Tag Archives: Bill Alexander

The Snowman

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Peacock Theatre

The Snowman

The Snowman

Peacock Theatre

Reviewed – 23rd November 2019

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“a visual feast for young and old eyes alike”

 

The Snowman, based on Raymond Briggs’ award winning children’s book, is brought to the stage by composer Howard Blake, director Bill Alexander and choreographer Robert North for its annual visit at the Peacock Theatre in London’s West End. It’s a perennial favourite among children and their parents β€œat the most magical time of the year,” and it’s easy to see why. Blake’s music, including the hit song β€œWalking in the Air” (sung by Aled Jones), plus North’s choreographyβ€”with Alexander’s direction tying it all togetherβ€”makes The Snowman one of those rare shows that can hold the attention of the primary school set and their younger siblings. It also helps that this show, like the book, has no words. The Birmingham Repertory Theatre’s production of The Snowman is a visual feast for young and old eyes alike.

That said, this production has a rather different look from the drawings in the book, although designer Ruari Murchison finds ways to portray the eponymous hero and the young boy who creates and befriends him that are recognisable enough. And it’s hard to find fault with the design for the myriad of other creatures not in the book, who come to join the Snowman and his friends on stage. The never ending array of toys, fruit, and adorable animals that come to life and dance in their unwieldy costumes is something the child in all of us can appreciate. The talented dancers, led by dance captain Antony Edwards, bring off the difficult combination of comedy and grace in their performances, to the delight of their young audience. The set uses the space at the Peacock cleverly and efficiently, given that a lot of room has to be created for the dancers (and for flying the Snowman and the Boy). The small but effective band, under the musical direction of Costas Fotopoulos, creates a lively sound that is loud enough to overcome the constant murmuring of adults and kids commenting on the action, but not so loud that an audience with sensitive ears could object.

The elements of the story in The Snowman are familiar to anyone who loves folk tales. It has some things in common with The Nutcracker, which may be the reason it was adapted into a seasonal show. But The Snowman is a much simpler taleβ€”perfectly designed for a younger audience that may not be quite ready for the complexities of Clara and her world in The Nutcracker. In short, Boy creates a Magical Snowman which he then introduces to the commonplace items of his world, such as clothing, toys, and food. But through the Snowman’s magic these items also become magical, and the boy’s world is transformed, culminating in a fantastic flight to the Snowman’s world where the roles are reversed. Now it is the Boy who becomes the magical figure transforming the world of the Snowmen and their friends. Add in the rescue of the Snow Princess from the evil Jack Frost, and all is ready for a happy celebration before the Boy returns home. Was his journey just a dream? But he still has the scarf that Father Christmas gave him, so of course it must be true.

If there is one criticism to be made of this show, it is that it runs a hundred minutes with an interval. That is a long time for very young children to manage, and there were predictable meltdowns towards the end of the second half. But for the most part, the audience was entranced by the music and dancing, and loved opportunities for waving at the Snowman and the Boy as they flew across the stage. So if panto is not your thing, and you are searching for a seasonal substitute to take your young friends and family to, why not introduce them to The Snowman?

 

Reviewed by Dominica Plummer

Photography by Tristram Kenton

 


The Snowman

Peacock Theatre until 5th January 2019

 

Previously reviewed at this venue:
Cirque Berserk! | β˜…β˜…β˜…β˜… | February 2018
The Snowman | β˜…β˜…β˜…β˜…β˜… | November 2018
Tango Fire | β˜…β˜…β˜…β˜… | January 2019
Hotel | β˜…β˜…β˜…β˜… | February 2019
Yamato – Passion | β˜…β˜…β˜…β˜…β˜… | March 2019
Beats On Pointe | β˜…β˜…β˜… | May 2019
Some Like It Hip Hop | β˜…β˜…β˜…β˜…β˜… | October 2019

 

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The Snowman
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Peacock Theatre

The Snowman

The Snowman

Peacock Theatre

Reviewed – 24th November 2018

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“As snow cascades onto the audience, they eagerly wave to the snowman and dance in the aisles”

 

In Raymond Briggs’ popular Christmas classic, a young boy’s snowman comes to life on Christmas Eve. After tiptoeing around the house, midnight feasting and dressing up, James and The Snowman take off on a North Pole adventure. Birmingham Rep’s adaptation of Briggs’ book and Dianne Jackson’s film revives the festive fable with some welcome surprises. The addition of bad-guy, Jack Frost and an ice princess who dance the tango with the snowman may drift from the original story, but this can be excused as the light-hearted rendition captures the attention of the very young audience throughout, despite having no dialogue. Perhaps the most unexpected twist, a giant fruit limbo competition (why not, ay?) has the audience roaring with laughter.

Needless to say, the highpoint of the play is the timeless Walking in the Air flying sequence which ends the first act. It has all who are watching transfixed and brings a whimsical twist with the pair flying over seas, mountains, and a drunken brass band player. The charming dream scene which closes the second act captures the magic of the silent film with childhood innocence. Balletic woodland animals and prancing reindeers with highly detailed costumes create a picturesque wintry scene.

The stage design of Ruari Murchison plays a huge part in transporting the audience to a winter wonderland, with a snow-globe proscenium arch and an idyllic set. As snow cascades onto the audience, they eagerly wave to the snowman and dance in the aisles. The stage effects and lighting maintain the effect of snow fall throughout – a perfect setting for the enchanting choreography of Robert North. The famous score with music and lyrics by Howard Blake clearly inspires the gestures and movement. North makes ballet accessible to a new audience with his choreography, expertly performed by the Ice Princess and Jack Frost. Due respect must also be given to The Snowman (Martin Fenton) for fantastically leaping and pirouetting in a fluffy snowman suit. The young boy cast as James is a confident performer with excellent miming abilities.

Now in its 21st year at the Peacock Theatre, The Snowman is a nostalgia trip for parents and the perfect treat to kick-start the festive season for all the family.

 

Reviewed by Beth Partington

Photography by Tristram Kenton

 


The Snowman

Peacock Theatre until 6th January

 

 

 

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