GODFATHER DEATH: A GRIMMS’ MUSICAL at the Edinburgh Festival Fringe
★★★★★
“The carefully crafted and deftly performed musical score has earthy tones of folk and blues”
Godfather Death: A Grimm’s Musical is a commanding and energetic musical adaptation of a dark, morality fairy-tale first collected by the Brothers Grimm. It is brought to life by the talented stage and musical direction of brothers Jack and Finlay Avison and a strong, committed, and versatile cast.
On the birth of her thirteenth child, with another mouth to feed and under threat of the child being sent to the workhouse, a mother must find a Godfather who will be a benefactor to her new-born son. Vying for this role are God and the Devil. God imperiously offers unconditional love and other divine promises, but the mother has only witnessed poverty and hardship and finds God’s promises empty. The Devil’s temptations are similarly unpalatable.
Godfather Death, languid yet playful, then offers his own services, promising to look after the boy and family financially. On the son’s coming of age, he bestows upon him the gift of knowing when someone is to live or to die. His benefactory gift comes with a warning, however: there can be no way to avoid Death when the person’s time is up.
As the Godson, grows, becoming ‘the Physician,’ he encounters the myriad complexities of the mortal struggle as he stands in the way of Death. The tongue-in-cheek song ‘Death is a friend of mine’ catches this moment. Is it acceptable to profiteer from people’s fear of Death? How do we square our moral stance in accepting or railing against the fate of others? We all come to accept Death’s invitation.
Andrew Lodge (Death) holds the stage and the audience throughout this captivating musical, an ever present and highly able singer and actor, bringing malice, charm, persuasion and wit to the role with ease.
Jack Mailer gives the performance of his life as the Godson / Physician, with superbly controlled singing and emotive strength.
Iona Wood (Mother, Princess) brings the full range of emotions to her roles and the audience feel her plight, whilst Aila Swan (God, Queen, Sibling, Servant) shows a highly dynamic vocal dexterity in her characterful and energetic portrayal of God and the sister, especially in lively duets with her brother.
Finlay Avison (Co-Director) works hard to overcome the challenges of a small stage, many costumes and props and a complex narrative. The cast, especially Death, engage with the audience, moving in and around the auditorium, ensuring we are fully immersed in the storytelling.
The set is simple, with the two live musicians on stage and amusingly taking a comedic part in the narrative at times. Use of costumes and props clarify the multiple roles, and the thematic use of candles is a powerful metaphor for life as it is created and taken away.
Lighting by Fraser Scott is used effectively and evocatively throughout, creating a suitably ethereal suspense, although the small stage did mean at times it was difficult for the cast to follow the spot at the edges.
Jack Avison is an accomplished Co-Musical Director, helping the swift transitions in an otherwise complex narrative to take shape. He is ably assisted by Jon Wallace on drums, which never overpowered. The carefully crafted and deftly performed musical score has earthy tones of folk and blues alongside haunting and memorable melodies and some real crowd-pleasing ensemble songs. The overlapping melodies are performed with gusto by this musically talented cast, which despite the odd slip in intonation, had the audience laughing especially at the closing number ‘Everybody Dies (Thank F**k)
This is a thoroughly entertaining musical, which would be interesting to see on a larger stage.
GODFATHER DEATH: A GRIMMS’ MUSICAL at the Edinburgh Festival Fringe – theSpace @ Surgeons’ Hall – Haldane Theatre
Reviewed on 13th August 2024
by Lucy Williams
GODFATHER DEATH
GODFATHER DEATH
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