Swimming
White Bear Theatre
Reviewed β 30th April 2019
β β β β
βBowerβs script, and indeed the show as a whole, are already in a pretty strong and exciting placeβ
Swimming is a common trope in the telling of gay stories. Think the Hampstead Menβs Pond in Alan Hollinghurstβs βThe Line of Beautyβ, David Hockneyβs βPeter Getting Out of Nickβs Pool (1966)β and the pool-side antics in coming-of-age films from βCall Me By Your Nameβ to βY Tu MamΓ‘ TambiΓ©nβ. Alex Bowerβs memorable new play draws on this rich cultural heritage to create a gripping and probing hour of drama.
Dan (Andrew Hawley) has just said so long to girlfriend of three years Marianne (Harriet Green) and the two are fairly irreconcilable. She moves in with Danβs best friend and trusty furniture-builder Ant (Jack Helsby) whilst Dan rekindles a long-forgotten desire for the male sex and starts dating Sam (Patrick Cavendish). Struggling with years of keeping in the closet, Dan begins to construct a new identity for himself β one free of the friends and girlfriends that have pigeon-holed him his whole life.
This run is described as an opportunity to βget the show on its feetβ with intentions to develop it further, but Bowerβs script, and indeed the show as a whole, are already in a pretty strong and exciting place. Bower has created four rich and detailed characters, and he asks some intriguing questions about how we approach the spectrum of sexuality. When Ant stumbles across Sam and Dan at the lido, Bower captures well the awkwardness of two sides of a personality colliding. Danβs been straight his whole life, how can he suddenly decide heβs gay?
With just four stools and some neat shifts in lighting, Rebecca Loudonβs direction is reminiscent of Jamie Lloydβs current work at the Harold Pinter Theatre. Minimal and sparse, the relationships between characters are crucial. Luckily Loudon has a excellent ensemble working together effortlessly.
Moving forward, work could be done to make these characters more like people with histories than mere βtypesβ. Ant in particular feels well rounded and detailed, but Green and Cavendish are given a little less meat to chew on. Iβm left contemplating the meaning of that title too. That aside, this is a promising new piece of work that ought to be seen even at this early stage of development.
Reviewed by Joseph Prestwich
Photography by Alex Brenner
Swimming
White Bear Theatre until 4th May
Last ten shows reviewed at this venue:
The Lady With a Dog | β β β β | February 2018
Northanger Avenue | β β β β | March 2018
Grimmβs Fairy Tales | β β | April 2018
Lovebites | β β β | April 2018
The Old Room | β β | April 2018
The Unnatural Tragedy | β β β β β | July 2018
Eros | β β | August 2018
Schrodingerβs Dog | β β β β | November 2018
Franz Kafka β Apparatus | β β β | January 2019
The Project | β β β | March 2019
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