Tag Archives: BestOfTheHopeTheatre

ADAM AND EVE

★★★★

The Hope Theatre

ADAM AND EVE at The Hope Theatre

★★★★

 

Adam

“The strength of the production most definitely comes from the acting abilities of the three performers”

 

Adam and Eve are a seemingly perfect couple, about to embark on a new life in the countryside and buy their first home together. Their affection for one another is made clear from the outset and we are truly swept away with it at the start of the piece. Eve even asks Adam if he thinks other people get jealous of their relationship. The young couple seem to have it all, but when one of English teacher Adam’s teenage pupils makes startling accusations that threaten the pair’s relationship, they are forced to question how well they really know each other. Is their marriage as perfect as it seems?

Having received rave reviews at Jack Studio Theatre last summer, this transfer, featuring Jeannie Dickinson reprising her role as Eve, and Lee Knight and Melissa Parker taking over the roles of Adam and teenager Nikki, clearly had a lot to live up to. The strength of the production most definitely comes from the acting abilities of the three performers. Dickinson and Knight, in the title roles, do a particularly good job at bouncing off each other and present believable chemistry. Melissa Parker is a convincing teenager and is engaging throughout her time on stage.

Given the fact that the acting is of such high quality, the minimal set is not an issue and there is no need for anything more than the two chairs and various small props used. It’s not hard for us to imagine the couple’s home, the school Adam works in, or the newsagents where Nikki works and some of the action takes place. Scene changes are primarily marked through the lighting, which darkens in an almost eerie way and is very effective. This even happens during the “honeymoon period” at the start of the production, perhaps a sign of darker times to come.

The small space of The Hope Theatre, and the way the seating has been arranged, means that sometimes actors perform with their backs to certain sides of the audience for a time. This is mainly an issue during some of the confrontational scenes, where it would add to the impact if we were able to see the facial expressions and emotions of all actors at all times. However, on a positive note, the intimate studio space means the audience can really feel a part of the action, which perhaps wouldn’t be the case if the performance took place in a larger venue.

Throughout the progression of this short piece, we are taken on the journey of a couple facing a major test to their “idyllic” relationship. Psychologically, Adam & Eve will have you questioning which version of events you believe and, just when you think you have it sussed, a plot twist will be thrown in to change your view. Directed by Jennifer Davis, this production is gripping and full of tension and I highly recommend it.

 

Reviewed by Emily K Neal

Reviewed – 24th May 2018

Photography by Tim Cook

 


Adam & Eve

Hope Theatre until 9th June

 

Related
Previously reviewed at this venue
My Gay Best Friend | ★★★★★ | January 2018
Cream Tea & Incest | ★★★★ | April 2018
Worth a Flutter  | ★★ | May 2018

 

Click here to see more of our latest reviews on thespyinthestalls.com

 

 

CREAM TEA AND INCEST

★★★★

The Hope Theatre

CREAM TEA AND INCEST at The Hope Theatre

★★★★

Incest

“a well written piece of fast moving satire “

 

Walking into the Hope Theatre I was a little unsettled about the content of the play I was coming to see. The title of ‘Cream Tea and Incest’ is slightly misleading as it is about neither. What it is though, is a very funny and well crafted production presented by four exceptionally talented actors. Written by and featuring Benjamin Alborough, the play has nods to Jeeves and Wooster in that a rather gormless, but optimistic member of the landed gentry embarks on a series of adventures with his intelligent and loyal valet Jeffrey. Along the way they meet a cast of outrageous characters and experience adventure, murder, romance and some very interesting dancing.

The audience is greeted by seeing Eddie Spangler, (Alborough) respondent in shorts and a barbershop striped jacket, seemingly asleep on a chair that is essentially the main prop on the stage area. Behind him is an interesting wall with artefacts made from corrugated cardboard. It is however, described by Alborough as an effective 2.5 dimensional set. Two of the other characters are within the audience and slowly make themselves known.

The basic story is that Lord Wiggins is set to inherit Rhodesia upon his marriage to the off stage Emily Rhodes but their romance is faltering so Eddie and Jeffrey set out to deal with Wiggins as quickly and violently as possible. Meanwhile the evil Lord Biggins lurks in the shadows with schemes of his own.

The cast of four have clearly worked hard to hone this piece into a sharp and well crafted one. Benjamin Alborough plays Spangler with style; Aidan Cheng is excellent as Wiggins and is also exceptionally funny playing the northern policeman. Edward Spence often steals the stage as the evil Biggins and Eoin McAndrew is the perfect straight man Jeffrey.

This is a fast moving production, driven along by director Benedict Philipp, with a storyline which on occasions did seem a little difficult to follow – but the gags came one after the other to make this a most enjoyable hour at the theatre. Special mention should go to Holly Ellis’ lighting plan that managed to keep up with the requirements of the frenetic pace of the play. The actors seemed to enjoy the play as much as the audience and their hilarious dance routine prompted spontaneous applause. It was brilliantly choreographed by Hector Mitchell Turner and executed to perfection.

The evening had a feel of Edinburgh Fringe about it. In fact the show had a sell out run at the 2017 festival and is booked to return there for a three week run later this year. It is without doubt a well written piece of fast moving satire with perfect comedic timing from an energetic and competent cast. It is a marvellous, though bonkers, anarchic comedy that deserves a sell out run in London.

 

Reviewed by Steve Sparrow

Reviewed – 12th April 2018

Photography by Olivia Rose Deane

 


Cream Tea & Incest

Hope Theatre until 28th April

 

 

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