Tag Archives: Christa Harris

United Queendom

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Kensington Palace

United Queendom

United Queendom

Kensington Palace

Reviewed – 2nd March 2020

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“a fabulous and thoroughly enjoyable journey”

 

If you are lucky enough to have a ticket for this sold out show you are in for a treat. If you don’t have a ticket try and get a return.

Kensington Palace is the venue and, when you arrive, you will discover that you have been invited to the birthday party of King George the Second. A feast of delights awaits you! Will you meet the King? Or maybe Queen Caroline? You will definitely see them, and you will also see Henrietta Howard, the Queen’s mistress, and a host of characters from the Georgian court. The Necessary Woman, played by the irrepressible Christina Ngoyi, will escort you to the entrance to the palace. She will probably explain that her job is emptying the many chamber pots that are scattered around. She will be shooed away by Deven Modha, as the Lord Chamberlain, the most important of the King’s staff, as he will no doubt inform you. You’ll pick up a glass of wine, and the revels will begin. At the bottom of a grand staircase you will suddenly by surrounded by a flurry of skirts and wigs as courtiers appear and mingle with the crowd. You will be taught how to bow or curtsy, and maybe hear some hints of scandal. Senesino, the renowned court musician and composer will play virtuoso violin and, later, you will hear his beautiful counter tenor as he sings an aria that echoes and floats down the King’s staircase. James Hastings plays him with such sublime talent, and such wonderful theatricality, that you won’t want the music, to stop. Some of you will be given a golden envelope and ushered away to visit the King’s inner apartments. I don’t know what will happen to the rest of you, as there are two β€˜tracks’ to the show and two different experiences. One thing is certain; you will have a fabulous time, whichever way you go.

We were treated to some hilarious court mischief, exposed to factions supporting the King or the Queen, and invited to a salon, where the women of the court hosted such great thinkers as Isaac Newton to talk. Deborah Tracey’s vibrant Salonnieres and the fusty old fashioned Duke of Newcastle, brilliantly played by Richard Holt, disagreed about whether the earth is round of flat. On the way round the palace we come across the Countess of Hertford, a supporter of the Queen, who wears men’s clothing and raps up a storm. Lucy Reynolds clearly has fun playing her, and is a joy. We discovered that Lord Harvey is rather a naughty boy, especially when he is with Miss Vane – Stephan Boyce and Nadia Sohawon really are deliciously scandalous in these roles. And yes, we met the King and Queen and, of course, Henrietta Howard. Lavinia Co-Op is archly camp George II, and Miranda Heath and Yasmin Keita, as the two women central to this story clash and face off like two birds of paradise in a sparkle of jewels and a ruffle of feathers. But is it possible that this β€˜Queendom’ could be united? is there, perhaps, another way of doing things? You’ll just have to go and see it to find out. If you can get a ticket.

The costumes are glorious, the wigs and make-up a flamboyant delight. And the music is divine. Susan Kulkarni, Victoria Stride and Patrick Neil Doyle respectively are a dream team of creatives. Nadia Sohawon’s choreography adds to the mix, which manages to be both historically accurate and contemporarily relevant, lit with touch of magic by Pablo Fernandez Baz. And all brought together into a fabulous and thoroughly enjoyable journey through one night in the Georgian court by director Christa Harris. Amid all the uproarious glee we learned a lot too. Unmissable.

 

Reviewed by Katre

Photography by Gail Harland

 


United Queendom

Kensington Palace until 30th March

 

Last ten shows reviewed by Katre:
The Legend Of The Holy Drinker | β˜…β˜…Β½ | The Vaults | January 2020
Beige | β˜…β˜…β˜…β˜… | The Vaults | February 2020
Gypsy Flame | β˜…β˜…β˜… | Network Theatre | February 2020
In My Lungs The Ocean Swells | β˜…β˜…β˜…β˜… | The Vaults | February 2020
Killing It | β˜…β˜…β˜…β˜… | Network Theatre | February 2020
La Cage Aux Folles | β˜…β˜…β˜…β˜… | Park Theatre | February 2020
Life And DeathΒ  Of A Journalist | β˜…β˜…β˜… | The Vaults | February 2020
Spree | β˜…β˜…β˜…β˜… | The Vaults | February 2020
The Upstart Crow | β˜…β˜…β˜…β˜…β˜… | Gielgud Theatre | February 2020
Time And Tide | β˜…β˜…β˜… | Park Theatre | February 2020

Click here to see our most recent reviews

 

One Duck Down – 5 Stars

One Duck Down

One Duck Down

Pleasance Theatre

Reviewed – 26th October 2018

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“The sheer silliness and the underlying message are perfectly balanced”

 

Having taught seagulls to sing the national anthem, counted all the stones on the beach and memorised the phonebook, Billy, a lovestruck seventeen-year-old is yet to impress his unrequited crush, Cecilia Sourbottom. When challenged to collect 7000 rubber ducks that have accidentally been plunged into the ocean, Billy sets sail on a worldwide voyage to win over his love.

Cue a swashbuckling adventure, jampacked with clowning, musical numbers and physical theatre. Taking inspiration from a real life event in 1992, FacePlant Theatre deliver a strong message about pollution, with a light-hearted and accessible approach for young audiences. The original writing, packed with cheeky puns and witty pop culture references, makes it impossible for the whole family not to enjoy.

The cast demonstrate excellent storytelling skills and detailed characterisation in all of their roles. Jack Dorning as Billy delivers an energetic and captivating performance, which creates anticipation for each encounter on his journey. The multi-role performances of Alice Bounce, Maxwell Tyler and Lydia Hourihan are larger than life and showcase excellent voice adaptation. Among the amusing characters, Scuzzy the brummie rocker polar bear and Alberto the opera-singing Albatross are highlights.

The sheer silliness and the underlying message are perfectly balanced. The actors know when to slow the pace to emphasise an important point and when to pick up the momentum with slick transitions, demonstrating their skill and control throughout. The moment Billy recovers his plastic bottle on the debris island is particularly clear and effective. The musical numbers add to the fun and feature some lovely harmonies. The audience may be encouraged to sing along more with greater invitation and interactions from the cast members.

Lily Faith Knight’s design is ingenious and marries well with the make-believe story. Knight is able to get maximum use and effect out of simple props and costumes which magically come to life, featuring amongst other things, glove puppet crabs, a tin bath turned boat and three cardboard pieces that form a whale. Despite the minimalist set design, the attention to detail and the empathetic delivery of the actors, convey the humour of the writing extremely well.

Although the ending feels slightly rushed, the tale comes full circle to charmingly conclude Billy’s epic adventure. This production is imaginative and slightly quackers, but well worth a watch.

 

Reviewed by Beth Partington

Photography courtesy FacePlant Theatre

 


One Duck Down

Pleasance Theatre until 28th October

 

 

Click here to see more of our latest reviews on thespyinthestalls.com