Edinburgh 2025

POTTY THE PLANT

★★★★★

Edinburgh Festival Fringe

POTTY THE PLANT Edinburgh Festival Fringe ★★★★★ “Theatrical brilliance.” In ancient Greek theatre, at the end of a play, the deus ex machina would descend to tidy things up. But let’s not rush—let’s leave that thought where it belongs: at the end of this review. The house lights dim. A

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ORPHEUS AND EURYDICE

★★★★★

Edinburgh International Festival

ORPHEUS AND EURYDICE Edinburgh International Festival ★★★★★ “This is a finely wrought work, every element chosen with precision” The theatre curtain glows with a looping projection—what many today would call a “boomerang”, though not of the Australian variety. The image fades. In the pit, the live orchestra tunes. The curtain

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DEREK MITCHELL: GOBLIN

★★★★

Edinburgh Festival Fringe

DEREK MITCHELL: GOBLIN Edinburgh Festival Fringe ★★★★ “a performer in such complete control of his character that he improvises and embellishes his act with ease” Derek Mitchell: Goblin, a one-man show performed by actor Derek Mitchell with Impatient Productions, kicks off as a vivid 2000s period piece, replete with heavy

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KINDER

★★½

Edinburgh Festival Fringe

KINDER Edinburgh Festival Fringe ★★½ “it could become a sharp, funny and moving piece of political drag theatre” Ryan Stewart’s KINDER arrives at the Edinburgh Fringe with a concept that is both timely and important. The censorship of LGBTQ+ issues from young people is a growing concern, and placing that

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ROTUS

★★★★

Edinburgh Festival Fringe

ROTUS Edinburgh Festival Fringe ★★★★ “a sharp, biting, and brilliantly political work—a masterful piece of writing” A small stage. Did I say small? I mean, broom-cupboard small. Just enough room for one desk, a chair, and a few feet to shuffle around. The venue itself is comically cramped, barely a

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HAMLET – WAKEFULNESS

★★★★

Edinburgh Festival Fringe

HAMLET – WAKEFULNESS Edinburgh Festival Fringe ★★★★ “an intriguing piece, and certainly inhabits new territory for adaptations” A prequel to Shakespeare’s Hamlet comes to this year’s Edinburgh Fringe, courtesy of Poland’s Theatre of the Goat (Teatr Pieśń Kozła). This is Hamlet as you’ve never seen it, although never heard it,

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BECAUSE YOU NEVER ASKED

★★★

Edinburgh Festival Fringe

BECAUSE YOU NEVER ASKED Edinburgh Festival Fringe ★★★ “captures many moments where the sounds and movement line up meaningfully” Because You Never Asked by We All Fall Down is a visually captivating piece set to the backdrop of a co-creator Roger White, and his grandmother, Marianna Clark about her experience

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DIRTY WORK

★★★★

Edinburgh Festival Fringe

DIRTY WORK Edinburgh Festival Fringe ★★★★ “a fun, silly, and expertly crafted show” Jessica Barton is Mary Floppins in her Edinburgh Fringe debut clowning show Dirty Work, a side-splittingly hilarious hour of singing, dancing, dirty laundry, and plenty of audience interaction. Dressed in the iconic black feathered hat and button-down

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HANDS UP!

★★★½

Edinburgh Festival Fringe

HANDS UP! Edinburgh Festival Fringe ★★★½ “I would absolutely recommend the show for anyone looking for an easy laugh and some promising dramatic talent” I open this review with a confession. I have seen a lot of student theatre. Too much. And yet shows like this one remind me why

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300 PAINTINGS

★★★★

Edinburgh Festival Fringe

300 PAINTINGS Edinburgh Festival Fringe ★★★★ “compelling, funny, and, at times, quietly challenging” Sam Kissajukian opens 300 Paintings by telling us he is quitting comedy to become an artist. It is a ridiculous premise, he admits, and one that becomes the launchpad for a fast-paced, funny, and unexpectedly thoughtful hour

