Category Archives: Reviews

SHERLOCK HOLMES: THE VALLEY OF FEAR

★★½

Southwark Playhouse Borough

SHERLOCK HOLMES: THE VALLEY OF FEAR at Southwark Playhouse Borough

★★½

“Despite a superb effort from the cast to deliver the vast array of characters, the dark twisting intercontinental plot failed to capture its audience”

Sherlock Holmes: The Valley of Fear is not the usual ‘Holmes’ story. Adapted and directed by Nick Lane, it follows two mysteries simultaneously. One case set in a manor in Britain and one in the coalfields of Pennsylvania, filled with unscrupulous characters and mysterious motives. The tale started off slowly, and continued slowly and ended slowly. It is possible that it was more suited to its pace and layout in the book, however this adaptation was confusing, long and frankly boring. A bad case of ‘tell and no show’ occurred, not even Dr Watson could cure this affliction, although he did describe how to do so at length. A handful of specific moments of action felt exciting and held stakes that added to the drama (Action by Robert Myles). The direction made little flair of the eccentricates of the characters and the occasional moment of fun choices (actors bobbing about in a carriage during a conversation) made the majority of the flatness in scenes feel more energy-sapping. The eventual conjoining of the stories felt unclear in many ways and the finale felt like a ‘to-be-continued’ was in implied.

The actors must receive significant praise. Delivering the two mysteries required multi-rolling in and out of characters and their respective accents in slick on stage transitions. In a surprising casting decision, Holmes and Watson also multirole as minor characters in the US plot and both played this wonderfully. Admittedly, reading the cast list highlights multiple characters that could not be identified from the show. Watson is depicted as a mild-mannered companion and observer, occasionally inducing laughs (Joseph Derrington). Holmes is a contemplative thrill seeking sleuth (Bobby Bradley) of typical stoic Victorian stock. Bradley and Derrington make a believable duo and make the most of the moments afforded to them to show their dynamic. As the US plot unravels, we meet Jack McMurdo AKA Birdy Edwards AKA John Douglas (Blake Kubena). Kubena delivers an intriguing performance, injecting charm and style into scenes. The ensemble team shine in this production as Inspector McDonald/Officer Jasper/Ames/Bodymaster McGinty/Cecil Barker and…Professor Moriarty (Gavin Molloy). Molloy steals the show as he fights the script to distinguish his roles and deliver memorable moments, including a genuinely gripping death scene and funny delivery as bumbling Cecil Barker. Equal in talent Mrs Hudson/Officer Marvin/ Ettie Shafter/Mrs Allen and Mrs Ivey Douglas (Alice Osmanski) who utilises her considerable range to deliver similar roles as differently as possible, bouncing off Molloy expertly.

 

 

The technical elements of the show could have assisted in differentiating the setting or enhancing the atmosphere more. Almost all scenes were burnished in the same yellow tungsten glow, whether located in Baker Street, Pennsylvania or Tunbridge Wells. The sound design included live singing, which enhanced scene transitions and added atmosphere, but was abandoned for the most part in Act II (Tristan Parks). The set provided the backdrop of a grimy Victorian wallpaper that peeled into the wooden slats of a downtrodden mining town invoking setting rather than providing levels (Victoria Spearing). The costumes were appropriately period and aesthetically pleasing, but did little to separate the male characters beyond a pair of glasses (Naomi Gibbs).

The Valley Of Fear may be one of the most popular Holmes mysteries, but it did not translate well to stage in this adaptation. Despite a superb effort from the cast to deliver the vast array of characters, the dark twisting intercontinental plot failed to capture its audience. Rather than battling Moriarty in a game of wits, the audience were battling their minds from wandering to other iterations of these characters.


SHERLOCK HOLMES: THE VALLEY OF FEAR at Southwark Playhouse Borough

Reviewed on 28th March 2024

by Jessica Potts

Photography by Alex Harvey-Brown

 

 

 

Previously reviewed at Southwark Playhouse venues:

POLICE COPS: THE MUSICAL | ★★★★ | March 2024
CABLE STREET – A NEW MUSICAL | ★★★ | February 2024
BEFORE AFTER | ★★★ | February 2024
AFTERGLOW | ★★★★ | January 2024
UNFORTUNATE: THE UNTOLD STORY OF URSULA THE SEA WITCH A MUSICAL PARODY | ★★★★ | December 2023
GARRY STARR PERFORMS EVERYTHING | ★★★½ | December 2023
LIZZIE | ★★★ | November 2023
MANIC STREET CREATURE | ★★★★ | October 2023
THE CHANGELING | ★★★½ | October 2023
RIDE | ★★★ | July 2023
HOW TO SUCCEED IN BUSINESS … | ★★★★★ | May 2023
STRIKE! | ★★★★★ | April 2023

SHERLOCK HOLMES: THE VALLEY OF FEAR

SHERLOCK HOLMES: THE VALLEY OF FEAR

Click here to see our Recommended Shows page

 

🎭 A TOP SHOW IN MARCH 2024 🎭

DON’T. MAKE. TEA.

