Category Archives: Reviews

FAULTY TOWERS THE DINING EXPERIENCE

★★★

President Hotel

FAULTY TOWERS THE DINING EXPERIENCE

President Hotel

★★★

“not without its faults, but ‘Faulty Towers’ is good, solid fun”

The atmosphere is somewhat subdued, with the feel of an airport lounge area. There is a long line to the bar at which the service is inefficient enough to ensure the queue is growing rather than shrinking. Consequently, there’s a bit of a delay. This is of no concern, however, to Basil Fawlty, who bursts into the room to herd us into the dining room next door, all the while insulting us, alternating his deliciously barbed insults between the guests and his long-suffering waiter, Manuel. Sybil is on hand to a) placate us and b) to antagonise Basil further still. “Come on, I’m trying to run a hotel here” squeals Basil. “Have you any idea of how much there is to do? Do you ever think of that? Of course not…” As we take our seats, we are all secretly hoping, at some point, to be the target of Basil’s abuse. The odds are low, however; there are simply too many diners in the rather spacious, refectory styled function room. The décor is bland, offering no clue whatsoever that we could be down in Torquay nor any concession to the decade that ‘Fawlty Towers’ was originally set.

The sheer numbers, though, are testament to the success of the show (if one can call it a show) that has been dished up in London for over a dozen years now. Even if they don’t recreate the ambience, the chaotic spirit is captured. It is an unofficial tribute to the television series – hence the use of ‘Faulty’ rather than ‘Fawlty’ – which mixes improvised audience interaction with scripted snippets from some of the most recognised and iconic episodes. The sketches are rather random, with no through line to link them. Those unfamiliar with John Cleese and Connie Booth’s original might be a touch perplexed; but I doubt that it’s ever an issue. On that note, Polly (Booth’s character in the sitcom) is conspicuously absent. The evening is managed by the trio alone. Although they have little competence in running a restaurant, they are masters of character acting. Lawrence Watling adopts Basil’s mannerisms and maladroitness with easy skill. Not as gangly as Cleese, he still has the physical elasticity required (even pulling off the now suspect Germanic goose-step episode) and the vocal tics. Nerine Skinner has Sybil’s conversational tone down to a tee, while Leigh Kelly’s Manuel ricochets between the tables in a constant state of confusion. It is only when he (infrequently) gets up close to you that you can see the precision of his impersonation.

Then again, the evening isn’t about subtlety. It’s basically about having a good time – which is what everyone is having. And it certainly isn’t about the food either. Admittedly Basil’s hotel wasn’t renowned for it, but the fare on offer is far removed from any definition of ‘haute cuisine’. And not a whiff of ‘Waldorf Salad’. A missed trick, perhaps? Sometimes it seems that the evening isn’t really about the show. Spotting the characters is occasionally like looking for a particular elusive guest across a crowded room. And before dessert is unceremoniously plonked down on our tables, our hosts have taken their bows and left. We are left a little in the lurch. But looking around at my companions, the room is filled with satisfied smiles. It is a healthy cross section of humanity, but you can spot the die-hard ‘Fawlty’ fans. Yet there is a diversity that pays homage to the far-reaching appeal of ‘Fawlty Towers’ with its iconic, iconoclastic British humour.

It is not without its faults, but ‘Faulty Towers’ is good, solid fun. As Sybil explains when the ‘fresh’ soup on the menu looks as though it’s running out; “chef can always open another tin”. This dining experience does exactly what it says on the tin. The contents are spread a little too thin, however. On a smaller scale we’d definitely get more of the flavour. A touch too much soda and not enough Scotch. But with Basil Fawlty in charge, there’s absolutely no point complaining. Just enjoy it… and with that attitude you will.



