Lysistrata
Cockpit Theatre
Reviewed โ 26th June 2019
โ โ
โWhile the show has a scattering of very funny lines, itโs mostly incomprehensibleโ
Perhaps youโve heard the ancient Greek story about a nationโs women who, fed up with an interminable war, banded together to refuse men sex until they agreed to call off the fighting. This is the plot of Lysistrata by Aristophanes, first performed in Athens in 411 BC. The Delta Collective have revamped the play for the modern era, setting the story in a non-binary world.
Unfortunately, if you havenโt read the original play, this one wonโt make much sense. Alice Carlill, Alex Kristoffy, Robin Kristoffy and Luke MacLeodโs adaptation takes almost no care to clarify who the characters are, where they are, and what theyโre doing at any given moment. Each scene presents a new challenge to discern what theyโre talking about. The specifics of their protest are opaque. The series of events verges on nonsensical: thereโs a gathering of representatives โ we have no idea who they are, or what they represent. In one scene, the women are hard at work hauling bags โ weโre given no clue why. In another, a letter arrives prompting everyone to fall screaming to the floor โ itโs never explained. The whole thing feels random and messy. Itโs very hard to follow.
The characters make long, passionate speeches that are practically unintelligible. Generic language about โnot submittingโ and โrightsโ and โthe workersโ form highly vague arguments that donโt seem to be attached to any particular subjects. Flashes of clever, surprisingly funny lines prove the writing is strongest when it breaks out of adaptation mode. Ikky Elyas (Philurgus and Drakes), and Louis Rembges (The Secretary) stand out in regard to the comedy.
Lack of clarity in the writing combined with uneven performances makes the characters seem erratic: suddenly theyโre shouting, suddenly theyโre sobbing. Itโs impossible to feel connected to the emotions when they appear to fly out of nowhere. Aoife Smyth, who plays Lysistrata, comes across more stroppy teen than fierce leader. But immaturity is a broader issue. Most of what should be impassioned debate is reduced to senseless juvenile screaming. Itโs a young cast, and director Olivia Stone may have intentionally chosen to emphasise the charactersโ adolescent behaviour. However, while teenage-leaning performances bring out the sophomoric nature of Aristophanesโ sex-based comedy, theyโre shallower and less convincing as adults with spouses and children.
Lysistrata, a comedy about a sex strike, is not something to meet with seriousness. The Delta Collective are absolutely right to play and experiment with reshaping this text for 2019, interrogating its gender and sexuality power dynamics. Itโs a shame the story seems to have been lost in translation. While the show has a scattering of very funny lines, itโs mostly incomprehensible.
Reviewed by Addison Waite
Lysistrata
Cockpit Theatre until 29th June
Last ten shows reviewed at this venue:
On Motherโs Day | โ โ โ ยฝ | August 2018
Zeus on the Loose | โ โ | August 2018
The Distance You Have Come | โ โ โ โ | October 2018
Donโt You Dare! | โ โ โ | November 2018
Unbelonger | โ โ โ ยฝ | November 2018
LโIncoronazione Di Poppea | โ โ โ โ | January 2019
Mob Wife: A Mafia Comedy | โ โ โ | January 2019
Cheating Death | โ โ | February 2019
Bed Peace: The Battle Of Yohn & Joko | โ โ โ | April 2019
Much Ado About Not(h)Ing | โ โ โ | June 2019
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