Tag Archives: Annie May Fletcher

In My Lungs

In My Lungs The Ocean Swells

★★★★

VAULT Festival 2020

In My Lungs

In My Lungs The Ocean Swells

Cavern – The Vaults

Reviewed – 6th February 2020

★★★★

 

“there is also playful joy, real warmth, and two people who we immediately like”

 

This two hander is part tale of growing up, friendship and love, part lament for the fishing industry and part meditation on the sea. It is also wholly engaging and moving. Jenny Walser and Jack Brownridge-Kelly play friends since childhood who become something more. But what happens when one of you is embedded in a place, part of it, and the other needs to get away and build a different kind of life?

He comes from a long line of fishermen, men of the sea. He’s never wanted to do anything else. She wants more, something different, and moves to the city. But they are central to each other’s lives.

There is a mystical thread of ancient ocean running through the play, woven into the present day narrative; an underpinning of deep time carried by wave and storm. The plight of fishing communities in a time when fish stocks have shrunk dramatically, creating unemployment and despair is another thread, and there is also playful joy, real warmth, and two people who we immediately like.

Grace Venning’s simple and effective set is augmented by atmospheric lighting, designed by Joe Price and by Annie May Fletcher’s soundscape that somehow mixes with the noise of trains passing overhead to evoke the wash and rumble of the ocean. The Cornish coast comes alive in this setting, populated by a community we meet through the two character’s stories and memories, and their warm Cornish Accents. It’s a lovely piece of directing from Tash Hyman, using the traverse layout effectively and supporting her actors to create a believable world and tell a very human story.

 

Reviewed by Katre

Photography by Oliver Bryant

 

VAULT Festival 2020

 

 

Click here to see all our reviews from VAULT Festival 2020

 

The Amber Trap
★★★

Theatre503

The Amber Trap

The Amber Trap

Theatre503

Reviewed – 29th April 2019

★★★

 

“Barrie offers the majority of light relief throughout the play, her rolling eyes and gurning facial expressions being priceless”

 

Northern town. Tick. The ins and outs of the local offie. Tick. This may sound like we’re venturing into Open All Hours territory, however, Tabitha Mortiboy’s latest play, The Amber Trap, is far removed from the corny jokes and canned laughter of the former. It’s a modern twist on a staple of British culture.

Things have been fine and dandy in the local corner shop. Everything working like clockwork, the same old faces come shuffling in and out. Katie and her girlfriend Hope have been harmoniously working at the shop for two years, stealing kisses in between the aisles. It’s Katie’s little haven, where she can be her true self with Hope, without anyone watching. This soon changes once manager Jo, hires new kid Michael. As sweet and innocent as the boy seems, he instantly shifts the dynamic of their microcosm, becoming a real cat amongst the pigeons.

Where Mortiboy scores most with this play is her examination of Katie and Hope’s relationship, from the highs of young love to the lows of painful truths. The ambiguous and abrupt ending comes as a deflated anti-climax, which leaves a tinge of disappointment. There are also times where Katie’s actions and motivations are a little questionable, or you feel, as an audience, you don’t quite understand her reasonings, however, Olivia Rose Smith plays her with naturalistic sensitivity and believability that allows you to oversee this.

Fanta Barrie as Hope is fiery, fun and has a gob that can get her into trouble, but under it all is a complete softy, infatuated with her girlfriend. Barrie offers the majority of light relief throughout the play, her rolling eyes and gurning facial expressions being priceless. Misha Butler, playing Michael, is skin-crawlingly odd. His progression from sweet with strange tendencies, to full blown creep with a troubled past, makes it uncomfortable to watch at times, although rather predictable – it’s always the nice ones!

The set (designed by Jasmine Swan) has been painstakingly put together to recreate a decrepit, ageing corner shop we all know and love, stocked with cheap booze, packets of crisps that shouldn’t be sold separately, and sad-looking sandwiches. The intricate detail Swan has gone into helps to suck the audience into the claustrophobic, “matchbox” world of the store.

With an ace soundtrack of pounding Noughties indie tunes, the crackly shop radio plays an integral part in emphasising certain moods of the characters or atmospheres within scenes. Annie May Fletcher’s sound design proves an important component within the overall story.

As strong as the performances and as brilliant as the designs are, the writing is where certain cracks show with much of the dialogue falling back on cliches and predictable outcomes. Nevertheless, it’s still an enjoyable trip down the road for a pint of laughter and a box of unnerving drama.

 

Reviewed by Phoebe Cole

Photography by The Other Richard

 


The Amber Trap

Theatre503 until 18th May

 

Last ten shows reviewed at this venue:
Her Not Him | ★★★ | January 2018
Br’er Cotton | ★★★★★ | March 2018
Reared | ★★★ | April 2018
Isaac Came Home From the Mountain | ★★★★ | May 2018
Caterpillar | ★★★★ | September 2018
The Art of Gaman | ★★★★ | October 2018
Hypocrisy | ★★★½ | November 2018
Cinderella and the Beanstalk | ★★★★ | December 2018
Cuzco | ★★★ | January 2019
Wolfie | ★★★★★ | March 2019

 

Click here to see more of our latest reviews on thespyinthestalls.com