Tag Archives: Lucy Williams

13 GOING ON 30

★★★★★

Manchester Opera House

13 GOING ON 30

Manchester Opera House

★★★★★

“heart warming, funny and endearing”

13 Going on 30 The Musical, based on the book and screenplay by Josh Goldsmith and Cathy Yuspa, and the 2004 film, is simply great fun. An uplifting coming of age story with a whole load of real, not fake, girl power, it takes us on a journey of discovery to realise that the things which matter most are those which ground us and make us better people. Never taking itself too seriously, flashy and sassy, this world premiere was fresh and vibrant, packed with humour and a host of memorable songs.

Jenna is turning 13 and her best friend, the rather shy and ‘uncool’ Matt, thinks she is the most beautiful girl in the world. They share their lives, dreams and fun together, which is then threatened by Jenna desperately seeking acceptance into the inner circle of ‘the popular kids’. At her 13th birthday party, she is transported into the body – and life – of herself aged 30, as a successful glossy magazine executive. Thrust into a seemingly perfect life, the parties, ‘beautiful people’ and faux friendships eventually turn sour and she realises that true friendship, love and valuing the simplest, truest things in life is the answer. The plot sounds sugary and a standard ‘rom com’, but the message is delivered with a real sense of truth. Time can slip away and the decisions we make along the way change the world for ourselves and others. It’s never too late to change!

This world premiere is directed superbly by Andy Fickman, ensuring the full humour and sentiment are apparent throughout the performance. Music and lyrics by Alan Zachary and Michael Weiner provide a mixture of catchy, and emotional pieces, with some lovely duets, under the expert musical supervision of Alan Williams. The only non-original track, the “Thriller’ sequence, is a particular delight, even to those of us who did not know the 2004 film.

Lucie Jones gives a powerful and versatile performance as the lead, Jenna Rink, able to flit between the naivety of the pre-teen world and friendship and the excitement and frenzy of being ‘thirty, flirty and thriving’. Alongside David Hunter as Matt Flamhaff, their performance is extremely watchable, heartwarming and genuine. Grace Mouat as Lucy Wyman plays the perfect self-centred ambitious ‘bad girl’, originally the lead of the popular ‘six chicks’ at middle school and now in the gleeful position to offer perfectly delivered sarcastic witty retorts as she sweeps over her colleagues in seeking her own ends.

The whole cast are the best which the thriving musical theatre scene can give us. With spot on comedic timing, the cast give it everything: faultless and energetic dance routines, soaring voices and acting which was strong enough to genuinely convince us we too could still be that young person with dreams.

Special mention to the hilarious Caleb Roberts as Richard, the ‘boss’ at the magazine Poise, and the incredible stage presence and movement skills of Iván Fernández González as Darius Mark. It would be impossible to mention all the committed and talented cast, but it must be said that the young cast are every part as talented and versatile as their adult counterparts. Amelia Minto (young Jenna) and Max Bispham (young Matt) together with Emmeline D’Arcy Walsh (Becky) give shining performances and the comedic Cyrus Campbell (young Kyle) simply loves to entertain.

Colourful and captivating costumes (Gabriela Tylesova) add to the joyous and celebratory performance. The whole ensemble choreography (Jennifer Weber) is a particular joy to watch, with precision timing and movement. The set’s simplicity (Colin Richmond) makes for great efficiency in terms of transitions being seamless, and the dynamic lighting (Howard Hudson) facilitates the changing moods. The finale is visually spectacular and uplifting, featuring the perfect definition of a final number ‘Here and Now’.

A heart warming, funny and endearing show, it deserves to be counted as a strong new work in its own right, as well as a happy nostalgic throwback for those who loved the film.



13 GOING ON 30

Manchester Opera House

Reviewed on 30th September 2025

by Lucy Williams

Photography by Pamela Raith


 

Previously reviewed at this venue:

HERE AND NOW | ★★★★ | September 2025

 

 

13 GOING ON 30

13 GOING ON 30

13 GOING ON 30

SCOUTS!

