Tag Archives: Ché Francis

Dorian

Dorian

★★★★

Reading Rep Theatre

Dorian

Dorian

Reading Rep Theatre

Reviewed – 19th October 2021

 

“a thoroughly modern and uncompromisingly Queer story”

 

In an age of toppling statues, do we need heroes any more? Reading Rep has just begun its first ever season in a new home with a play which is partly about Oscar Wilde. This multi-facetted new adaptation of Wilde’s only novel ‘The Picture of Dorian Gray’ is an appropriate choice for a Reading-based community-focused professional producing theatre which has as its mission the transformation of lives through theatre.

The Rep’s new home is an impressive £1m conversion of a former Salvation Army hall on the east side of the town.

Phoebe Eclair-Powell and Owen Horsley’s smart and engaging play interweaves the story of a beautiful man who makes a Faustian pact with his own portrait with that of Wilde himself, who was imprisoned in Reading gaol after being found guilty of gross indecency with another man. For many of us, Wilde remains an inspiring and heroic figure, not only for his literary talent but also for the great injustice of his conviction. An official pardon was issued in 2017, the 50th anniversary of the abolition of the crime for which he was convicted.

Eclair-Powell and Director Horsley have made ‘Dorian’ a thoroughly modern and uncompromisingly Queer story. It is peppered with references to the hit TV series ‘Pose’, EastEnders and even Blackadder. Some 16 roles are shared by a lively and appealing cast of just three young actors.

In this fast-moving show we see Dorian in a Victorian artist’s studio as well as in the gay nightclub Heaven. We are also reminded of the death of George Michael. It features an excellent picture frame themed set by E.M. Perry and some effective lighting by Simeon Miller. There are also some gorgeous costumes supervised by Fran Levin.

Successfully casting a ‘wonderfully handsome’ character of ‘passionate purity’ is no mean feat. Andro Cowperthwaite is a most impressive choice for the role. His characterisation is committed and compelling, his delivery excellent and his physical presence entirely suited to the role.

Ché Francis tackles the difficult role of both Wilde himself and that of Henry Wotton, who convinces young Dorian of the extraordinary value and fragility of his own beauty. In this fairly breathless piece, their delivery sometimes lacked clarity.

Francis was partnered by RADA graduate Nat Kennedy who plays both the painter Basil Hallward and Wilde’s lover Robbie Ross as well as a number of other characters. These were vivid and often appealing performances which made much of the comic material in the play, partly at the expense of genuinely engaging this reviewer’s sympathy for Wilde’s predicament.

According to one psychologist, to be a hero, one has to be deviant. See the play yourself to decide if Dorian’s Wilde is a hero or not. Whatever you conclude, you will be guaranteed a rich and engaging evening from an enterprising company which deserves every future success in its impressive new home.

 

 

Reviewed by David Woodward

Photography by Holly Revell

 

Dorian

Reading Rep Theatre until 7th November

 

Other shows reviewed this month:
Dumbledore Is So Gay | ★★½ | Online | October 2021
Back To The Future | ★★★★ | Adelphi Theatre | October 2021
Roots | ★★★★★ | Wilton’s Music Hall | October 2021
The Witchfinder’s Sister | ★★★ | Queen’s Theatre Hornchurch | October 2021
Rice | ★★★★ | Orange Tree Theatre | October 2021
The Cherry Orchard | ★★★★ | Theatre Royal Windsor | October 2021
Love And Other Acts Of Violence | ★★★★ | Donmar Warehouse | October 2021
Yellowfin | ★★★★ | Southwark Playhouse | October 2021
Brief Encounter | ★★★ | Watermill Theatre Newbury | October 2021

 

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Review of Toxic Avenger – 5 Stars

Toxic

The Toxic Avenger

Arts Theatre

Reviewed – 2nd October 2017

 

⭐️⭐️⭐️⭐️⭐️

 

 

“fearless and anarchic and a delightful rebuff to political correctness”

 

 

There is the current argument that the West End has become a very safe artistic world; homogenised and unchallenging, with an eye too much on box office sales. A mirror to the world at large, maybe, that is increasingly fearful of saying the wrong thing or offending the wrong person. Whether one agrees with this or not is irrelevant. All I know is that ‘The Toxic Avenger’ has ripped through this fabric of conventionalism and swept into town like an intoxicating breath of fresh air.

On paper it is such a bizarre, off-the-wall idea. One, I suspect, that would not get through the door of a producer’s office. But Katy Lipson, of Aria Entertainment, has the visionary nerve to grab this beast by the horns and bring it, via Edinburgh and its successful run in Southwark last year, to the Arts Theatre West End. And boy does she do it with gusto!

Based on the 1984 cult film of the same name, with book by Joe DiPietro and music by Bon Jovi band member David Bryan, it is a kind of Incredible Hulk meets Frank-N-Furter musical romp. A story with its tongue literally bursting through its cheek, charting the journey of the eponymous, self-doubting super-hero intent on trying to ‘get the girl’ while simultaneously saving the city from the threat of an evil town mayor. A familiar sounding spoof, but what elevates this musical to the status of masterpiece is its sheer irreverence, daring and unrestrained sense of fun. It is fearless and anarchic and a delightful rebuff to political correctness.

Mark Anderson plays the nerdy Melvin who mutates into the avenging ‘Toxie’, deftly capturing the mix of vulnerability in the former and confused self-righteousness of the monster-on-a-mission in the latter. A devil with the voice of an angel; the entire audience fell for him. On his quest to save the world he enlists the help of blind librarian Sarah, the love of his life (played by Emma Salvo with brilliant comic timing). With her help he very quickly discovers that the town mayor is the ‘bad guy’ (or bad girl in this case), portrayed by Natalie Hope with delicious villainy, yet overflowing with sex appeal. Interestingly she doubles as the hero’s mother – which is used to great comic effect later in the show. But hats off to the two other cast members, Ché Francis and Oscar Conlon-Morrey, who play all the other characters with such dizzying versatility and humour you forget to wonder at how they manage their countless costume changes. Both recent graduates, these are two names to look out for.

I could reel off the highlights of this show but I would be in danger of merely relating the whole story. However the star is the score. Never has pastiche been so expertly delivered. Part of the fun of watching the performance was spotting the myriad musical references, yet the songs still retain an individuality and infectious freshness, with a searing sound from just a four piece band led by musical director Alex Beetschen.

This show is proof that the craziest ideas can yield the best results. It is a show that, from start to finish, never dips. In the opening number the audience are jokingly warned that the performance is eighteen hours long. The irony of this remark is that I really would not have minded if that were true. This is one of those rare productions I could see again and again. I left the theatre with a smile a mile wide. An absolute ‘must see’!

 

Reviewed by Jonathan Evans

Photography by Irina Chira

 

 

THE TOXIC AVENGER

is at The Arts Theatre until 3rd December

 

 

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