Tag Archives: Ashley Cook

The Sweet Science of Bruising – 4 Stars

Bruising

The Sweet Science of Bruising

Southwark Playhouse

Reviewed – 5th October 2018

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“it doesn’t quite land a knockout punch, however, this is important and compulsive viewing”

 

In Joy Wilkinson’s richly entertaining new play, four women, from diverse segments of Victorian society, find solace from the tedium and oppression of their day-to-day lives in the novel world of all-female boxing. Slugging it out in the backrooms of Islington to be crowned β€˜Lady Boxing Champion of the World’, they provoke an aghast (and sometimes violent) response from patriarchal, β€˜polite’ society.

Cannily, Wilkinson allows the status of these spectacles to remain ambiguous. Are they a kind of proto-feminist display of solidarity and valour? An exploitative circus, choreographed, literally, by the Svengali-like Professor Sharp (an excellent Bruce Alexander)? Or, as one of the fighter’s relatives strikingly suggests towards the end, an act of mere egotism on the part of the participants? The strength of the play is in its timely suggestion that, in rigidly oppressive societies, simple solutions are hard to come by and β€˜progress’ can be tricky to measure.

Wilkinson has worked extensively for television which comes across in the play’s engaging, televisual-style sharp, snappy scenes and intertwining storylines. In fact, the evening feels a little akin to a Netflix box-set (one might see certain similarities with the streaming series Glow). A steady directorial hand is provided by Kirsty Patrick Ward who stages the text with the pace and clarity it demands. Anna Reid’s set-design, somewhat resembling a boxing-ring, uses the intimacy of the Southwark’s studio space to its full effect. From a lineup of strong performances, Fiona Skinner’s brittle, defiant Polly Stokes stands out.

At times, the narrative is pursued a little too urgently. The thoughtful questions posed in the first act get somewhat submerged by the haywire over-plotting of the second: promising narrative threads are rushed through or got slightly lost. Further, whereas the play neatly navigates its individual storylines, one was eager to see more of the women together, comparing their experiences. A bit more time with the boxing matches themselves would also have been appreciated (especially if it meant further opportunity to showcase Alison de Burgh’s brilliant fight direction).

It doesn’t quite land a knockout punch, however, this is important and compulsive viewing.

 

Reviewed by Joe Spence

Photography by Mitzide Margary

 


The Sweet Science of Bruising

Southwark Playhouse until 27th October

 

Previously reviewed at this venue:
Bananaman | β˜…β˜…β˜… | January 2018
Pippin | β˜…β˜…β˜…β˜… | February 2018
Old Fools | β˜…β˜…β˜…β˜…β˜… | March 2018
The Country Wife | β˜…β˜…β˜… | April 2018
Confidence | β˜…β˜… | May 2018
The Rink | β˜…β˜…β˜…β˜… | May 2018
Why is the Sky Blue? | β˜…β˜…β˜…β˜…β˜… | May 2018
Wasted | β˜…β˜…β˜… | September 2018

 

Click here to see more of our latest reviews on thespyinthestalls.com

 

 

Full casting announced for The Cardinal at Southwark Playhouse

 

Natalie Simpson (Royal Shakespeare Company’s recent productions of King Lear, Hamlet and Cymbeline) joins an eleven-strong cast to play Duchess Rosaura alongside the previously announced Stephen Boxer.

Troupe presents

THE CARDINAL

by James Shirley

Cast:

Stephen Boxer, Sophia Carr-Gomm, Phil Cheadle, Ashley Cook, Marcus Griffiths, Patrick Osborne, Jay Saighal, Natalie Simpson, Timothy Speyer, Paul Westwood and Rosie Wyatt

Directed by Justin Audibert

Designed by Anna Reid

Lighting by Peter Harrison

Sound by Max Pappenheim

 

