Tag Archives: Vaults Theatre

Be Prepared – 4 Stars

Prepared

Be Prepared

The Vaults

Reviewed – 7th February 2018

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“a movingly cathartic piece of theatre”

 

Darkly entertaining, β€˜Be Prepared’ is a compassionate, stirring one-man performance by Ian Bonar as Tom, caught up in a chaos of mixed emotions as he randomly becomes involved in the life and death of a complete stranger, Mr Chambers. More than simply an observation of the entropic nature of life, it is a heart-rending comment on the profound effect a chance event can have. Inspired by the death of his father and amalgamating personal recollections, his grandfather’s treasured memoires and his imagination, Ian and fellow collaborator, Rob Watt, create a character who skips restlessly between remembering and forgetting. From an entanglement of someone he only knows through incoherent phone conversations, he takes us on the journey of his own grief. It is a sincere description of bewilderment as he is confronted by his many conflicting feelings, from the shock of loss to the banality of choosing a coffin. The result is a movingly cathartic piece of theatre.

In the depths and darkness of the Vaults Theatre we are transported into Tom’s confusion with creative use of lighting (Charlie Morgan Jones and Nick Harvey) which cleverly adds intensity and drama to his shifting thoughts. The entrancing, abstract sound by Alex Crispin blends curiously well with the rumbling of the trains overhead and Rob Watt’s artful direction offers the audience a sensitive yet provocative production. The intensity does wear off slightly, however, towards the second half of the show when the script becomes faintly dishevelled, resulting in a mixture of rambling, theatrically-portrayed memories as the two strangers help each other remember those they are forgetting.

Ian Bonar has worked in television, film and theatre. As a playwright he opens himself up to the possibilities of a different path of expression and β€˜Be Prepared’ seems to expose something he needs to talk about. He connects immediately with the audience both as actor and writer, luring us into his world to share his personal interpretation of a subject common to all of us and which we rarely divulge with others. He mesmerises the audience and implores sympathy with unabashed earnestness. It is humorous but tastefully balanced, showing the uncontrolled hysteria which takes over in such life-changing moments.

When grief hits, it unplugs a multitude of sensations which bring disorder and distress. The nonsensical picture of life leaves us floundering and leads to a search for meaning. β€˜Be Prepared’ is sad, funny, reflective and impassioned, awakening in us a bitter sweet response to an inevitable part of life.

 

Reviewed by Joanna HetheringtonΒ 

Photography by The Other Richard

 


Be Prepared

Vaults Theatre until 11th February

 

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Neverland – 3 Stars

Neverland

Neverland

The Vaults

Reviewed – 1st February 2018

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“the immersive element needs a lot more thought and a little reworking”

 

Neverland is β€œan immersive musical adventure”, a spin on the classic Peter Pan tale told from the perspective of JM Barrie. A Peter Pan story for grown ups if you like, which keeps the central characters of the original. The show starts well in a central set with the Llewelyn Davies children (the real life inspiration for the original story) getting ready for bed and reliving fantasies and stories from the depths of their imagination with a little help from JM Barrie himself. They interact with the audience, drawing people in to become involved with their stories and participants in the show. Dominic Hall plays a wonderful JM Barrie and delivers a particularly poignant monologue at the end of the show.

The musical sections are very good. The voices of Casey Andrews (Michael) and Simran Hunjun (Captain Hook) are magical. You eagerly await their next song. Lucie Treacher (George) is a gifted musician who entertains throughout the show with a range of conventional and non-conventional instruments.

Rachel Sampley uses strobe lightning with great impact for a battle scene which I felt was one of the highlights of the show.

The problem with the show was that it became chaotic when the audience was split up and taken to different locations. There was no coherence to this and it all seemed a little bit random. The breakout groups were taken to mini sets behind thin curtains. This added to the confusion particularly if you remained in the main room as you could hear part of the sub plot happening in the next room. The audience was left trying to figure out if you should follow what you could see or what you could hear.

This piece of theatre does have a lot of potential however the immersive element needs a lot more thought and a little reworking. The sub plot sets are a delight but not everyone gets to experience them. Possibly with a smaller audience and a more promenade style of immersion this could be a hit.

 

Reviewed by Angela East

Photography by Helen Maybanks

 


Neverland

Vaults Theatre until 18th March

 

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