Category Archives: Reviews

A Voyage Around my Father

A Voyage Around my Father

★★★

Cambridge Arts Theatre

A VOYAGE AROUND MY FATHER at the Cambridge Arts Theatre

★★★

A Voyage Around My Father

“This production is as cosy as a Sunday afternoon TV period drama”

It is over fifty years since this play was first performed and the celebrity status of its author, John Mortimer, has surely waned. The size of this first night audience, however, suggests that he is still fondly remembered by many.

In a role played in the past by Olivier and Guinness, Rupert Everett triumphantly takes on the role of Father. The blindness, of which he will never speak, comes upon him with a blinding flash and a percussive explosion. From then on, Everett shows brilliantly his lack of sight by fumbling for a teacup, tapping his stick to find his chair, and displaying a disturbing blank stare into nothingness.

Ever by his side is his devoted wife (Eleanor David) whilst the Son – or Boy as his parents call him – is kept mostly at a distance. The primary story is that of the Son, confidently portrayed by Jack Bardoe. Narrated by him, linking scenes that take us through his school years – dressing down into short trousers, blazer and cap – following his father into a career in law and taking his first steps into married life. Of the Father, we see him promenading his garden, inspecting the flowers via a spoken description from whomever is nearest. There is a hit-and-miss running gag about counting earwigs. The Father’s blindness keeps him distant and aloof. He is irascible, prone to outbursts and provocative to those closest to him.

An excellent supporting cast is confidently moved around the stage by director Richard Eyre but the short scenes rarely involve more than a handful of characters at one time. Julian Wadham’s declamatory school Headmaster and Calum Finlay’s school pupil Reigate are cameo performances worthy of mention. Two scenes – both with echoes of wartime – fall somewhat flat. Perhaps the poignancy of one and the humour of the second have been lost to time. Everything lifts again with the arrival of the sparky Elizabeth (Allegra Marland), soon to be married to the Son despite the misgivings of the son’s Father.

The predominantly bare set (designer Bob Crowley) is a beauty. Images of thick green foliage, the sun hazily glinting through the leaves, evokes the halcyon days of summers gone by. This production is as cosy as a Sunday afternoon TV period drama. There is much to be enjoyed, particularly in the performances of Everett and Bardoe, but little of any relevance.


A VOYAGE AROUND MY FATHER at the Cambridge Arts Theatre

Reviewed on 17th October 2023

by Phillip Money

Photography by Manuel Harlan

 

 

 

 

Previously reviewed at this venue:

Frankenstein | ★★★★ | October 2023
The Shawshank Redemption | ★★★ | March 2023
The Homecoming | ★★★★★ | April 2022
Animal Farm | ★★★★ | February 2022
Aladdin | ★★★★ | December 2021
The Good Life | ★★ | November 2021
Dial M For Murder | ★★★ | October 2021
Absurd Person Singular | ★★★ | September 2021

A Voyage Around my Father

A Voyage Around my Father

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Shakespeare’s R & J

★★★★

Reading Rep Theatre

SHAKESPEARE’S R & J at the Reading Rep Theatre

★★★★

Shakespeare's R&J

“Elijah Ferreira gives a stunning performance as Romeo.”

This intriguing show was written by American Director Joe Calarco in 1997. It translates Romeo and Juliet’s ‘star-crossed lovers’ into pupils who act out the play at a repressive Catholic boys boarding school. The idea of containing a play within a play was very much Shakespeare’s own. A cast of just four are all on stage together for almost the entire evening as we see Shakespeare’s ‘Romeo and Juliet’ unfold through their adolescent eyes. Maybe ten percent of the text is new, including some of Shakespeare’s sonnets, latin drill – ‘amo, amas, amat’ and words from ‘A Midsummer Night’s Dream’. Right at the start it’s established that Student 1 has feelings for Student 2 and it’s these two that take on the roles of Romeo and Juliet – in intense performances that don’t always get the approval of their fellows.

A note in the programme by Director and Company founder Paul Stacey underlines their commitment to giving voice to the under-represented including those that identify as LGBTQIA+. This powerful production does just that in a way that some may find poses a playful challenge to their expectations. And if a few traditionalists are offended by this re-purposing of such a familiar text, that is their loss.

Elijah Ferreira gives a stunning performance as Romeo. Every word is carefully weighed and delivered with exacting clarity and dedication to meaning. He uses gesture with almost telegraphic expressiveness. Brayden Emmanuel is physically much taller than Ferreira and as Student 2, his involving and energetic Juliet defies any expectation of camp girlishness.

“a lively and rich-textured show”

Luke Daniels is Mercutio, Friar Laurence and Lady Capulet. Expect theatrical fireworks from the start of the second half when Romeo learns of his banishment. Daniel also shines as Lady Capulet in the scene that follows, as well as giving his own take on Mercutio’s memorable ‘Queen Mab’ speech about dreams. Tom Sowinski has some great comic moments as the Nurse and then flips into the brawling Tybalt in the duel with Mercutio.

A clever and beautiful set by Anna Kelsey literally steams with the intensity of the drama and integrates some pleasing lighting (John Rainsforth) which adds great atmosphere to this intimate and involving studio piece. The costumes ring true whilst avoiding the colour coding of the houses of Montague and Capulet seen in some productions of ‘Romeo and Juliet’.

The play within the play employs some stylised devices to considerable effect. A shouting chorus of disapproval condemns the young lovers. Swords become ropes and cloth. Action is slowed. The boy actors (or is it the Shakespearean characters?) observe each other performing and we see their reactions to the story they are unfolding.

Jamie Lu’s sound design is strong on thunder and lightning and for those that know it, there are some touching ‘Heart Stopper’ moments as the two young lovers get together.

This is a lively and rich-textured show that was a delight to watch.

 


SHAKESPEARE’S R & J at the Reading Rep Theatre

Reviewed on 16th October 2023

by David Woodward

Photography by Harry Elletson

 

 

 

 

Previously reviewed at this venue:

Hedda Gabler | ★★★★★ | February 2023
Dorian | ★★★★ | October 2021

Shakespeare’s R & J

Shakespeare’s R & J

Click here to read all our latest reviews