Tag Archives: Vaults Theatre

DIETRICH: NATURAL DUTY

★★★★★

VAULT Festival 2018

Duty

Dietrich: Natural Duty

The Vaults

Reviewed – 25th January 2018

★★★★★

“Groom is a sensational storyteller, able to create vivid images of the world in which Dietrich inhabited, with nothing more than a microphone, a packet of cigarettes and a small table and chair”

 

In the depths of the deep, dark tunnels underneath Waterloo Station lies a microcosm of art, innovation and creative vitality. The Vaults has opened its doors for its annual arts festival, which boasts as being London’s largest. The sheer multitude of theatre shows, performance art, film and comedy going on within the next eight weeks makes it the capital’s own little slice of the Edinburgh Fringe. Dietrich: Natural Duty is a play mixed with a cabaret show that is not to be missed. Through song, vivid storytelling and drag, the life of the Hollywood legend, Marlene Dietrich is brought to life in this mesmerising and intimate one (wo)man show.

Right from the onset when theatre maker Peter Groom comes sashaying down the aisle poised and statuesque in full Dietrich-garb, he has the whole audience captivated. Big-eyed and pouty in a single spotlight, he croons his way through honky-tonk tunes of yesteryear. The voice of a British journalist suddenly pierces the atmosphere, startling Dietrich out of her performance. He asks a question about Marlene’s past that takes her reeling back to how everything began. We are taken on a journey through Dietrich’s early life in her hometown of Berlin, to being discovered by Hollywood, to the turbulent moment during World War II where she had to choose between Germany and the country she had now come to call home. Deciding to denounce her German citizenship and go on the road with the American troops, Dietrich makes it her duty to fight against her homeland and free her people from the grips of Hitler’s dictatorship. Trying to survive the deadly front by day whilst glamorously entertaining the Yankee boys by night, we watch the toll it takes on her during and after the conflict had ended, having to transition back into the role of the ultimate movie star of the Golden Age of Hollywood.

Peter Groom is a sensational storyteller, able to create vivid images of the world in which Dietrich inhabited, with nothing more than a microphone, a packet of cigarettes and a small table and chair. Songs are cleverly selected and placed within the show at relevant moments that helps to move the story along, performing not as a interlude but as integral, pivotal emotional shifts within Dietrich’s life. Groom gives a particularly moving rendition of the political song Where Have All The Flowers Gone? symbolising the actress’ anger with the war and the amount of pain it had caused. Dietrich: Natural Duty is a timely production, highlighting how we are living in tumultuous political times, where history could be repeating itself. However, as thought provoking as the themes this production draws up are, it is all done with a touch a class, comic coolness, and candour – all with the help of a bejewelled gown, smouldering looks, hip bumps and a fabulous wig of course.

 

Reviewed by Phoebe Cole

 


Dietrich: Natural Duty

Vaults Theatre until 28th January

 

 

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Revolution – 5 Stars

Revolution

Revolution

The Vaults

Reviewed – 24th January 2018

★★★★★

“without a moment to blink you are placed in your faction to begin the game”

 

“Do more than belong: participate”

(William Arthur Ward)

Most often, or not, as audience members in a theatre we naturally fall into the habit of remaining subdued during a performance, unless encouraged to do otherwise – and most likely only if we see others doing the same. As soon as we find our seats and settle in, it’s almost as if we silence ourselves simultaneously as we turn our phones onto ‘silent-mode.’ Whilst this may be generalising ever so slightly, if there ever was an interactive performance to kick-start your audience-member-receptors into gear, look no further than Revolution.

As part of the extensive programme at this year’s Vault Festival, Revolution is a 90-minute immersive and interactive performance by Exit Productions inspired by games like Risk, Diplomacy, Settlers of Catan, and Civilisation. It takes place during a revolutionary upheaval in London whereby the audience are protagonists in the story and are split into rival factions. Throughout the high-energy performance it is up to you and your fellow audience members to decide the course of the revolution.

The performance is a delightful ride from the very beginning. After gathering at the meeting point before the performance we were led through the Vault Tunnels past a variety of political graffiti, the majority being various depictions of Trump, which seemed incredibly poignant as a precursor to the performance. Once we arrived at the venue we were quickly ushered inside where an intense soundscape filled the space, and without a moment to blink you are placed in your faction to begin the game.

This arena couldn’t have fit this performance more appropriately, there was an open area where, between rounds, the audience convened, as well as divided spaces for the faction HQs. It felt almost maze-like, adding another layer to an already incredibly animated experience. Additionally, the set was comprised of a selection of furniture that gave that feeling of instant immersion, vital for such a performance.

The potential downside of such a performance is that it relies so heavily on the audience willingly participating for the full game. However, the overall atmosphere of the game was commanded incredibly efficiently by the entirety of the actors (Peter Dewhurst, Lauren Gibson, Chris Neels, Clemency Thorburn), often without you realising. Even for the most shy of audience members, the energy within the performance space will make you feel like taking part is the only option.

If you’re in need of channelling your inner-frustration with the current political climate elsewhere, I’d wholeheartedly recommend taking part in Revolution as a remedy. I promise, it works!

 

Reviewed by Claire Minnitt

 


Revolution

Vaults Theatre until 18th March

 

 

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