Tag Archives: Upstairs at The Gatehouse

Pericles, Prince Of Tyre

★★★

Upstairs at the Gatehouse

Pericles Prince Of Tyre

Pericles, Prince Of Tyre

Upstairs at the Gatehouse

Reviewed – 28th August 2019

★★★

 

“This production is fast paced and, whilst this is coupled with energetic performances, it does mean there is the danger of losing the gist of the plot at times”

 

This Jacobean play is one of Shakespeare’s lesser known pieces. Theatre company Idle Discourse have chosen Pericles as their current production, running for a short time at The Gatehouse Theatre, before heading to the Baroque Theatre at Zamek Valtice in the Czech Republic. In a nutshell, it’s a story of young Prince Pericles who flees the King of Antioch. This King is determined to kill Pericles as he finds out he has learnt of his incestuous affair with his daughter. Throw in stormy seas, characters such as a love interest, some villains and a long lost daughter and we have our, slightly mad, story.

As this is not a well-known Shakespeare play, with multiple characters coming in and out, it would be of benefit to research the plot of Pericles before seeing it. This production is fast paced and, whilst this is coupled with energetic performances, it does mean there is the danger of losing the gist of the plot at times.

The narrator of the play, Gower, is portrayed as a tourist visiting London. He finds a book, which he starts reading, before being immersed in the world of the play. He’s even involved in the action at certain points. This is a nice concept, framing the scenes well and providing added entertainment.

According to the director (Dan Dawes), the play has been given a “1970s twist”, although this isn’t hugely clear aside from a couple of small nods to the decade in one or two costumes and one particularly “hippy”-like character. The majority of the costumes suggest the play has been set in the modern day.

The eight performers (except narrator, Gower) all take on multiple roles throughout the play. The majority grab this opportunity with both hands, showing their versatility as actors and delivering some laugh-out-loud performances.

There’s no doubting the entertainment factor of this production. This is mainly down to the actors and their ability to engage the audience through comedy. It does feel a bit like you’re watching a pantomime throughout, but maybe that’s a good thing. The play is packed with many characters which it could be argued need to be larger than life in order to engage a modern audience in this lesser known Shakespeare piece.

 

Reviewed by Emily K Neal

Photography by  Robert Vass

 


Pericles, Prince Of Tyre

Upstairs at the Gatehouse until 31st August

 

Last ten shows reviewed at this venue:
A Night at The Oscars | ★★★★ | February 2018
After the Ball | ★★★ | March 2018
Return to the Forbidden Planet | ★★★ | May 2018
Kafka’s Dick | ★★★★ | June 2018
Nice Work if You Can Get It | ★★★★ | December 2018
Bad Girls The Musical | ★★★ | February 2019
Strike Up The Band | ★★★★ | March 2019
The Marvelous Wonderettes | ★★★★ | April 2019
Flat Out | ★★★★ | June 2019
Agent 14 | | August 2019

 

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Agent 14



Upstairs at the Gatehouse

Agent 14

Agent 14

Upstairs at the Gatehouse

Reviewed – 12th August 2019

 

“the audience is just watching a space with two chairs and a table, listening to an actor tell a story”

 

Agent 14 proclaims itself to be a one man show about a British intelligence agent “twice the age of 007 — but…twice as good!”. Hanging the success of a production on the protagonist’s age does this James Bond spoof no favours, especially when the script misses every chance to show us why an agent with thirty one years in the secret service is such an asset.

It’s always a risky business, spoofing a franchise as successful as Ian Fleming’s James Bond novels. The advantage is that your audience will come to the theatre ready to recognise the jokes about the alleged trappings of international espionage. But you still have to deliver a drama that includes these elements, and which then does something unexpected with them. Agent 14 sets us up to believe that we are about to see a show where age triumphs over beauty and youthful athleticism. Unfortunately, Agent 14 inexplicably derails itself instead, presenting us with a story about men long past retirement age (for the secret service) trying to solve one last mystery.

Sadly, this one hander by Ann Richards is no action drama either. It is all tell, and no show. But then, there is a reason James Bond stories work so well in film, where rapid changes to lots of exotic locations are expected, as well as death defying stunts on complicated sets. It is very difficult to stage these things unless one has the resources of the National Theatre, and even then, elaborate staging cannot disguise a weak script. Staged upstairs at the more modest, but very welcoming Gatehouse pub, Agent 14 is essentially sixty minutes of sitting and listening to one actor recite an Ian Fleming-like story with several switches of character and some attempts at dialogue. At the very least, this script cries out for two actors. It’s a tough assignment for just one actor, no matter how talented. Not surprisingly, solo performer Gary Phillpott delivers an uncertain performance whether it is playing Agent 14 Hugo Gunn, or a charlady, or his boss, or a taxi driver, or even a sultry Russian spy. All the references to sports cars, bespoke Savile Row suits, fine cuisine, and unlimited cash to gamble with, cannot disguise the fact that, in Agent 14, the audience is just watching a space with two chairs and a table, listening to an actor tell a story.

Agent 14, produced by the Off The Fence Theatre Company, is part of the ongoing Camden Fringe Festival, which has several other shows running at Upstairs at the Gatehouse in
Highgate Village and other venues.

 

Reviewed by Dominica Plummer

Images by ZigZag Photography

 

Camden Fringe

Agent 14

Upstairs at the Gatehouse until 18th August as part of Camden Fringe 2019

 

Previously reviewed at this venue:
A Night at The Oscars | ★★★★ | February 2018
After the Ball | ★★★ | March 2018
Return to the Forbidden Planet | ★★★ | May 2018
Kafka’s Dick | ★★★★ | June 2018
Nice Work if You Can Get It | ★★★★ | December 2018
Bad Girls The Musical | ★★★ | February 2019
Strike Up The Band | ★★★★ | March 2019
The Marvelous Wonderettes | ★★★★ | April 2019
Flat Out | ★★★★ | June 2019

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