Stephen Boxer plays the Cardinal. Theatre includes Raising Martha (Park Theatre), The Inn at Lydda (Shakespeare’s Globe), Shadowlands (National Tour for Birdsong Productions), Regeneration (Royal and Derngate Theatres, Northampton and National Tour for Touring Consortium Theatre Company), King Lear, The Holy Rosenbergs, Aristocrats, Power, Volpone, At Our Table, White Chameleon, The Shape of the Table and Once in a While the Odd Thing Happens (National Theatre), Titus Andronicus, The Heresy of Love, The Tragedy of Thomas Hobbes, The Taming of the Shrew, Measure for Measure, Twelfth Night, Richard III, The White Devil and Rousseau’s Tale (Royal Shakespeare Company), Anjin: The Shogun and The English Samurai (HoriPro Inc., Japan and Sadler’s Wells), Written on the Heart (Royal Shakespeare Company and Duchess Theatre), Hay Fever (Rose Theatre, Kingston), Brighton Beach Memoirs (Palace Theatre, Watford), The Great Highway (Gate Theatre), The Hypochondriac (Almeida Theatre), Love and Marriage and God and Stephen Hawking (Theatre Royal Bath), A Chaste Maid in Cheapside (Almeida Theatre and National Tour), Ten Rounds (Tricycle Theatre), Antarctica (Savoy Theatre), Six Characters Looking for an Author (The Young Vic), Six Degrees of Separation (Crucible Theatre, Sheffield), Bartholomew Fair (Royal Shakespeare Company and The Young Vic), The Herbal Bed (Royal Shakespeare Company and Duchess Theatre), Oleanna (Haymarket Theatre, Leicester), Measure for Measure (Cheek by Jowl), The Clearing (Bush Theatre), Karate Billy Comes Home (Royal Court Theatre), Barbarians and The Duchess of Malfi (Royal Shakespeare Company at the Barbican Theatre), Faith, Hope and Charity (Lyric Theatre, Hammersmith), The Water Engine (Hampstead Theatre), Judgement Day (Old Red Lion Theatre) and Portraits (Savoy Theatre). Film includes Postcards from London, The Gatehouse, Bomb, Ginger and Rosa, We Are the Freaks, The Iron Lady, Children of Men, Rabbit on the Moon, Seven Seconds, AKA, Mary Reilly, Crossing the Border and Carrington. Television includes Poldark, The Five, Agatha Raisin, Lewis, Lucky Man, Humans, Life in Squares, Toast of London, The Honourable Woman, Foyle’s War, Death in Paradise, Father Brown, Garrow’s Law, Luther, Doctors, Casualty, Agatha Christie’s Poirot, The Mould in Dr. Florey’s Coat, Midsomer Murders, Mysterious Creatures, The Quatermass Experiment, Silent Witness, Together, Tom Brown’s Schooldays, Absolute Power, Cherished, Dalziel and Pascoe, Life Begins, The Bill, Trial and Retribution, Absolute Power, Rosemary and Thyme, Ultimate Force, Murphy’s Law, Sons and Lovers, Trust, Blue Dove, In Deep, Grafters and Prime Suspect II, III and VI. Radio for BBC Radio 4 includes John le CarrΓ©: The Biography and To a Mountain in Tibet.
Sophia Carr-Gomm plays Valeria. She trained at Royal Conservatoire of Scotland. Theatre includes Heartbreak House (Open Air Theatre, Brighton), Othello and The Tempest (88 London Road, Brighton) and King Lear (Citizens Theatre, Glasgow). Film includes The Inbetweeners 2. Television includes Shetland, Mr Selfridge, Doctors and World’s End. Audio plays include Doctor Who: River Song 3 and Doctor Who: The Day of the Comet.
Phil Cheadle plays Hernando. He trained at Royal Academy of Dramatic Art. Theatre includes Breaking the Code (Royal Exchange Theatre, Manchester), Henry V (Open Air Theatre, Regent’s Park), The Boy in the Striped Pajamas (Chichester Festival Theatre and National Tour), Piranha Heights (Old Red Lion Theatre), Variation on a Theme and Events While Guarding the Bofors Gun (Finborough Theatre), Blue Remembered Hills (Northern Stage, Newcastle), Mrs Affleck (National Theatre), Henry IV Part I, Henry IV Part II and Bedlam (Shakespeare’s Globe), The Changeling (Cheek by Jowl), Neighbourhood Watch (Stephen Joseph Theatre, Scarborough, Tricycle Theatre and 59E59 Theaters, New