FAULTY TOWERS THE DINING EXPERIENCE

President Hotel

Reviewed on 3rd April 2025

by Jonathan Evans

 

 

 

 

More shows reviewed by Jonathan:

SABRAGE | ★★★★ | LAFAYETTE | March 2025
THE LIGHTNING THIEF | ★★★ | THE OTHER PALACE | March 2025
SISYPHEAN QUICK FIX  | ★★★ | RIVERSIDE STUDIOS | March 2025
DRACULA, A COMEDY OF TERRORS | ★★★★ | MENIER CHOCOLATE FACTORY | March 2025
CRY-BABY, THE MUSICAL | ★★★★★ | ARCOLA THEATRE | March 2025
FAR FROM THE MADDING CROWD | ★★ | THEATRE ROYAL WINDSOR | March 2025
FAREWELL MR HAFFMANN | ★★★★ | PARK THEATRE | March 2025
WHITE ROSE | ★★ | MARYLEBONE THEATRE | March 2025
DEEPSTARIA | ★★★★ | SADLER’S WELLS THEATRE | February 2025
THE MAGIC FLUTE | ★★★★ | WILTON’S MUSIC HALL | February 2025

FAULTY TOWERS THE DINING EXPERIENCE

FAULTY TOWERS THE DINING EXPERIENCE

FAULTY TOWERS THE DINING EXPERIENCE

SIX THE MUSICAL LIVE

★★★★

In Cinemas

SIX THE MUSICAL LIVE

In Cinemas

★★★★

“captures all the magic of a live show, while also allowing the audience to view all of the incredible detail that’s gone into making Six what it is”

It’s the pipeline that every young, Fringe theatre-maker in the country dreams about — from Edinburgh Festival Fringe to West End sensation. Not only has Six accomplished those heights, but it’s also enjoyed a very successful Broadway transfer (even with that classic 2020 hiccup that we all love talking about), an Australian tour, a stint on Norwegian Cruise Lines, and endless other international tours in the works. Its original West End cast, along with one of their understudies, have even gone on to start their own girl group, SVN — and yes, that is “seven” stylized — and rightly so. Together, this cast are an absolute powerhouse. And now they’ve been immortalized as the iconic Queens of Six on film.

Having never seen the stage musical before, I went in with very little knowledge on the show itself. The premise is simple enough — the six wives (ex-wives, they wish to remind us) of Henry VIII have gathered to tell us their stories and to ask us… which one of us had it worst? One would think it’s pretty difficult to compete with being beheaded à la Anne Boleyn and Katherine Howard, but the truth of the matter is a bit more complicated than that. In an effort to help us understand each of their individual tragedies, they each decide to treat us to something of a pop-solo-slam about what Henry put them through. But this is no straightforward sob story. Each Queen seeks to retake some control of her own narrative.

Six is clearly a smash-hit for a reason. The songs, written by the show’s creators Toby Marlow and Lucy Moss, are catchy and clever, as are the asides written for each Queen between the ballads. The costumes, designed by Gabriella Slade, are not only gorgeous, but thoughtful in the way that they compliment each Queen. The message is heart-warming, but it definitely plays it a bit safe, as musicals tend to do — it’s entry-level, “girl power” feminism, but it serves as a great way in for young viewers who need to hear that message.

The real meat of the thing though, is the experience that the live film offers. It captures all the magic of a live show, while also allowing the audience to view all of the incredible detail that’s gone into making Six what it is. It also serves to showcase the individual performance of each stunning Queen (the original West End cast of Jarnéia Richard-Noel, Millie O’Connell, Natalie Paris, Alexia McIntosh, Aimie Atkinson and Maiya Quansah-Breed). Each one gets her moment in the spotlight, of course — and each deserves to have her performance preserved in this way. The direction by Liz Clare is absolutely commendable, it’s dynamic, exciting, and extremely engaging – and most importantly, it does the show justice.

This is a pro-shot that will undoubtedly offer widespread access to a culturally important West End show that many folks might otherwise never get to see — and if that’s not an incredible rewrite of theatre history, I don’t know what is.



SIX THE MUSICAL LIVE

In Cinemas

Reviewed on 2nd April 2025

by Stacey Cullen

Images © Universal Pictures UK

 


 

 

Previous ‘In Cinemas’ review:

MACBETH | ★★★★ | January 2025

 

 

SIX THE MUSICAL LIVE

SIX THE MUSICAL LIVE

SIX THE MUSICAL LIVE