Tag Archives: Union Theatre

Brass – 4 Stars

Brass

Brass

Union Theatre

Reviewed – 6th November 2018

★★★★

“this moving piece about love and solidarity, humanises history and brings the forgotten to the foreground”

 

As Remembrance Sunday is coming up this weekend, with particular poignancy, as it will mark a hundred years since the armistice, Brass seems the most appropriate piece of theatre to watch this week in the capital. Originally commissioned by National Youth Music Theatre in 2014, Benjamin Till’s World War One musical now makes its professional premiere at the Union Theatre. Dramatising real life stories and people from the time, this moving piece about love and solidarity, humanises history and brings the forgotten to the foreground.

The war has been raging on France’s frontlines for a year. Alf, conductor of one of Leeds amateur brass bands, has decided it’s time for him to enlist. With not much encouragement, the rest of the band also agree to sign up, no man wanting to be left behind. After some very basic training, they are packed off across the English Channel, with spirits high, ready to fight the Krauts and become heroes. It doesn’t take long before the true horrors of war reveal themselves. The cheery days in the band seeming like a distant memory.

Back on home soil, the wives, girlfriends, and sisters of the men are left in Leeds to pick up the pieces, everyday, fearful of receiving the dreaded telegram reporting their loved one’s death. But these women aren’t sitting in wait; they bravely do their bit for the war effort, working at the Barnbow munitions factory. Through the correspondence sent between the men and women, the audience are transported back and forth between home and the ravaged front, proving the power of words in sharing love, encouragement, and reassurance.

The most refreshing part of this production is having a story that evenly tells of both men and women’s trials and tribulations during The Great War. As incomprehensibly horrific as being in the trenches must have been, seeing your friends killed right before your eyes, it is just as hard-hitting hearing about those treacherous times through the female perspective. With sensitive sophistication, Brass is a multi-faceted exploration of the devastation war brings to every member of the family.

Benjamin Till’s music ranges from haunting lamentations to raucous morale-boosting ditties, which help to bring light and shade into the show. Most songs are rather unmemorable, yet still excel at moving the story onward, offering the emotional clout needed. The power of the cast’s voices is exemplary, creating gorgeous harmonies that can be spine tingling. With just the Musical Director, Henry Brennan, on the piano, this basic set up gives space for the singing to take centre stage.

Highly moving and heartfelt, Brass compels you to reflect, and make sure that the lives lost to the war are not forgotten.

 

Reviewed by Phoebe Cole

Photography by Mark Senior

 


Brass

Union Theatre until 24th November

 

Previously reviewed at this venue:
Heartbreak House | ★★★★ | January 2018
Carmen 1808 | ★★★★★ | February 2018
The Cherry Orchard | ★★★★ | March 2018
Twang!! | ★★★★ | April 2018
H.R.Haitch | ★★★★ | May 2018
It’s Only Life | ★★★★ | June 2018
Around the World in Eighty Days | ★★★ | August 2018
Midnight | ★★★★★ | September 2018

 

Click here to see more of our latest reviews on thespyinthestalls.com

 

Midnight – 5 Stars

Midnight

Midnight

Union Theatre

Reviewed – 11th September 2018

★★★★★

“a highly impactful, beautifully-crafted musical”

 

It is the last moments of 1937 in Soviet Azerbaijan and the clocks have stopped. The neighbour has just been taken away but Man (Colin Burnicle) works for the Party and has just received protection. Him and Woman (Norma Butikofer) are ready to open their black market champagne when they hear a knock on the door. Someone has a quota to fill. And he isn’t from the NKVD.

Based on the play ‘Citizens of Hell’ by one of Azerbaijan’s leading literary voices, Elchin, Timothy Knapman (book and lyrics) and Laurence Mark Wythe (music and lyrics) have created a highly impactful, beautifully-crafted musical. What are people prepared to do to survive, it asks, and how many lies are people prepared to tell those closest to them? As the couple are forced to face what they have each done, a harsh light is shone on this culture of fear and the limits that it pushes people to.

The fantastic actor-musician ensemble, dusted in white, edge the space, a perpetual haunting presence as they revolve between victims of the purges, colleagues and friends. Leon Scott’s visitor is enthralling onstage. He has an infectious presence and an irresistible charm, that feels wonderfully dichotomous against the chaos and confusion he leaves in his wake. Burnicle and Butikofer as the couple cracking beneath the pressure of their revelations, deliver nuanced and convincing performances, as the characters are pushed to their extremes.

Elliot Squire’s set raises their apartment just slightly, a traditional setting complete with a lounge area and dining table. The edges of this space are illuminated, a contemporary finish that creates a thin boundary between the ever-present ensemble and the central set. Stalin’s image hangs large and high above the stage.

It’s an unusual topic for a musical but one that translates surprisingly well. The score meanders between eerie musical moments lead by the ensemble, playful musical comedy segments, and more moving ballads from the couple. There is a lovely simplicity within the score that feels necessary to both the intimacy of the narrative and the size of the space. It is also delivered by a highly competent group of vocalists and musicians.

Moving us with ease between thriller, comedy and drama, this is a complex, well-crafted new musical, delivered by excellent performances, under the strong direction of Kate Golledge.

 

Reviewed by Amelia Brown

Photography by Lidia Crisafulli

 


Midnight

Union Theatre until 29th September

 

 

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