York), Dear Uncle (Stephen Joseph Theatre, Scarborough), All My Sons (The Curve, Leicester), Far From the Madding Crowd (English Touring Theatre), Knives in Hens and Tartuffe (Arcola Theatre), Macbeth (West Yorkshire Playhouse), If I Were You (Library Theatre, Manchester), Strawberry Fields (Pentabus), The Tempest and Saint Joan (USA Tours for A & BC Theatre Company) and As You Like It (Northcott Theatre, Exeter). Film includes John Carter, Comes a Bright Day, To the Sea, It’s About Time and A Touch of Sadness. Television includes Dark Angel, Silent Witness, The Crimson Field, New Worlds, Inside the Titanic, Hollyoaks, Coronation Street and The Inspector Lynley Mysteries.
Ashley Cook plays the King of Navarre. Productions for Troupe include Flowering Cherry (Finborough Theatre) and The White Carnation (Finborough Theatre and Jermyn Street Theatre). He trained at Webber Douglas Academy of Dramatic Art. Theatre includes King Lear (The Old Vic and English Touring Theatre), The Mousetrap (St. Martin’s Theatre), A Midsummer Night’s Dream (Belgrade Theatre, Coventry), Romeo and Juliet (Derby Playhouse), A Doll’s House and The Importance of Being Earnest (Theatre Royal, Lincoln), She Stoops to Conquer and The Daughter-in-Law (Perth Theatre), The Art of Concealment and How to Cook a Country (Riverside Studios), Absent Friends and The Importance of Being Earnest (National Tours for London Classic Theatre),The Bootmaker’s Daughter (Brighton Festival), F***ing Men (Finborough Theatre), Love and Understanding (BAC), Stonewall (Pleasance Edinburgh and The Drill Hall), Cahoot’s Macbeth (King’s Head Theatre) and Much Ado About Nothing (Antic Disposition). Film includes A Mind of Her Own, Love in a Dangerous Time, Don Justino de Neve and Llar. Television includes The Bill, The Basil Brush Show and Patrick Hamilton: Words, Whisky and Women. Radio includes Behind Closed Doors: Excluded, Saturday Night and Sunday Morning, Bad Memories, Development, Inside the Whale, Inside Stories, Q & A, Life Class, Sharp Focus and My Turn to Make the Tea.
Marcus Griffiths plays Count D’Alvarez and Antonelli. He trained at Guildhall School of Music and Drama. Theatre credits include King Lear, Cymbeline, Hamlet, Love’s Sacrifice, Volpone, The Jew of Malta, Richard II and Julius Caesar (Royal Shakespeare Company) and The Globe Mysteries and Much Ado About Nothing (Shakespeare’s Globe). Film includes Unhallowed Ground, Adored and Never Far from the Tree. Television includes Versailles, The C Word, Julius Caesar and Skins.
Patrick Osborne plays Lord Xavier. Productions for Troupe include After October (Finborough Theatre). He trained at Guildhall School of Music and Drama. Theatre includes Noises Off (Nottingham Playhouse, Northern Stage, Newcastle, and Nuffield Theatre, Southampton), Peter Pan (Open Air Theatre, Regent’s Park), Shakespeare in Love (Noel Coward Theatre), Pain is Weakness Leaving the Body for Vibrant 2013 – A Festival of Finborough Playwrights and Accolade (Finborough Theatre), The Seagull (Baron’s Court Theatre), The Pearl (Rose Theatre, Kingston) and Clockheart Boy (National Tour). Film includes Their Finest. Television includes The Borgias, The Genius of Turner and My Parents Are Aliens.
Jay Saighal plays Columbo. He trained at Guildhall School of Music and Drama. Theatre includes Romeo and Juliet, Macbeth and As You Like It (National Theatre), Othello and The Merchant of Venice (Royal Shakespeare Company), Ross (Chichester Festival Theatre) and Aladdin (Stephen Joseph Theatre, Scarborough). Television includes Spotless.
Natalie Simpson plays Duchess Rosaura. She trained at LAMDA. Theatre includes Cordelia in King Lear with Antony Sher, Ophelia in Hamlet with Paapa Essiedu and Guideria in Cymbeline (Royal Shakespeare Company) and Measure for Measure (The Young Vic). Film includes Tula: The Revolt and Balloon. Radio includes Words and Music: Women Walking Alone and In Tune: Sounds of Shakespeare.