★★★★★

Soho Theatre

DON’T. MAKE. TEA. at the Soho Theatre

★★★★★

“a bold, razor-sharp comedy about what it really means to test someone”

Don’t. Make. Tea. is a dystopian satirical comedy set in 2037 directed by Robert Softley Gale and written by Rob Drummond. We meet Christine Dunlop (Gillian Dean) an ex-copper with OPMD who is losing her eyesight and mobility. As per the policy of “Accessible Britain”, she is being assessed on her disability benefits. Chris now finds herself the subject of interrogation in a Kafkaesque appointment with the sweet but sickly assessor Ralph (Neil John Gibson). The first part of the play focuses on establishing the premise of the assessment and takes it time exploring Chris’ life and her situation. Humour is squeezed out of the interview as she tries to navigate the questionnaire and lie detector with the sad realities of the present dominating the conversation. She is forced to perform the most horrible use of ‘heads, shoulders, knees and toes’ to date before a hugely climactic twist closes the first act.

The show makes an impressive use of tech and accessibility devices. It is audio-described by Able (Richard Conlon), a cross between ‘Siri’ and ‘Hal 9000’ who aids Chris but also spies on her. He delivers diegetic commentary throughout with wit and charm “Ralph looks like he’s had a hard life”. On the screen (provided by Chris’ accessibility benefits) is a sign language interpreter who translates the characters’ speech. The second act sees Chris experience hallucinations. Able, now embodied as her doting neighbour, and the BSL interpreter resembling Chris’ mother Francis (Emery Hunter), assist Chris in her predicament. We later meet Ralph’s supervisor and spouse, Jude (Nicola Chegwin), an oppositional and flawed woman who uses a wheelchair and is the creator of the ‘Work Pays’ system.

The set (Kenneth MacLeod) depicts a “tidy but tasteless” flat, as described by Able. Light blue details subtly depict the reach of “Accessible Britain”; the large screen, ‘Able’ speaker, the electrical outlets and even the front door button- which could all be taken away as a result of the assessment. Ralph’s assessment tools also painted the same clinical ‘NHS’ blue. The set is not all that it seems, with some fun surprises included. Lighting serves to accentuate the emotional state of Chris with vibrant colours (Grant Anderson) and spotlights. The screens sell the futuristic setting and add high quality effects (Jamie MacDonald).

Drummond uses a theoretically perfect future to highlight the problems of today whilst utilising accessibility features in an original and comical execution to a riveting premise. The characters are all as flawed as the systems they support and fight – with exception to Able and Francis, who make a great double act. Laughs originate from pithy observations and well-crafted gags equally. The midway turn in tone elevates the piece from satirical drama into absurd unpredictable thriller. By the end, the audience is left with the sobering note of the lengths Chris is forced to go. Don’t. Make. Tea is a bold, razor-sharp comedy about what it really means to test someone.


DON’T. MAKE. TEA. at the Soho Theatre

Reviewed on 27th March 2024

by Jessica Potts

Photography by Andy Catlin

 

 

 

 

Previously reviewed at this venue:

PUDDLES PITY PARTY | ★★ | March 2024
LUCY AND FRIENDS | ★★★★★ | February 2024
AMUSEMENTS | ★★★★ | February 2024
WISH YOU WEREN’T HERE | ★★★ | February 2024
REPARATIONS | ★★★ | February 2024
SELF-RAISING | ★★★★★ | February 2024
FLIP! | ★★★★ | November 2023
BOY PARTS | ★★★★ | October 2023
BROWN BOYS SWIM | ★★★½ | October 2023
STRATEGIC LOVE PLAY | ★★★★★ | September 2023
KATE | ★★★★★ | September 2023
EVE: ALL ABOUT HER | ★★★★★ | August 2023

DON’T MAKE TEA

DON’T MAKE TEA

Click here to see our Recommended Shows page