Tag Archives: Alan Valentine



UK Tour

OH WHAT A LOVELY WAR at the Theatre Royal Windsor


“A multi-talented cast of Pierrot-style performers … give their all in this satirical rollercoaster of a show.”

As one of the UK’s leading touring companies with a commitment to theatre that ‘entertains, provokes and inspires in equal measure’, Blackeyed Theatre are continuing their anniversary tour of Joan Littlewood’s pioneering ‘Oh What a Lovely War’ with a stop in Windsor.

The piece was developed in an improvisatory style by Littlewood’s Theatre Workshop in in 1963. Her vision was to break the fourth wall that separates audience from performer, challenging elitism by taking theatre to where it was most needed as part of her proud boast that she was a ‘vulgar woman of the people’.

A multi-talented cast of Pierrot-style performers, most of whom trained on the Rose Bruford School’s Actor Musicianship programme, give their all in this satirical rollercoaster of a show. Director Nicky Allpress acknowledges the complex challenges of the piece which she describes as ‘a beast’ to rehearse – but her vision shines through.

Projections designed by Clive Elkington detail the heart-rending cost of the so-called ‘war to end all wars’ that pointlessly took the lives of tens of millions of young people whilst their unfeeling commanders remained indifferent to their struggle from a position of relative safety behind the lines.

An atmospheric backdrop is created by a circus tent inspired set (Victoria Spearing) evocatively lit by Alan Valentine. The cast play percussion, trumpet, double bass, accordion and more. They sing the old battlefield songs with a mad intensity which seemed to escape the audience member to my right. He sang along gleefully until the fierce cost of the conflict began to appear. Then he was silent.

Even before the show opens, Pierrots lounge in a box and interact with the audience in surprising ways. There are a number of stand-out scenes, including a poignant re-creation of the moment when soldiers met in no-man’s land on Christmas Day. But there’s no false sentimentality here and the satire is brilliantly sharp in a number of key scenes that depict the officer ‘donkeys’ who ordered the British lions into destruction. Naomi Gibbs has designed some clever costumes that at one point permit the cast to play both officers and wives in a viciously entertaining ballroom scene.

The company demonstrated a brilliant command of different voices, and their take on the indifferent drawl of the officer class was particularly impressive. Tom Benjamin sparkled as the MC and Harry Curley and Euan Wilson gave equally strong performances. The other members of the cast  shone equally in this non-stop cavalcade of a show.

OH WHAT A LOVELY WAR at the Theatre Royal Windsor as part of UK Tour

Reviewed on 2nd April 2024

by David Woodward


Previously reviewed at this venue:

CLOSURE | ★★★★ | February 2024
THE GREAT GATSBY | ★★★ | February 2024
ALONE TOGETHER | ★★★★ | August 2023
BLOOD BROTHERS | ★★★★★ | January 2022
THE CHERRY ORCHARD | ★★★★ | October 2021



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Jane Eyre

Jane Eyre


Wilde Theatre

Jane Eyre

Jane Eyre

Wilde Theatre, South Hill Park Arts Centre, Bracknell

Reviewed – 3rd November 2020



“Kelsey Short’s Jane is a captivating and empowered northern lass with bags of inspiring grit”


How to compress a blockbuster three volume novel from 1847 into an engaging theatrical experience for audiences today? That’s the challenge that writer-director Nick Lane has risen to splendidly in this thrilling adaptation of Charlotte Brontë’s ‘Jane Eyre’.

It’s the work of South Hill Park’s resident company Black Eyed Theatre which has a deserved reputation for exciting and innovative theatre with minimal grant assistance.

Poor plain Jane. She’s the put-upon girl ‘whose capacity for love is seemingly limitless’ that’s at the giddying centre of this first person narrative. Her struggle for self-determination through the years from schoolgirl right through to motherhood is Brontë’s inspiring subject.

The cast are multi-instrumentalists and singers and take up to five roles each. The action takes place on a stark and impressively contemporary set by Victoria Spearing which is particularly well lit by Alan Valentine.

Kelsey Short’s Jane is a captivating and empowered northern lass with bags of inspiring grit. The splendid Ben Warwick is Mr Rochester, the mysterious owner of Thornfield Hall. In his high-waisted britches (costumes by Naomi Gibbs) he has a lean and hungry look and gives an energetic and winning performance.

This is the kind of rigorously honest production where all the cast are on stage almost all the time, even as they make their costume changes. Their tight ensemble work is the motor that keeps the energy up and drives the action forward. Camilla Simeon, Eleanor Toms and Oliver Hamilton are all compelling performers, deftly switching from role to role, and even instrument to instrument, mid-tune.

The story is something of a melodrama, albeit with plenty of humorous moments, so it’s appropriately broken up with plenty of folksy tunes and atmospheric musical mood-setting by composer George Jennings.



Reviewed by David Woodward

Photography by Alex Harvey-Brown


Jane Eyre

Wilde Theatre, South Hill Park Arts Centre, Bracknell until 4th November


Previously reviewed at this venue:
The Strange Case Of Dr Jekyll & Mr Hyde | ★★★★★ | September 2020


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