Tag Archives: Beatrice Morandi

R.O.S.E.

★★★★★

Sadler’s Wells East

R.O.S.E.

Sadler’s Wells East

★★★★★

“There’s an intimacy to the experience that’s both electrifying and disarming”

R.O.S.E. is a magnificent performance that’s hard to put into words. It defies easy explanation as everything in this show is so meticulously crafted, yet it flows with such raw, visceral energy that you feel more than you understand. It’s not just a dance performance; it’s a total sensory experience where music, movement, light, and presence come together in perfect harmony.

Choreographers Sharon Eyal and her long time creative partner Gai Behar have created something truly distinctive. Their vision for R.O.S.E. pushes the boundaries of contemporary dance, blending club culture, performance art, and avant-garde aesthetics into one hypnotic and unforgettable experience.

From the moment you enter the space, you’re no longer just an audience member, you’re a participant. The ambient, pulsing soundscape by DJ Call Super envelops you immediately, dissolving the edges of the room and transporting you to an otherworldly dimension. For a moment, it feels like being inside a dreamlike nightclub, rhythmic, immersive, and full of anticipation. You find yourself swaying, moving, waiting for something to shift.

And then it does.

The dancers emerge quietly, slipping through the crowd like phantoms. At first, you hardly notice them, then suddenly, you’re transfixed. Their presence is magnetic. Moving with ghostlike precision and supernatural control, they draw you into their world. The line between performer and observer blurs, and you become part of the choreography, part of the ritual.

You’ve likely never been this close to a dancer before. There’s an intimacy to the experience that’s both electrifying and disarming. Everyone in the room seems to fall under the same spell, united by a shared energy, a silent understanding. The performance unfolds like a collective trance: dark and intense, futuristic and androgynous, filled with repetitive, mesmerizing movements and astonishing physical discipline.

The lighting design (Alon Cohen) enhances the mood with extraordinary precision, fluctuating between shadowy minimalism and sudden, strobe-lit intensity. Haze and fog creep across the space, creating a dreamlike, almost cinematic texture to the air.

The costumes, created by Dior’s Maria Grazia Chiuri, are a perfect extension of the dancers’ bodies. Skin-tight, sculptural, and subtly fluid, they seem to breathe and move with every flex of muscle and turn of the body. They aren’t just outfits, they’re part of the performance itself.

R.O.S.E. is a must-see for anyone willing to surrender to a different kind of night out, one that challenges the senses, dissolves boundaries, and redefines what live performance can be. If you’re curious about the future of contemporary dance or crave something raw, elegant, and utterly captivating, this is the show to experience.

 

R.O.S.E.

Sadler’s Wells East

Reviewed on 10th July 2025

by Beatrice Morandi

Photography by Johan Persson

 

 

 


 

 

 

Last ten shows reviewed at Sadler’s Wells venues:

QUADROPHENIA, A MOD BALLET | ★★★★★ | SADLER’S WELLS THEATRE | June 2025
INSIDE GIOVANNI’S ROOM | ★★★★★ | SADLER’S WELLS EAST | June 2025
ALICE | ★★★★ | SADLER’S WELLS THEATRE | May 2025
BAT OUT OF HELL THE MUSICAL | ★★★★ | PEACOCK THEATRE | May 2025
SPECKY CLARK | ★★★ | SADLER’S WELLS THEATRE | May 2025
SNOW WHITE: THE SACRIFICE | ★★★★★ | SADLER’S WELLS EAST | April 2025
SKATEPARK | ★★★★ | SADLER’S WELLS EAST | April 2025
MIDNIGHT DANCER | ★★★★ | PEACOCK THEATRE | March 2025
THE DREAM | ★★★★★ | PEACOCK THEATRE | March 2025
DEEPSTARIA | ★★★★ | SADLER’S WELLS THEATRE | February 2025

R.O.S.E.

R.O.S.E.

R.O.S.E.

NO PRESIDENT

★★★

Queen Elizabeth Hall

NO PRESIDENT

Queen Elizabeth Hall

★★★

“unapologetically confusing, daring, and surreal”

Everything is set for a spectacular performance: the rich red curtains, the intricate set pieces, stylized streets, doors, and surreal backdrops. But just as you begin to settle in, Robert M. Johanson, channeling a character who looks uncannily like Steve Buscemi in The Big Lebowski, steps on stage and upends all expectations. He proceeds to narrate the action, sometimes cryptically, often chaotically, describing everything unfolding before your eyes and leaving you in a state of bewildered fascination until the final curtain.

No President, by the ever-provocative Nature Theater of Oklahoma, is unapologetically confusing, daring, and surreal. And here’s your fair warning: if you’re sensitive to phallic imagery, cannibalism, or sodomy, this show is not for you.

A standout performance comes from Ilan Bachrach in the role of Mikey. His energy and emotional grounding bring a much-needed human core to a show that often spirals into absurdity. While the production thrives on satire and chaos, the pacing begins to falter midway. It’s not just the provocative content that might test some viewers; it’s the disjointed morality, which seems to vanish for a stretch before awkwardly reappearing in the final act.

The choice to use Tchaikovsky’s Swan Lake and The Nutcracker as a recurring musical backdrop suggests a responsibility to hold the audience’s attention and add thematic depth. Unfortunately, this choice doesn’t quite land; the classical scores feel more like ironic wallpaper than emotional anchors.

This is a show designed to provoke, disorient, and confront. Whether that’s a triumph or a misfire will depend entirely on your appetite for experimental theatre that pushes every boundary.



NO PRESIDENT

Queen Elizabeth Hall

Reviewed on 9th July 2025

by Beatrice Morandi

Photography by Heinrich Brinkmöller-Becker

 

 


 

 

 

 

 

Last ten shows reviewed at Southbank venues:

AN ALPINE SYMPHONY | ★★★★ | ROYAL FESTIVAL HALL | February 2025
THE EMPLOYEES | ★★★★★ | QUEEN ELIZABETH HALL | January 2025
THE CREAKERS | ★★★★ | QUEEN ELIZABETH HALL | December 2024
DUCK POND | ★★★★ | ROYAL FESTIVAL HALL | December 2024
KARINA CANELLAKIS CONDUCTS SCHUMANN & BRUCKNER | ★★★★ | ROYAL FESTIVAL HALL | October 2024
JOYCE DIDONATO SINGS BERLIOZ | ★★★★ | ROYAL FESTIVAL HALL | September 2024
MARGARET LENG TAN: DRAGON LADIES DON’T WEEP | ★★★★ | QUEEN ELIZABETH HALL | May 2024
MASTERCLASS | ★★★★ | PURCELL ROOM | May 2024
FROM ENGLAND WITH LOVE | ★★★½ | QUEEN ELIZABETH HALL | April 2024
REUBEN KAYE: THE BUTCH IS BACK | ★★★★ | PURCELL ROOM | December 2023

 

NO PRESIDENT

NO PRESIDENT

NO PRESIDENT