Tag Archives: 2024X

🎭 TOP CHRISTMAS SHOW 2024 🎭

POTTED PANTO

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Wilton’s Music Hall

POTTED PANTO

Wilton’s Music Hall

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“This is the only panto you’ll ever need. It’s the festive season in a nutshell.”

If you are a pantomime completist, you can easily knock off a handy six – or is it seven? – in one night at Wilton’s Music Hall and have a fabulous time doing so.

The comic duo of Dan and Jeff bring their quick-fire Potted Panto back to the gorgeously distressed venue cramming in the festive cheer with the pluck and ingenuity of a turkey stuffer faced with a big bag of giblets.

In goes Sleeping Beauty and Cinderella. Here comes a whistlestop Jack and the Beanstalk and an abbreviated Snow White. The pair – aided and abetted by costume changes, cut corners, puppets and belly laughs – rattle through the traditional canon in a slick and practised 80 minutes, and that includes fast and furious recaps.

Daniel Clarkson and Jeff Turner are good at this. Really good. They’ve been β€œpotting” works since 2005 beginning with Harry Potter (Potted Potter, geddit?) and moving on to pirates and Sherlock Holmes. Potted Panto was first shown at the Edinburgh Fringe in 2010 and transferred to the West End where it was Olivier nominated. The show arrived at Wilton’s last year and looks like becoming a regular fixture – with tickets selling fast. This is nothing but good news. It deserves to become an East End tradition.

At times the cheerful conspiratorial exuberance tips over from stage show to party time, with the fourth wall not just broken but blown up. That accounts for the enthusiastic embrace for the β€œ3D” section where everyone joins in a rambunctious carriage chase through a haunted forest.

There’s topical stuff for the adults – Donald Trump, Gregg Wallace – and enough wee-wee and poo gags to have the kids slamming their hands to their mouths in naughty giggles.

Dan Clarkson, the tall one, plays the part of the cheeky troublemaker with puckish glee, while harassed Jeff, the short one, tries to keep the whole show on the road. Co-writer Richard Hurst also directs and manages to co-ordinate chaos to such an effective degree he should run for government.

All this is helped immeasurably by the special magic of Wilton’s. With its echoes of Dickensian Christmases Past, especially with Tiny Tim limping across the stage, the whole place has the cosiness and irrepressible delight of those childhood December nights that were almost too exciting to bear.

Remember, if any other Christmas show offers you just the one storyline, you’ve been short-changed. This is the only panto you’ll ever need.

It’s the festive season in a nutshell.


POTTED PANTO at Wilton’s Music Hall

Reviewed on 6th December 2024

by Giles Broadbent

Photography by Geraint Lewis

 

 

 

 

 

Previous Potted Panto reviews:

POTTED PANTO | β˜…β˜…β˜…β˜…β˜… | WILTON’S MUSIC HALL | December 2023
POTTED PANTO | β˜…β˜…β˜…β˜…β˜… | APOLLO THEATRE | December 2022

POTTED PANTO

POTTED PANTO

Click here to see our Recommended Shows page

 

🎭 TOP REGIONAL CHRISTMAS SHOW 2024 🎭

CINDERELLA

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Cambridge Arts Theatre

CINDERELLA

Cambridge Arts Theatre

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“side-splittingly funny, intelligent and the song and dance numbers are a delight”

Pantomime season is amongst us again and this year in Cambridge it is the turn of Cinderella written by Al Lockhart-Morley and directed by Michael Gattrell. Painted backdrops (Ian Westbrook, set designer) featuring famous Cambridge landmarks leave us in no doubt as to where we are situated. There are a copious number of Cambridge jokes scripted in which get the loudest laughs from the audience. Prince Charming is visiting Trinity College and Cinderella is an environmental studies student in the process of applying for a place at Harvard. In many ways this is not your average pantomime. But as we are often reminded this is Cambridge, after all.

Fairy Goodheart (Julia J Nagle) sets the scene and keep us up with the plot, as well as providing the magic, of course. Nagle is delightful throughout with twinkly eyes and a reassuring smile and we know we are in good hands. A great voice too when it comes to her solo numbers.

Pantomime legend Matt Crosby holds the whole production together. Despite this year discarding his Dame’s skirts for a Buttons’ tunic, his onstage warmth and amiability puts everyone at their ease. He’s funny, possesses great comic timing and, now that we can see his feet, can dance a bit too.

Cinderella (Chloe Gentles) is as delightful as she must be. She is probably also the smartest dressed and most properly spoken Cinderella on stage this year. She did once pick up a broom but the most arduous thing she was otherwise seen to do was to take a group of children to the woods for an eco-friendly ramble. Which gives her the chance to meet the royal prince and his servant, elegantly dressed in purple suits. Jack Wilcox – great voice, great feet – plays Prince Charming much as you might see Hugh Grant take on the role. Alex Bloomer, smiling throughout, plays Dandini as the Prince’s devoted spaniel.

A high standard of clever punning falls into the script for Baron Hardup (Stuart Simons) who commands the stage and pairs well with Buttons. The Wicked Stepsisters (Harry Howle and Steven Roberts) dressed in an array of outstanding and outlandish costumes (Sue Simmerling, costume designer) share sparkling repartee but haven’t yet found their comedy timing or fully exploited the rapport between them.

The production gives us a generous number of excellent song and dance routines (Kevan Allen, choreographer and Dean McDermott, Musical Director), though the song choices are a bit obscure. The ensemble of six dancers are excellent; stunning on the eye, dressed in beautiful costumes and with great moves their scenes are arguably the best of the show. Supported well too in some scenes by a children’s ensemble who are disciplined, smile throughout and give an added something to the larger scenes on the full stage. The act one curtain closer as Cinderella finds her carriage to take her to the ball is a real showstopper of a scene involving twinkling lights (Mike Robertson, lighting designer), and an ingenious stage effect.

Story telling must make way in the second half for birthday shout outs, children up on stage, and audience participatory singing. This year it’s How Much is that Doggie in the Window due to an extraneous bit of subplot shoehorned in to facilitate the now traditional soapy slapstick scene. The slick timing is not quite there yet but the generous audience is in stiches anyway.

Cambridge has pulled out all the stops to provide a thoroughly enjoyable and entertaining evening. There’s all the pantomime elements and audience participation we expect without any shady politics or extreme innuendo. It looks good, sounds good, at times is side-splittingly funny, intelligent and the song and dance numbers are a delight. Go see!


CINDERELLA at Cambridge Arts Theatre

Reviewed on 3rd December 2024

by Phillip Money

Photography by Richard Hubert Smith

 

 


 

 

 

Previously reviewed at this venue:

1984 | β˜…β˜…β˜…β˜… | October 2024
THE HISTORY BOYS | β˜…β˜…β˜…β˜… | October 2024
REBUS: A GAME CALLED MALICE | β˜…β˜…β˜… | September 2024
CLUEDO 2: THE NEXT CHAPTER | β˜…β˜… | March 2024
MOTHER GOOSE | β˜…β˜…β˜…β˜… | December 2023
FAITH HEALER | β˜…β˜…β˜… | October 2023
A VOYAGE AROUND MY FATHER | β˜…β˜…β˜… | October 2023
FRANKENSTEIN | β˜…β˜…β˜…β˜… | October 2023
THE SHAWSHANK REDEMPTION | β˜…β˜…β˜… | March 2023
THE HOMECOMING | β˜…β˜…β˜…β˜…β˜… | April 2022

Cinderella

Cinderella

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