Tag Archives: Oscar Conlon-Morrey

Only Fools And Horses

Only Fools and Horses

Theatre Royal Haymarket

Only Fools And Horses

Only Fools and Horses

Theatre Royal Haymarket

Reviewed – 20th February 2019



“a pukka production that does a lovely jubbly job at maintaining the heart and soul of a classic”


The Trotters have come up in the world. They’re now residing in the West End. But you can’t take Peckham out of these geezers. Only Fools and Horses The Musical has been in the pipeline for many years, but now it has finally arrived, brimming with the familiar warmth and humour that made the original sitcom one of the nation’s most-loved tv shows. 

The genius behind the sitcom, John Sullivan had ruminated with the idea of turning his beloved creation into a song and dance show decades ago. He even collaborated with Chas Hodges, of Chas & Dave fame, to noodle around song ideas. Sadly, due to both men’s passing, the gauntlet was passed to the writer’s son, Jim Sullivan, who acquired the help of another tv great, Paul Whitehouse, in finishing where his father had left off.

Unquestionably a tall order to package approximately forty four hours of material into a two hour show, yet Sullivan Jnr and Whitehouse do an excellent job at piecing it all together, picking the most memorable punchlines and visual gags to incorporate. Based around the ‘Dates’ episode where Del Boy first meets his other half, Raquel, through a dating agency, as well as Rodney’s marriage to Cassandra, this stage adaptation sticks to Musical Theatre ‘boy gets girl’ conventions. Iconic scenes are given a nod to, whilst fresh material such as a fantasy sequence that flashes forward from the show’s 1980s setting, to the hipster Peckham of today, is an entertaining addition. The quality of the original writing is not diminished, as Sullivan and Whitehouse have managed to bottle its infinite lovability.

The time and care taken in the script doesn’t always replicate itself in the music, with many songs feeling like the have been idly added as padding. Writing responsibilities were fractured between eleven composers/lyricists, which makes the consistency questionable. The witty, mockney lyrics of ‘Bit of a Sort’, and ‘Where Have All The Cockneys Gone?’ are examples of where the songs really lend themselves in developing the characters, whilst ‘The Girl’, crooned by Raquel (Dianne Pilkington) is reminiscent of Nancy in Lionel Bart’s Oliver! However, the random addition of two pop songs and a couple from Chas & Dave’s cannon of hits, feels as much as a rip off as the dodgy goods out the back of Del Boy’s van.

The cast could quite easily have chosen to impersonate the original stars, yet, for the most case, the decision to embody the essence of the character instead is rightfully selected. However, Peter Baker’s uncanny vocal and physical resemblance to Roger Lloyd Pack’s Trigger is something of a treat. The three generations of the Trotter household are well performed. Tom Bennett is a loveable jack-the-lad Del Boy, channeling his cocky exuberance, and newcomer Ryan Hutton excels as downtrodden Rodney, whilst Paul Whitehouse makes a delightful cameo as grandad. A special mention should be made to Oscar Conlon-Morrey whose virtuosic ability to play many of the small ‘bit’ parts got some of the biggest laughs.

Where the show may be occasionally lacking in the musical department, it makes up for in its barrage of vintage comedy, cleverly bypassing any of the derogatory ‘humour’ of yesteryear. Overall, a pukka production that does a lovely jubbly job at maintaining the heart and soul of a classic.


Reviewed by Phoebe Cole

Photography by Johan Persson


Only Fools and Horses

Theatre Royal Haymarket until August 17th


Previously reviewed at this venue:
The Rat Pack – Live From Las Vegas | ★★★½ | January 2018
Broken Wings | ★★★ | August 2018
Heathers | ★★★★ | September 2018
The Band | ★★★★ | December 2018


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Review of Toxic Avenger – 5 Stars


The Toxic Avenger

Arts Theatre

Reviewed – 2nd October 2017





“fearless and anarchic and a delightful rebuff to political correctness”



There is the current argument that the West End has become a very safe artistic world; homogenised and unchallenging, with an eye too much on box office sales. A mirror to the world at large, maybe, that is increasingly fearful of saying the wrong thing or offending the wrong person. Whether one agrees with this or not is irrelevant. All I know is that ‘The Toxic Avenger’ has ripped through this fabric of conventionalism and swept into town like an intoxicating breath of fresh air.

On paper it is such a bizarre, off-the-wall idea. One, I suspect, that would not get through the door of a producer’s office. But Katy Lipson, of Aria Entertainment, has the visionary nerve to grab this beast by the horns and bring it, via Edinburgh and its successful run in Southwark last year, to the Arts Theatre West End. And boy does she do it with gusto!

Based on the 1984 cult film of the same name, with book by Joe DiPietro and music by Bon Jovi band member David Bryan, it is a kind of Incredible Hulk meets Frank-N-Furter musical romp. A story with its tongue literally bursting through its cheek, charting the journey of the eponymous, self-doubting super-hero intent on trying to ‘get the girl’ while simultaneously saving the city from the threat of an evil town mayor. A familiar sounding spoof, but what elevates this musical to the status of masterpiece is its sheer irreverence, daring and unrestrained sense of fun. It is fearless and anarchic and a delightful rebuff to political correctness.

Mark Anderson plays the nerdy Melvin who mutates into the avenging ‘Toxie’, deftly capturing the mix of vulnerability in the former and confused self-righteousness of the monster-on-a-mission in the latter. A devil with the voice of an angel; the entire audience fell for him. On his quest to save the world he enlists the help of blind librarian Sarah, the love of his life (played by Emma Salvo with brilliant comic timing). With her help he very quickly discovers that the town mayor is the ‘bad guy’ (or bad girl in this case), portrayed by Natalie Hope with delicious villainy, yet overflowing with sex appeal. Interestingly she doubles as the hero’s mother – which is used to great comic effect later in the show. But hats off to the two other cast members, Ché Francis and Oscar Conlon-Morrey, who play all the other characters with such dizzying versatility and humour you forget to wonder at how they manage their countless costume changes. Both recent graduates, these are two names to look out for.

I could reel off the highlights of this show but I would be in danger of merely relating the whole story. However the star is the score. Never has pastiche been so expertly delivered. Part of the fun of watching the performance was spotting the myriad musical references, yet the songs still retain an individuality and infectious freshness, with a searing sound from just a four piece band led by musical director Alex Beetschen.

This show is proof that the craziest ideas can yield the best results. It is a show that, from start to finish, never dips. In the opening number the audience are jokingly warned that the performance is eighteen hours long. The irony of this remark is that I really would not have minded if that were true. This is one of those rare productions I could see again and again. I left the theatre with a smile a mile wide. An absolute ‘must see’!


Reviewed by Jonathan Evans

Photography by Irina Chira




is at The Arts Theatre until 3rd December



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