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MOTORHOME MARILYN

★★★

Edinburgh Festival Fringe

MOTORHOME MARILYN Edinburgh Festival Fringe ★★★ “Fans of Michelle Collins will enjoy the opportunity to see her live on stage” Michelle Collins, of Eastenders fame, is packing the house with her fans at the Gilded Balloon’s Patterhouse Downstairs. Motorhome Marilyn is a quirky one woman show written by Ben Weatherill,

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FLICK

★★★★

Edinburgh Festival Fringe

FLICK Edinburgh Festival Fringe ★★★★ “Nunn’s performance is magnetic; she’s endlessly animated, holding the room as if we’re her closest confidants” Madelaine Nunn strolls onto the stage in her teal scrubs, beaming like she’s about to let you in on a juicy secret. She’s a palliative care nurse, used to

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PALDEM

★★★★

Edinburgh Festival Fringe

PALDEM Edinburgh Festival Fringe ★★★★ “so many fascinating ideas and visceral moments” From the instant you walk into the Summerhall theatre, you’re struck with a rush of hot, sticky air; an intensity that never really abates throughout the narrative to come. The set is minimalistic but tactfully constructed; an Ikea

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ED NIGHT: YOUR OLD MUCKER

★★★½

Edinburgh Festival Fringe

ED NIGHT: YOUR OLD MUCKER Edinburgh Festival Fringe ★★★½ “the last few minutes of the show turn into something genuinely special, and strangely hopeful” Ed Night’s fifth show “Your Old Mucker” at the Fringe manages to feel dry, bleak and poignant all within the hour. With signature droll delivery, Night

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FLUSH

★★★

Edinburgh Festival Fringe

FLUSH Edinburgh Festival Fringe ★★★ “the young actresses all show impressive range in their multi-rolling” Flush is a cross section of one night in the women’s toilets of a Hackney club. Fast paced and wide-ranging, it offers a kaleidoscopic view of the female hivemind anno 2025. With fourteen characters, it’s

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STAMPTOWN

★★

Edinburgh Festival Fringe

STAMPTOWN Edinburgh Festival Fringe ★★ “Fringe is an excellent space to push boundaries, but to my mind, Stamptown distastefully oversteps them” Do you remember Rosamund Pike’s ‘Cool Girl’-monologue in Gone Girl (2014), based on Gillian Flynn’s book? The novel explains that the Cool Girl is someone who ‘adores football, poker,

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SAME

★★★★

Edinburgh Festival Fringe

SAME Edinburgh Festival Fringe ★★★★ “honest, powerful, and true — and, perhaps most importantly, hopeful” Many men carry complicated maps of their fathers in their hearts — some routes well-trodden, others broken off mid-journey. In Same, two best mates, James and Lewis, wrestle with the weight of those inherited paths.

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PIGS FLY EASY RYAN

★★★½

Edinburgh Festival Fringe

PIGS FLY EASY RYAN Edinburgh Festival Fringe ★★★½ “you can’t deny having an absolutely wild time watching the chaos unfold” A technical hiccup with a set malfunction early on had me genuinely wondering whether it was part of the show… that is very much the territory we’re in here! NONSTOP’s

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PICKLED REPUBLIC

★★★

Edinburgh Festival Fringe

PICKLED REPUBLIC Edinburgh Festival Fringe ★★★ “a promising beginning for an artist who has found a whole new world to explore on stage” Ruxy Cantir’s Pickled Republic is a one woman show celebrating pickled vegetables. Or it would be a celebration, if these vegetables were not overly ripe, deep in

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THE LOST PRIEST

★★★½

Edinburgh Festival Fringe

THE LOST PRIEST Edinburgh Festival Fringe ★★★½ “What makes The Lost Priest special is its resistance to formula” I first heard about The Lost Priest not from a flyer or a listing, but at another show. An artist asked the audience, “What else should we see at the Fringe?” Three