Timothy Speyer plays Antonio. He trained at Guildford School of Acting. Theatre includes The Alchemist, Don Quixote, Doctor Faustus, The Witch of Edmonton, The Roaring Girl, Cardenio, A Midsummer Night’s Dream and The City Madam (Royal Shakespeare Company), A Midsummer Night’s Dream (Royal Shakespeare Company and Garsington Opera), The Ladykillers (New Vic Theatre, Newcastle-under-Lyme and Hull Truck), The School for Scandal (Park Theatre), Laburnum Grove (Finborough Theatre), The School for Scandal (Theatre Royal Bath), She Stoops to Conquer (National Theatre), The 39 Steps (Criterion Theatre), A Midsummer Night’s Dream (Rose Theatre, Kingston), Pygmalion (Theatre Royal Bath, National Tour and Hong Kong Arts Festival), Great Expectations (Library Theatre, Manchester), The Merry Wives of Windsor (Shakespeare’s Globe), The Vortex (Apollo Theatre and National Tour), Arsenic and Old Lace and Arms and the Man (English Theatre, Vienna), The Anatomist (Eastern Angles), Goblin Market (Southwark Playhouse), Tom’s Midnight Garden and The Witches (National Tours for Birmingham Stage Company), Pygmalion and A Midsummer Night’s Dream (Eye Theatre, Suffolk), Bridges and Harmonies, Mademoiselle Colombe and The Boundary (Bridewell Theatre), Puss in Boots (Polka Theatre), She Stoops to Conquer (Birmingham Old Rep), The Wind in the Willows (Torch Theatre, Milford Haven) and While the Sun Shines (National Tour for Channel Theatre Company). Film includes The Clap, The Mystery Man and Plonk. Television includes Call the Midwife, Shakespeare Unlocked, The Impressions Show with Culshaw and Stephenson, Londoners, The Dorset Hanging Oak, Wind Up TV, The Hutton Enquiry, Newsnight, The Unmarried Family and Crime Monthly. Radio includes The World at One and The World Tonight.
Paul Westwood plays Lord Medrano. He trained at Guildhall School of Music and Drama. Theatre includes Lazarus (King’s Cross Theatre), King Charles III (National Tour for Almeida Theatre and Sydney Theatre Company), Dunsinane (National and International Tour for Royal Shakespeare Company and National Theatre of Scotland), A Life of Galileo (Theatre Royal Bath and National Tour for Royal Shakespeare Company), Three Men in a Boat and Dancing at Lughnasa (National Tours for Original Theatre Company), Two’s Company (Old Vic Tunnels), Outward Bound (Finborough Theatre), Seagull and Manchester (Arcola Theatre), Plucker (Southwark Playhouse), The Ring of Truth (Orange Tree Theatre, Richmond), Twelfth Night (York Theatre Royal), Great Expectations (Library Theatre, Manchester), Hapgood (Birmingham Rep), Starlings (Old Vic New Voices: 24 Hour Plays), Othello (Birmingham Stage Company) and Hamlet (Robsham Theater, Boston). Film includes Us and Them and Mortdecai. Television includes McMafia, Da Vinci’s Demons, Gracie!, Walter’s War and Filth: The Mary Whitehouse Story. Radio includes Real Crime: The Hungerford Massacre and Voices from the Old Bailey. Writing includes Tides, Citizen Recall: Mrs Helen Stridgen and Zain Tyrannus.
Rosie Wyatt plays Celinda. She trained at Royal Welsh College of Music and Drama. Theatre includes Spine for which she won the Stage Award for Acting Excellence (Soho Theatre and National Tour), Mumburger (The Archivist’s Gallery), The Boy in the Striped Pyjamas (Chichester Festival Theatre and National Tour), Worst Wedding Ever (Salisbury Playhouse), Blink (Soho Theatre and Traverse Theatre), Virgin (Palace Theatre, Watford), One Man, Two Guvnors (National and International Tour for National Theatre), Mogadishu (Lyric Theatre, Hammersmith and National Tour), Bunny (nabokov) and Love, Love, Love (Paines Plough). Television includes Inspector George Gently, New Tricks and Doctors.
For full show information, please visit:

www.SouthwarkPlayhouse.co.uk