…β˜…β˜…β˜… | Theatre Royal Windsor | January 2020
Buddy: The Buddy Holly Story | β˜…β˜…β˜…β˜… | Theatre Royal Windsor | February 2020
The Last Temptation Of Boris Johnson | β˜…β˜…β˜…Β½ | Theatre Royal Windsor | February 2020
The Black Veil | β˜…β˜…β˜… | Theatre Royal Windsor | March 2020
The Wicker Husband | β˜…β˜…β˜…β˜…β˜… | Watermill Theatre Newbury | March 2020
The Strange Case Of Dr Jekyll & Mr Hyde | β˜…β˜…β˜…β˜…β˜… | Wilde Theatre | September 2020

 

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The Black Veil

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Theatre Royal Windsor & UK Tour

The Black Veil

The Black Veil

Theatre Royal Windsor

Reviewed – 3rd March 2020

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“if you enjoy high Victorian melodrama, this is a spirited piece with some memorably dark (if rather improbable) moments”

 

β€˜Hell hath no fury like a woman scorned’. This play is loosely based on a short story by Charles Dickens, first published in book form in 1836. Like many of the other β€˜Sketches by Boz’ it’s a yarn that evokes the grim poverty and colourful street life of early Victorian London that Dickens knew so well. Many of the stories were first published to popular acclaim in the newspapers and periodicals of the day.

Playwright John Goodrum has taken fewer than 4,500 words by Dickens and spun them out in new directions, building a wordy melodrama that is long on operatic moments and is as dark as the black curtain-hung set (design by the playwright) in which it is presented. According to the programme, his inspiration is as much Wilkie Collins (The Woman in White) as it is Dickens. Chesterfield-based Rumpus Theatre Company was formed in 1994 to perform a much earlier play by the same author.

The piece opens with a promising tableau scene, with some impressive lighting and sound effects (Keith Tuttle and David Gilbrook). Late one evening, an inexperienced young doctor (Christopher Brookes) receives a mysterious black-veiled visitor at his rooms near St Paul’s. At length she speaks, and explains that a terrible tragedy is about to befall someone dear to her. She begs the good doctor to visit her home in Limehouse the following morning. He is drawn in to a dark web of deception and tragedy that spirals via more than one improbable twist to an outlandish conclusion unimagined by Dickens himself.

Dorkas Ashar (once Bert Fry’s wife in β€˜The Archers’), gives a good performance as the inevitably eponymous and suitably Dickensian sounding Ada Crawlings, who remains veiled for her entire appearance. In the spirit of Victorian theatre, Director Karen Henson has made a play that is big on vocal and gestural effect and this was reflected in all the performances, including that by John Goodrum himself as Luke Gunford. Sarah Wynne Kordas appears in the second half as Carla Blackstock, as the pace of the play picks up and the young doctor receives more shocks than any therapist would ever dare prescribe.

A subtler interpretation could easily be imagined, but if you enjoy high Victorian melodrama, this is a spirited piece with some memorably dark (if rather improbable) moments.

 

Reviewed by David Woodward

 


The Black Veil

Theatre Royal Windsor until 7th March then UK tour continues

 

Previously reviewed at this venue:
The Trials Of Oscar Wilde | β˜…β˜…β˜…β˜… | March 2019
Octopus Soup! | β˜…β˜…Β½ | April 2019
The Mousetrap | β˜…β˜…β˜…β˜… | October 2019
The Nutcracker | β˜…β˜…β˜…β˜… | November 2019
What’s In A Name? | β˜…β˜…β˜…β˜… | November 2019
Ten Times Table | β˜…β˜…β˜…β˜… | January 2020
The Last Temptation Of Boris Johnson | β˜…β˜…β˜…Β½ | February 2020
Buddy: The Buddy Holly Story | β˜…β˜…β˜…β˜… | February 2020

 

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