Tag Archives: Camden Fringe

George Abbott Changes Your Life – 3.5 Stars

George

George Abbott Changes Your Life

2Northdown

Reviewed – 21st August 2018

β˜…β˜…β˜…Β½

George is narcissistic, misogynistic, mean, energetic, manic and completely off his rocker

 

George Abbott, failed actor turned self-help guru and descendent of the infamous Abbott family, wants to help you change your life. He decides to do this through the medium of a lecture. Initially he was hoping for the Southbank Centre but instead is stuck with 2Northdown, a small venue near Kings Cross, as part of the Camden Fringe.

The audience is welcomed at the door by two performers dressed all in white who ask, β€œDo you want to change your life?” Everyone is offered squash and biscuits, and some of us are offered plastic β€˜goody’ bags. The space is intimate. Two rows of chairs face a stage covered in a white tarpaulin, with a single microphone, and a projection screen at the back. A technician hangs over the bars of the tech desk on a mezzanine above, watching us and loudly munching crisps. Just by walking into the venue the bizarre tone of evening is immediately set.

The main character is George Abbott (played by the actor of the same name) who begins to take the audience through his 12-step program, which is not at all what you would expect. Abbott seems to believe in breaking people down before building them back up and his program is much darker and more sinister than your average self-help seminar. George is narcissistic, misogynistic, mean, energetic, manic and completely off his rocker. None of what he says makes sense but he delivers it well and it’s good fun to watch him jump around the stage.

While Abbott is the star of this Ionesco-like show there are other characters involved. The two men who meet me at the door (Cullum Ball and William Brown) spend the entire play standing next to the stage assisting Abbott, desperately trying to keep the show on track and getting the audience involved. These two assistants are clearly fed up with George’s antics and the actors play this very well. Their calmer, quieter energy nicely juxtaposes Abbott’s intensity.

The plot of the play is completely bonkers and absurd and also quite meta; you’re never quite sure if you’re watching a play, a lecture, or if the actors have broken character. This keeps the audience on their toes and the energy up. However, the show runs a little too long and after a while the barrage of surprises and slapstick enslaughts becomes a little tiresome.

The projections are simple but this works well with the low-budget, kooky vibe of the show. The technician (Joe Dolan) also gets involved at one point in a totally over-the-top, farcical display of humiliation and is a very good sport about it.

Overall, George Abbott Changes Your Life is a fast-paced, insane roller coaster ride filled with nutty antics and outrageous shenanigans. Nothing makes any sense and though this gets somewhat tedious, the performers seem like they’re having an incredible amount of fun and the audience is willing to come along with them on this crazy journey. The laughs in the crowd are frequent and genuine, even if sometimes they’re a little bit out of nervousness.

 

Reviewed for thespyinthestalls.com

Photography courtesy Spare the Rod

 

Pigeon

George Abbott Changes Your Life

2Northdown

as part of The Camden Fringe Festival 2018

 

 

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To the Moon… and Back… and Back… – 3 Stars

Back

To the Moon… and Back… and Back…

Etcetera Theatre

Reviewed – 19th August 2018

β˜…β˜…β˜…

an incredibly honest depiction of 21st century dating in a city such as London

 

As part of the Camden Fringe Festival, Rachel Salisbury stars in her own original work, To the Moon …and Back …and Back… whereby she explores the minefield of dating in the 21st century. The play centres on a time earlier this year when Salisbury went viral with a post she wrote on her Facebook page advertising for a boyfriend. She recounts the surreal experience as part of an anthology of disappointing dating experiences throughout her life, starting from her teenage obsession with Romeo as well as a whole host of other unattainable literary romantic figures.

Having anything in your seemingly private online sphere becoming viral overnight would be overwhelming for anyone, and it is admirable that Salisbury attempts to reclaim her side of the story throughout the piece. As the articles surrounding her online predicament broke less than three months ago, it is quite a feat to have created such a polished performance in a short space of time. However, whilst Salisbury attempts to shine a light on the various ways in which modern dating culture can often lead to immense vulnerability, there did not seem to be a clear direction to the narrative as a whole. There was an incredible emphasis on the trials and tribulations of being a hopeless romantic but no exploration of life outside of being almost obsessed with finding the β€œone.”

One of the highlights of the piece was the staging choices, particularly the heavy symbolism laid upon the clothes which Salisbury wears one by one as she recounts a handful of her previous romantic encounters. It highlighted some of the absurdities we simply consider routine as part of the modern dating ritual. Although, whilst at times it felt incredibly relatable, it seemed the character Salisbury depicted on stage was often at times rather one-dimensional and therefore made it hard to empathise with her struggles.

To the Moon …and Back …and Back… whilst not particularly ground-breaking in its overall message, is most definitely an incredibly honest depiction of 21st century dating in a city such as London.

 

Reviewed by Claire Minnitt

 

Pigeon

The German Girls

Etcetera Theatre until 22nd August

as part of The Camden Fringe Festival 2018

 

 

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