Tag Archives: Watermill Theatre

Burke & Hare
★★★½

Jermyn Street Theatre

Burke & Hare

Burke & Hare

Jermyn Street Theatre

Reviewed – 30th November 2018

★★★½

“A quiet night in the West End this is not. And quite right too. For what could be more festive than death, deceit and intrigue?”

 

Messrs William Burke and Hare have passed into mythology as notorious grave robbers who turned a profit in 1820s Scotland flogging corpses to medical schools. Tom Wentworth’s comic script revisits their tale, claiming to be an ‘objective’ rendering, ‘rooted firmly in reality’. But those seeking an authoritative retelling of Burke and Hare’s story need not apply. This is history played for laughs – a mission very successfully achieved.

Indeed, there’s frank admission of the history’s slipperiness throughout. The opening scene sees the actors in and out of character, clamouring to rehabilitate the reputations of their respective roles. This also serves as a handy introduction to this micro-cast of three.

Such lean staffing certainly leaves nowhere to hide, but this strong ensemble pull it off. Impeccable comic timing delivers laugh-out-loud moments, with Alex Parry and Hayden Wood especially effective as the dastardly duo.

Also strong, Katy Daghorn as, well, almost everyone else, at times comes off a touch mannered. As with all the actors here, her ready command of accents is impressive but her physicality can feel awkward. This is a small niggle, though, given the dexterity shown by this apparently tireless trio in what must be an exhausting performance.

The cast canter through a merry repertoire of Victorian Edinburgh’s finest. Indeed, real fun is had with the limits of a three-person cast in a confined space. One gag sees the cast stumped when they realise that, all on stage, they are without a corpse. Considerable charm is applied by Wood and a conscript found: sit on the front row at your peril.

This quip wears thinner in an extended sequence in the second half, but Parry’s shattering performance of every member of an extended family group is nonetheless impressive. This retold joke, though, perhaps eats into time that might have been better spent unravelling the tail-end of the narrative a little more; the conclusion is upon us with little warning and the outcome of the eventual criminal trial feels rushed.

Every resource is put to work to create atmosphere and place in this tiny theatre. This includes intelligent uses of music and sound, such as the metronome set ticking as we wait for yet another lodger to shuffle off this mortal coil. Mention must also be made of the cast’s really beautifully executed close harmonies, from drinking songs to ballads. Lighting, too, is neat, variously suggesting the fug of an Edinburgh street, a sterile anatomy lecture hall and the snug boarding house amongst others.

All in all, Burke and Hare offers surprising levels of merriment for a play about resurrection men. There is balance here – we’re given real menace leading up to and pathos at the death of one key player – but the night rattles along at a fair pace. A quiet night in the West End this is not. And quite right too. For what could be more festive than death, deceit and intrigue?

 

Reviewed by Abi Davies

Photography by Philip Tull

 


Burke & Hare

Jermyn Street Theatre until 21st December

 

Our review of the original Watermill production:
Burke & Hare | Watermill Theatre | ★★★★ | April 2018

 

Previously reviewed at this venue:
Woman Before a Glass | ★★★★ | January 2018
Mad as Hell | ★★★ | February 2018
The Dog Beneath the Skin | ★★★ | March 2018
Tonight at 8.30 | ★★★★★ | April 2018
Tomorrow at Noon | ★★★★ | May 2018
Stitchers | ★★★½ | June 2018
The Play About my Dad | ★★★★ | June 2018
Hymn to Love | ★★★ | July 2018

 

Click here to see more of our latest reviews on thespyinthestalls.com

 

Jane Eyre – 4 Stars

Jane Eyre

Jane Eyre

Watermill Theatre

Reviewed – 30th October 2018

★★★★

“This is both a story of 1847 and one of today”

 

Charlotte Brontë’s Jane Eyre is the eponymous and block-busting mid-19th century romantic novel. First published in three volumes, its narrator, ‘plain Jane’ describes her childhood in the home of an abusive aunt, her punitive schooling, and her employment as governess to the ward of Mr Rochester at the gloomy Thornfield Hall. Rochester, of course, has a dark secret locked up in his attic. Jane Eyre is a story about confinement, mastery and love. For Rochester, Jane is ‘unfemale’, ‘a wild, frantic bird’ to be caged. But she is ‘no bird; and no net ensnares me; I am a free human being, with an independent will’.

This is both a story of 1847 and one of today. Newbury’s Watermill has translated the classic and pioneering novel into a seventy minute show that runs without interval, and that is followed, from Tuesday to Friday, by an interesting question and answer session. 

Adaptor Danielle Pearson explained how almost half of her text was cut away about a week before the show opened, enabling her to create a taut and vibrant adaptation that remains truthful to the novel. Director Chloe France stripped away set too, and the show takes place with the back wall of the theatre visible and just a few simple wooden boxes on stage. Costumes are traditional and appropriate.

Just three actors were cast. Rebecca Tebbett has a luminous quality as Jane, and thoroughly inhabits the Yorkshire in which the action takes place. Wreh-Asha Walton has by far the most difficult task, taking on seven roles (plus Rochester’s dog). Interestingly, she portrays Rochester’s wife Bertha as a Caribbean woman, using some folk-dance inspired moves in a performance imbued with impressive power and authority. 2018 Stage Debut Award winner Alex Wilson has just the right amount of arrogant authority as Rochester. In one demanding and fast-moving scene he switches repeatedly from the role of Rochester to St John Rivers, Jane’s cousin, highlighting the dilemma that faces Jane as she chooses between going to India and returning to Rochester.

By stripping away so much that would be superfluous, this clever stage adaptation focuses on the power and poetry of Charlotte Brontë’s words, with some engaging performances from an impressive young cast. Not a moment is wasted.

You will have to be quick to catch this satisfying and thought-provoking show which closes on November 2.

 

Reviewed by David Woodward

Photography by Philip Tull

 


Jane Eyre

Watermill Theatre until 2nd November

 

Previously reviewed at this venue:
Teddy | ★★★★★ | January 2018
The Rivals | ★★★★★ | March 2018
Burke & Hare | ★★★★ | April 2018
A Midsummer Night’s Dream | ★★★★ | May 2018
Jerusalem | ★★★★★ | June 2018
Trial by Laughter | ★★★★ | September 2018

 

Click here to see more of our latest reviews on thespyinthestalls.com