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SHUNGA ALERT

★★★★★

Edinburgh Festival Fringe

SHUNGA ALERT Edinburgh Festival Fringe ★★★★★ “Ridiculous? Entirely. Entertaining? Absolutely.” Inventive. Collaborative. Comedic. Physical theatre and clowning tangled together with illustrations that leap from paper to projection to full three-dimensional mischief. This isn’t so much a performance as it is a cheeky carnival of images, bodies, and imagination. Early on,

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BABY IN THE MIRROR

★★★½

Edinburgh Festival Fringe

BABY IN THE MIRROR Edinburgh Festival Fringe ★★★½ “a gentle, intimate hour with moments of truth and tenderness” Joey and Lena have just moved into a new home. Cardboard boxes are still stacked around them, their lives mid-transition. They are also about to have a baby, with the help of

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NERDS

★★★

Edinburgh Festival Fringe

NERDS Edinburgh Festival Fringe ★★★ “Packed with technology-related puns, the script is generally entertaining” In ‘Nerds’, Steve Jobs is a hippie-turned-leather-clad bad boy and Bill Gates a traumatised but vindictive incel. In an hour and a half, this musical charts their trajectories from garage-based geeks to some of the richest

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NIUSIA

★★★

Edinburgh Festival Fringe

NIUSIA Edinburgh Festival Fringe ★★★ “The subject matter is urgent, and the personal lens has real potential” Beth Paterson’s one-woman autobiographical show Niusia is built from fragments: family memories, inherited stories, and Holocaust history. It centres on her grandmother, Niusia, a Holocaust survivor who was, in Beth’s words, both heroic

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WORKS AND DAYS

★★★★

Edinburgh International Festival

WORKS AND DAYS Edinburgh International Festival ★★★★ “an intriguing work by a (literally) ground breaking theatre company” Works and Days, a rumination on the vanished rituals of rural life, has just opened at the Royal Lyceum Theatre as part of the Edinburgh International Festival. This show is created by the

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MARIUPOL

★★★★

Edinburgh Festival Fringe

MARIUPOL Edinburgh Festival Fringe ★★★★ “a gem of a short play, and Katia Haddad draws the audience in with great skill” Mariupol, Katia Haddad’s poignant drama set against the backdrop of the Ukrainian War, is currently playing at the Pleasance Courtyard Beneath. It’s a beautifully constructed drama about a Russian,

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CONSUMED

★★★★

Edinburgh Festival Fringe

CONSUMED Edinburgh Festival Fringe ★★★★ “a sophisticated and ambitious piece of writing” Four generations of Northern Irish women gather for their great-grandmother’s 90th birthday: a family kitchen, a table set for dinner, and a tangle of unspoken histories. Over the course of the meal, tensions simmer, humour bubbles, and old

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MISS BREXIT

★★★

Edinburgh Festival Fringe

MISS BREXIT Edinburgh Festival Fringe ★★★ “well worth a watch for its strong performers” In Miss Brexit, four Europeans compete to gain the leave to remain in an absurd pageant that sees the contestants attempt to assimilate to British culture. By the end of the show, three Europeans have been

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DANCE DANCE INVOLUTION

★★★★

Edinburgh Festival Fringe

DANCE DANCE INVOLUTION Edinburgh Festival Fringe ★★★★ “brims with originality and creative flair” Dance Dance Involution truly embodies the word “unique”. And that’s not a backhanded compliment. It’s truly original; the personalities and talents of its three creator-performers are so immediate and vibrant, grounding their theatricality in familiar childhood and

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SOME MASTERCHEF SH*T

★★★★★

Edinburgh Festival Fringe

SOME MASTERCHEF SH*T Edinburgh Festival Fringe ★★★★★ “infused with delicate, tight writing, lightning-quick dialogue, and refreshingly honest, natural banter” Dark comedy, dark coffee, dark corner, dark encounter, and a dark post on the dark internet converge the lives of Adam and Luke—two divergent, lost souls each looking for a way

