Tag Archives: Adrian Hau

JUST SO

β˜…β˜…β˜…Β½

Bridewell Theatre

JUST SO at the Bridewell Theatre

β˜…β˜…β˜…Β½

“It is an enjoyable experience though, with some memorable and entertaining moments”

This musical is at its best when it leans into the silliness, and bubbles with campy fun.

Just So is a 1984 adaptation of Kipling’s childhood favourite Just So Stories. This production nods to classic stylistic tropes from the musical, with suitcases and a beige palette, but feels fresh and original.

It is playfully and imaginatively directed by Glen Jordan, with cast popping up from trapdoors, hiding in boxes and using every inch of the space.

There are some strong performances – the Eldest Magician (Joe McWilliam), who acts as narrator. holds it all together. He shines throughout, both with a rich singing voice and confident stage presence. Kate Gledhill brings range to the often-chirpy Kolokolo Bird, showing strong moments of poignancy and doubt. Freddie Tibbs, the baker, referred to throughout as Parsee Man (some of the language in this production feels a bit outdated) is a brilliant singer, and a powerful scene stealer.

“The lighting is playful and charming”

There is a huge ensemble, with a full chorus. In a piece of careful and kind directing, everyone gets their own moment, allowing a member of the chorus to show off her splits, and Eleanor Leaper as the zebra to demonstrate impressive vocal riffs. A delightful standout is Thomas Outhwaite as the baker’s oven, and sidekick. There is great and simple joy in seeing him dressed in a huge cardboard box trying to dance along with each number.

The play is slightly let down by the central character, it’s a difficult part and feels tonally out of synch with the best parts of the show. The second half is slower than the first (aside from an excellent and energetic performance by Jac Norris as the arrogant kangaroo) and possibly a few cuts could have helped keep the momentum going.

The lighting is playful and charming, the first moments of the play, where the lights slowly twinkle up, do feel deeply magical. The set design is also really fun. Palm trees become crab claws, umbrellas shift from clouds to waves – it’s imaginative and simple.

A question does dog this production, and that is who the intended audience is. As a show for children, with some cuts, this could be a real hit. For adults, parts of it feel a bit off the mark. It is an enjoyable experience though, with some memorable and entertaining moments.


JUST SO at the Bridewell Theatre

Reviewed on 5th March 2024

by Auriol Reddaway

Photography by Michael Smith

 

 

Previously reviewed at this venue:

AMADEUS | β˜…β˜…β˜…β˜… | November 2022
AMERICAN IDIOT | β˜…β˜…β˜…β˜… | May 2022

Just So

Just So

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American Idiot

American Idiot

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Bridewell Theatre

American Idiot

American Idiot

Bridewell Theatre

Reviewed – 5th May 2022

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“the large ensemble inject a real energy into the show”

 

American Idiot, directed by Matt Bentley, follows the lives of three disgruntled young men struggling to find purpose after the events of 9/11. Leaving their small town for the big city with big dreams, the trio’s paths soon diverge when Johnny (Nick Dore) succumbs to his drug addicted alter ego St. Jimmy (Sorrel Brown), Tunny (George Langdown) enlists in the army, and Will (Joshua Yeardley) returns home to look after his young child.

All set to the songs of Green Day’s chart-topping album American Idiot, the eponymous musical explores the political atmosphere of the early 2000s and the presidency of George W. Bush. The album in fact was conceived by the band as a concept album telling the story of a low-middle class American anti-hero Jesus of Suburbia and thus its rendering on stage should not be considered a jukebox musical but rather an already fleshed out tale of woe. The album only has two explicitly political songs – American Idiot and Holiday, both of which feature in the show – but a general theme of anti-establishment is threaded throughout.

Despite its relatively depressing subject matter, American Idiot is a complete romp. The show is jam-packed with songs and medleys and the large ensemble (led by Alice Signell) inject a real energy into the show with their lively dancing and expressive movements (Jen Bullock). The plot itself is simple enough to follow but some more dialogue between songs would really help to bridge the gap between back-to-back songs.

Brown’s performance as St. Jimmy is particularly dynamic and her performance of the song St. Jimmy the strongest in the show. It is a joy every time she is on stage. Dore’s performance is strong too and he truly embodies the early-2000s punk in both attitude and aesthetic. He is wholly believable, and his voice is perfect for his numerous solos. Other notable songs include American Idiot, Know Your Enemy and 21 Guns – all of which the cast deliver with great emotion and enthusiasm.

The band, led by Oscar Denihan, are phenomenal, blasting out track after track. Unfortunately, there were a few technical difficulties with electric guitars not working and sound levels varying slightly, but it was otherwise a fantastic performance from all. James Green on the drums is particularly good.

The set (Andrew Laidlaw) is simple but highly adaptable and the space well used. Black flight cases are used effectively as seats, hospital beds and even coffins of the American soldiers killed in the Iraq war. A Murphy bed is used for certain scenes and cleverly has a shelf with glued-on beer cans on its underside for dΓ©cor when it is put away.

Costumes (Clare Harding) are authentically early-2000s punk with skinny jeans, flannel and eyeliner abound. Lighting (Olly Levett) is for the most part well done though again there were a few technical glitches with late spotlights and light changes out of beat to the music.

Though a cultural commentary of its time, Green Day’s call for radical change remains relevant today. American Idiot will be a thrill for any lover of pop punk and the amateur cast should be very proud of this production.

 

Reviewed by Flora Doble

Photography by Stephen Russell

 


American Idiot

Bridewell Theatre until 14th May

 

Other shows recently reviewed by Flora:
Myra Dubois: Dead Funny | β˜…β˜…β˜…β˜… | Garrick Theatre | September 2021
Flushed | β˜…β˜…β˜…β˜… | Park Theatre | October 2021
Dick Whittington | β˜…β˜…β˜…β˜… | Phoenix Theatre | December 2021
Dog Show | β˜…β˜…β˜…β˜…β˜… | Pleasance Theatre | December 2021
& Juliet | β˜…β˜…β˜…β˜… | Shaftesbury Theatre | April 2022

 

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