★★★½

UK Tour

SCOUTS!

Hope Mill Theatre

★★★½

“will warm your heart and bring a genuine smile of delight”

Enter the high-stakes, competitive, life-affirming world of scouting, where we join the competitors preparing for the final of ‘The Scout Games’. The winning of the only ‘gold badge’ (hand stitched by Baden-Powell) is the goal of both the scouts on stage and the audience members (scouts and leaders themselves at this performance) who are game enough to join in a range of hilarious tasks. However, there is a saboteur at large, a disillusioned and ‘poor loser’ Scout from a previous ‘games’, intent on causing mayhem and discrediting the very core reputation of the organisation. Through many trials and catchy numbers too, good triumphs over evil, the power of true friendship wins through and we all learn what is important in life and in the scouting movement: to help other people, make friends and learn new skills.

Gigglemug Theatre worked closely with the Scout Association and has tried here to capture the essence of scouting, from the gaining of social and life skills amongst children who might otherwise feel ‘outsiders’, to the chaotic world of camping, competing for badges (real and, here, imagined, such as the ‘hypnosis’ badge) and learning how to win and lose gracefully.

Sam Cochrane (director) made some memorable decisions (the gold dust sprinkled gold badge, for one). Katie Pritchard as Rosie brought great physicality and comedic timing to her role, with superb vocals from both Eleanor Fransch as Eliza and Emily Kitchingham as Charlotte. Burhan Kathawala charmed as the somewhat vulnerable but ultimately brave Joe. Kemi Clarke led the pace and energetically portrayed scout leader Dylan. Rob Gathercole (also musical director / keyboards) was in his element playing the over-the-top and improbably talented (being skilled in many areas including healing missing limbs) Linus Lionheart, the TV personality and former scout who was the role model for the competing scouts. The cast all played multiple instruments and were on stage almost the whole time. At times, the number of instruments and changes was a distraction to following the narrative and I would have preferred to listen to the vocalist perform without a guitar, for example. However, this does not take away from the recognition of the multiple skill sets required for this audience-engaging performance, with the pace only struggling a little in the second act.

The musical numbers feature an enjoyable range of genres, from 1950s style rock and roll, to rap and pop. Definitely not ‘found a peanut’ singalongs, the music is carefully crafted by David Fallon (music and lyrics) and Sam Cochrane (book, lyrics and direction) with solos, duets, and ensemble multi-part numbers being used to advance the plot and characters as well as to introduce many favourite themes loved by scouts, such as the ‘scout law’. Indeed, the lyrics were so full of information that I did spend some time trying to catch each word and wondering if I needed to remember the facts being dropped in. Perhaps the relative complexity of some of the music and plot was a mismatch for the younger members of the audience, but ‘The Trance Dance’, ‘Bad Badge’ and ‘Home’ were particular favourites.

The set (three drop down banners) was cleverly simple and effective for this touring production, which was needed when the stage is so full of musical instruments – I counted eleven plus a kazoo! Using three ‘tree stumps’ for the awards also gave an interesting stage height difference when needed.

Gigglemug Theatre’s touring production of their latest feelgood musical theatre show, is a fun exploration of the core positive messages of scouting, which will warm your heart and bring a genuine smile of delight, whilst enjoying the frolics of this energetic cast of actor-musicians.



SCOUTS!

Hope Mill Theatre the UK Tour continues

Reviewed on 14th June 2025

by Lucy Williams

Photography by Benkin Photography

 

 


 

 

Previously reviewed by Lucy:

SLAVE: A QUESTION OF FREEDOM | ★★★★ | THE LOWRY | October 2024
WAR HORSE | ★★★★★ | THE LOWRY | September 2024
EDWARD’S TALK: WHAT’S DRIVING YOU? | ★★★ | EDINBURGH FESTIVAL FRINGE | August 2024
GODFATHER DEATH: A GRIMMS’ MUSICAL | ★★★★★ | EDINBURGH FESTIVAL FRINGE | August 2024

 

 

SCOUTS!

SCOUTS!

SCOUTS!