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AETHER

★★★★

Edinburgh Festival Fringe

AETHER Edinburgh Festival Fringe ★★★★ “a fascinating piece much like the women it presents” If you’re intrigued by the idea of particle physics presented as a cabaret show involving four energetic performers stepping in and out of a variety of roles, Emma Howlett’s Aether is for you. Sixty minutes on

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BOILER ROOM SIX: A TITANIC STORY

★★★★★

Edinburgh Festival Fringe

BOILER ROOM SIX: A TITANIC STORY Edinburgh Festival Fringe ★★★★★ “Tom Foreman’s script is seaworthy—tight and purposeful—navigated with skilful technical design” The engineers call the boiler rooms of the Titanic ‘The Inferno’—its roaring furnace rooms where steel bellies glow red, the beating heart of the “unsinkable” luxury liner. Here is

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FIGURES IN EXTINCTION

★★★★★

Edinburgh International Festival

FIGURES IN EXTINCTION Edinburgh International Festival ★★★★★ “Figures in Extinction transcends story: it is a thesis danced, a living meditation on extinction, existence, renewal” Act I Dancers stand facing us. A single breath — then movement. Crystal Pite’s choreography speaks in precision, clarity, and the eloquence of gesture. A second

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TOM AT THE FARM

★★★★★

Edinburgh Festival Fringe

TOM AT THE FARM Edinburgh Festival Fringe ★★★★★ “The characters are flawed, magnetic, dangerous to love — yet, by the end, we do” Federico García Lorca once wrote that duende is “a state of tragedy-inspired ecstasy” — a force that doesn’t live in the mind but in the marrow. It

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TRIPTYCH REDUX

★★★★★

Edinburgh Festival Fringe

TRIPTYCH REDUX Edinburgh Festival Fringe ★★★★★ “It is dance you can read, dance that is language, dance that is legible” Australian choreographer Lewis Major’s mixed repertory Triptych Redux sweeps between the inner and outer worlds—a whirling maelstrom of motion, sound, and light—holding us in its pull from first breath to

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CREEPY BOYS: SLUGS

★★★★★

Edinburgh Festival Fringe

CREEPY BOYS: SLUGS Edinburgh Festival Fringe ★★★★★ “Pretty much every moment of this show is laugh-out-loud hilarious” A part-techno-punk concert, part projector-screen-puppet-show run by perhaps the sweatiest, funniest, and unapologetically existential performers at fringe? You won’t be able to get enough of. Unless you are in the front row. Slugs

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DANCE PEOPLE

★★★

Edinburgh International Festival

DANCE PEOPLE Edinburgh International Festival ★★★ “As the sun sets, darkness transforms the space, and the lighting takes full effect” An empty courtyard. A red ribbon separates the performance space from the audience area. Lebanese-French dance company Maqamat takes the stage—or rather, the quad. We’re in the Old College Quad,

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CHAMPIONS

★★★★

Edinburgh Festival Fringe

CHAMPIONS Edinburgh Festival Fringe ★★★★ “cinematic, poignant, visually stunning, and deeply affecting” We enter a large theatre space and take our seats. The stage is set as a living room: a single lounge chair, a rug, a vintage tube television, a retro stereo system, and an antique Victrola phonograph are

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MAKE IT HAPPEN

★★★

Edinburgh International Festival

MAKE IT HAPPEN Edinburgh International Festival ★★★ “it’s left to Brian Cox to bring a craggy humanity to Adam Smith, and to deliver the best lines” James Graham’s latest play, Make It Happen, and written for the National Theatre of Scotland is, fittingly, thoroughly Scottish in theme and character, and

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GISELLE: REMIX

★★★★

Edinburgh Festival Fringe

GISELLE: REMIX Edinburgh Festival Fringe ★★★★ “The choreography is impeccable, the performances magnetic, and the shifts in tone handled with total control” Jack Sears’ Giselle: Remix takes the bones of the classic ballet and explodes them into something gloriously queer, irreverent, and intoxicating. Part ballet, part lip-sync cabaret, part queer

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