Category Archives: Reviews

MIDNIGHT DANCER

★★★★

UK Tour

MIDNIGHT DANCER

Peacock Theatre

★★★★

“The night is Nikita’s, and it is a joy to see him on stage.”

Nikita Kuzmin’s dancing dream came true tonight as he opened his own dance show Midnight Dancer at the Peacock Theatre, which will be dancing its way round the UK.

Nikita thanks his Strictly Come Dancing family several times during the evening, as without that TV show, this show may not have been possible. As one of Strictly’s professional dancers, he wows millions of viewers with his passionate dance, youthfulness and delightful personality. And it is all of that which his fans will be coming to see, and why they won’t be disappointed.

The story of Midnight Dancer, as much is made that there is one, there isn’t one, but it doesn’t matter: nice guy Nikita meets film star (Andrea Toma) with a jealous agent (Seamus McIntosh). There follows as invite to a ball where the handsome Nikita wins the day, and they all live happily ever after.

The music choices and songs are great with Shakira, Moulin Rouge, sing along hits and LaLa Land with the whole cast keeping the energy flowing, working very hard throughout the show with very little time to draw breath as the dancing keeps coming, as do the quick costume changes in between.

The end of the first half is the ball, with a twenty-four-hour electric clock ticking away on the backcloth. It has a feel of Baz Luhrmann’s Romeo and Juliet, an obvious waltz builds up to a tango sequence, and blackout as Nikita is separated from his love, by the baddy agent.

The second act is more lyrical, with contemporary choreography which suits Nikita well, and indeed the other dancers are more in sync in this style, with bare feet. There is a point in the show where usually he brings a random member of the audience on stage to dance with him. Tonight though, he chose his best friend and fellow Strictly professional dancer Vito who was in the audience saying, “Vito will kill me for this”!

The eight supporting dancers all have very different personalities with different dance styles which is wholly intentional but, when they dance as a group, they need to be totally together with equal and tight spacing between them. The leading lady, Andrea Toma, is  an international ballroom and Latin dancer with slick and tight moves, which when dancing with the other girls does show up some of their lack of ballroom technique.

Seamus McIntosh, as the baddy, has an extraordinary and beautiful dance technique with a touch of hip hop style as a bonus. Rebecca Lisewski is the only singer in the show and performs and sings very strongly throughout, even holding the audience’s attention when she sings a solo power ballad, as the cast are off stage doing another quick change.

The costumes (Rachael Ryan) are a mishmash often with trench coats on top, to enable an on-stage reveal of the next costume change. As expected, there is a lot of sparkle especially on Nikita, who ends up in delicious slashed to the navel sequined purple two piece.

Nikita is listed as both creator and choreographer of Midnight Dancer and possibly could have done with a bit more support from creative director and choreographer Tom Jackson Greaves to give a little more variety, not in choreographic styles, but by adding height and dimension with more lifts, jumps and jetés to the routines.

The night is Nikita’s, and it is a joy to see him on stage.



MIDNIGHT DANCER

Peacock Theatre

Reviewed for thespyinthestalls on 21st March 2025

Photography by Danny Kaan

 

 


 

 

 

Previously reviewed at Sadler’s Wells venues:

THE DREAM | ★★★★★ | March 2025
DEEPSTARIA | ★★★★ | February 2025
VOLLMOND | ★★★★★ | February 2025
DIMANCHE | ★★★★ | January 2025
SONGS OF THE WAYFARER | ★★★★ | December 2024
NOBODADDY (TRÍD AN BPOLL GAN BUN) | ★★★★ | November 2024
THE SNOWMAN | ★★★★ | November 2024
EXIT ABOVE | ★★★★ | November 2024
ΑΓΡΙΜΙ (FAUVE) | ★★★ | October 2024
STORIES – THE TAP DANCE SENSATION | ★★★★★ | October 2024

MIDNIGHT DANCER

MIDNIGHT DANCER

MIDNIGHT DANCER

MARY AND THE HYENAS

★★★

Wilton’s Music Hall

MARY AND THE HYENAS

Wilton’s Music Hall

★★★

“an eye-catching tribute to millions of devalued female lives”

Animal spirits are roused, and a proto-feminist movement born, amid blood and viscera, in Mary and the Hyenas, a raucous musical re-telling of the short but impactful life of Mary Wollenstonecraft, the 18th century philosopher, writer and radical.

She died, aged 38, following complications giving birth to the girl who would grow up to write Frankenstein, and the show gives Mary the 10 days between birth and death to educate her daughter on how to be a woman in a hostile world.

The dilemma is this: give them the freedom to think and risk a life of restraint and frustration; or let them be ignorant and perhaps content with marriage and childcare.

Mother Mary inevitably chooses the former path – and sets about educating not only her own daughters but every daughter everywhere, riling the patriarchy no end and filling girls’ heads with discomforting notions of self-fulfilment and equality.

Rock chick Mary is brought to vivid life in a tour-de-force performance by Laura Elsworthy, tear-stained, pink-haired, sharp-elbowed and forever with a rebel yell on her lips. She presents Mary not as an invulnerable ideologue, but a woman susceptible to the very traps and manipulations she sees with such clarity elsewhere.

She lives and loves outrageously, and to her very great cost.

Elsworthy is supported by a five-strong backing group – Ainy Medina, Beth Crame, Elexi Walker, Kat Johns-Burke, Kate Hampson – who rise to meet the demands of a very physical production. They are forever scaling designer Sara Perks’ mountainous and boxy set, or donning hats, aprons, glasses, accents etc to create a full cast of characters. In between they belt out songs by Tor Maries (Billy Nomates).

It is a pity that the songs fail to ignite despite all the huffing and puffing on the embers. The shouty affirmations seem to be in search of a melody and the cold Human League style electro-pop doesn’t assist, draining the numbers of emotional connection. The lyrics are symptomatic of the production’s greatest failing. The sloganeering, however well meaning, is an easy go-to, filling the gaps when the story-telling flags. It is a call-and-response of diminishing returns.

Beyond the committed cast, the strengths of director Esther Richardson’s over busy but colourful production lie in the depiction of women conditioned to become little more than ornaments and brood mares. Humour is the most effective weapon in writer Marueen Lennon’s arsenal. She pricks the preening pomposity of the male intelligentsia who view Mary as an oddity to be treated warily and at arm’s length. The audience responds warmly to these infrequent sprigs of wry lampooning and crave more of the same.

(“I won’t be able to apply myself with a husband,’ says one would-be anatomist. “I bet they get in the way.”)

Mary and the Hyenas is an eye-catching tribute to millions of devalued female lives – and to one of endless significance.



MARY AND THE HYENAS

Wilton’s Music Hall

Reviewed on 20th March 2025

by Giles Broadbent

Photography by Tom Arran


Previously reviewed at this venue:

THE MAGIC FLUTE | ★★★★ | February 2025
POTTED PANTO | ★★★★★ | December 2024
THE PIRATES OF PENZANCE | ★★★★ | October 2024
THE GIANT KILLERS | ★★★★ | June 2024
A MIDSUMMER NIGHT’S DREAM | ★★★★★ | April 2024
POTTED PANTO | ★★★★★ | December 2023
FEAST | ★★★½ | September 2023
I WISH MY LIFE WERE LIKE A MUSICAL | ★★★★★ | August 2023
EXPRESS G&S | ★★★★ | August 2023
THE MIKADO | ★★★★ | June 2023

 

MARY AND THE HYENAS

MARY AND THE HYENAS

MARY AND THE HYENAS