Tag Archives: Amber Woodward

TRUE TALES OF SEX, SUCCESS AND SEX AND THE CITY

★★★½

London Palladium

TRUE TALES OF SEX, SUCCESS AND SEX AND THE CITY at the London Palladium

★★★½

“an enjoyable, if slightly twee, evening out with the women in your life”

And just like that, it’s thirty years since Sex and the City first appeared as Candace Bushnell’s original New York Observer column. In the intervening years there have been books, TV series and films all exploring the lives of single, professional, and sexually adventurous women in New York City. Bushnell has revealed she sold the screen rights to Sex and the City for $100,000 in the 90s and doesn’t receive royalties, so despite the show’s incredible success – she doesn’t see a penny. Instead, she has focused her career on being a writer, with books that have consistently appeared in the NY Times bestseller lists on publication.

Perhaps it’s the thirty year anniversary of the column, or that she’s feeling a new lust for life at 65, or something else entirely, but this year Candace Bushnell, who, at least in the UK, has a much less public profile than her on screen persona Carrie Bradshaw, is touring a one woman show offering to reveal the truth at the heart of her stories.

It’s a sell-out concept with extremely high production values. At least seven pairs of Louboutins, Manolos and more are bathed in the warm glow of their own spotlights lining the front of the stage, with more dressing shelves across the back. However, this shopaholic’s boudoir is disappointingly a bit more Elle Woods than fashion-forward Carrie Bradshaw.

“the content is engaging and will thrill any fans of the show”

In the 90s and even before, through columns in Cosmopolitan and other women’s magazines, it’s clear Candace was a trailblazer, a third wave feminist with Gloria Steinem as a childhood idol, talking frankly and openly about sex. But there’s been criticism of some of the content of the TV series by today’s standards of sex and gender politics. Despite this, Carrie and Candace Bushnell clearly still appeal to many women, with gaggles of girls of all ages queuing down Argyll Street in front of the London Palladium eager to hear from the real Carrie Bradshaw.

Bushnell struts on stage with a perfect blow out, candy red dress, bare legs and of course a matching pair of red Manolos. Even her presentation is expertly polished, but so much so that it feels unnaturally robotic – barely pausing for breath from one line to the next, intentional choreographed movements across the stage from, gasps fixing her mouth and eyes in wide ‘O’s for just a touch too long. Performance wise, it reads more children’s entertainer than mature, sophisticated adult. One can recognise something of Carrie in the way she speaks, her intonation and penchant for rhetorical questions, but it feels written-in to please the audience rather than an authentic reflection of Bushnell. I can’t help but wonder, is this another persona created to hide the real woman?

Despite the delivery, the content is engaging and will thrill any fans of the show. Bushnell tells of her romance with the real Mr Big and plays a game of ‘real or not real’ asking the audience to guess whether she really met Matthew McConaughey in Hollywood, or dated a senator. She reveals the lessons she’s learned from relationships – which are, on the whole, quite sadly cynical: men lie; if you don’t do it someone else will; people in relationships see what they want to see. They are all delivered with a grin and appear tongue in cheek but are a pretty sad indictment of dating. The one point of hope is Bushnell’s thesis that despite the trials and tribulations of relationships with men, your girlfriends – your Mirandas, Charlottes and Samanthas – will always be there for you.

All in all Bushnell provides the entertainment for an enjoyable, if slightly twee, evening out with the women in your life. Best enjoyed after a big bottle of wine and a Cosmo or two.


TRUE TALES OF SEX, SUCCESS AND SEX AND THE CITY at the London Palladium

Reviewed on 7th February 2024

by Amber Woodward

 

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Previously reviewed at this venue:

DEATH NOTE – THE MUSICAL IN CONCERT | ★★★★ | August 2023

TRUE TALES OF SEX

TRUE TALES OF SEX

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JUST STOP EXTINCTION REBELLION

★★★

White Bear Theatre

JUST STOP EXTINCTION REBELLION at the White Bear Theatre

★★★

“the potential for an exciting clash of cultures in this piece never transpires”

Just Stop Extinction Rebellion is a hopeful play about finding romance, and finding yourself, in the autumn of life whilst the world is burning. An overtly political play this is not – admitted by the playwright, Brad Sutherland, in a note on the programme. The context in which the central pair meet, at an upper-middle class, West London climate activist group, is little more than incidental and could as easily have been a church choir. However, the meet cute does reflect the pair’s need to find meaning beyond their own little lives – seeking hope that more people can be saved from the actions they take.

The two leads are the effervescent Millicent Forbes-Frobischer of Barnes, patron of the Globe and regular at Waitrose, played with aplomb by Louise Bangay, and plain old Ben, soppy and staid James Price. Millicent is seven months separated from her husband under circumstances left unresolved. Ben is equally frustrated in his marriage, having been pushed out by his wife, Petra (Orsolya Nagy) who calls herself an ‘evil bitch’. Over the course of many months, the two grow closer as they share in their marriage woes and plot with fellow activists Gaia (also Nagy), George (Stephen Riddle) and Mrs Warboys (Hilary Field). Whilst there is sweetness to the pairs developing relationship after so many years out of the dating game, Price’s Ben is wet and left wanting beside Bangay as the dazzling Millicent. And whereas Millicent benefits from a clearly defined character arc, Ben is walked all over by his cruel wife and ends pretty much back where he started.

More interesting is the relationship between Millicent and George as their ideas for addressing the climate emergency rub up against each other. George raises motions to use guerrilla tactics of egg bombing cars and lying down in the road to halt traffic. Millicent wants to affect change through policy, and proposes a motion as such at her first meeting. His patronising quotation of Mark Twain ‘if I don’t read newspapers I’m I’ll informed, if I read them I’m uninformed’ receives a quipped at equally belittling reply from Millicent and we realise George may have met his match.

“Kenneth Michaels makes some odd directorial choices”

Whilst the plays author, Brad Sutherland, may apologise for trying to write a balanced play airing both sides, in my view, that’s a strength. Both approaches are necessary – activism for raising consciousness and demanding change and policymaking for driving the change. The characters’ perspectives are perhaps influenced by their power – Millicent as an upper middle class woman with connections in the media and government can demand and achieve attention for her policy ideas. George, whose daughter has recently died, just wants immediate action.

Kenneth Michaels makes some odd directorial choices, namely the cheesy dancing sequences to ‘Walking on Sunshine’ the extended chanting and breathwork sequences by the spiritual Gaia. Nagy’s caricatured performance in a rainbow streaked wig and billowing costumes (Samantha Parry) makes a mockery of activism without any redeeming features.

Despite the strong performance of Louise Bangay and a chameleonic turn from Stephen Riddle as Millicent’s dapper husband Henry, the potential for an exciting clash of cultures in this piece never transpires and instead the play’s emotional heart is left wanting by weak characters and parodied performances.


JUST STOP EXTINCTION REBELLION at the White Bear Theatre

Reviewed on 1st February 2024

by Amber Woodward

Photography by Paddy Gormley

 

 

 

Previously reviewed at this venue:

I FOUND MY HORN | ★★★★ | February 2023
THE MIDNIGHT SNACK | ★★★ | December 2022
THE SILENT WOMAN | ★★★★ | April 2022
US | ★★★★ | February 2022
MARLOWE’S FATE | ★★★ | November 2021
LUCK BE A LADY | ★★★ | June 2021

JUST STOP EXTINCTION REBELLION

JUST STOP EXTINCTION REBELLION