Tag Archives: Clapham Fringe

Smashing It

Smashing It!

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Bread and Roses Theatre

Smashing It

Smashing It!

Bread & Roses Theatre

Reviewed – 12th October 2019

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“a fun concept but it will take a lot of changes for Bowie to win big with this lacklustre gameshow”

 

Smashing It! is an interactive comedy gameshow about the trials and tribulations of living under a capitalist patriarchy. Written and hosted by Helen Sulis Bowie, Smashing It! aims to expose and explore the inherent problems with a capitalist patriarchal system all while playing catchy theme music. The show is highly interactive with the audience shouting out answers and joining in on stage.

There are three games in total. The first is β€˜Say My Name’ (with the famous song by Destiny’s Child acting as the theme music) in which the audience must identify the famous man based on descriptions of them in relation to their wives. The second game is β€˜I think you’ll find…’ – in tribute to obnoxious men inserting their opinion when it isn’t desired – where two audience members are challenged with speaking for one minute about a random topic without apologising or playing down their knowledge.

The final game is (very) loosely based on the 1990s television gameshow Supermarket Sweep. Bowie’s version has an audience member answer riddles about several items on stage that represent the pressures and horrors of the capitalist patriarchal system from a pack of Teatox tea to help people lose weight to a cheap jumper made in a Bangladeshi sweatshop.

Despite this line-up of games, a lack of polish means that none of these activities really feel like segments on a gameshow but rather like someone trying to entertain their family in the living room on a lazy Sunday afternoon. The bland stage did not help this. Some more decoration would have been appreciated here such as a sparkly sign with β€˜Smashing It! The capitalist patriarchy gameshow’ on the back wall.

There were some notable fun extras. Handmade paper booklets with a word search and a board for a game of β€˜Capitalist Patriarchy Bingo!’ are available in the lobby and, with a declaration that we can all help change the world, Bowie hands out chocolates from a box of Heroes. It is nice that there are also small prizes for participants, but they are neither particularly funny nor relevant to the show which just makes them a bit naff.

Bowie is a decent host and is good at encouraging the audience to participate. She did however not always seem too confident on stage and audience members at times outshone her. Bowie is at her strongest at the performance’s end where she removes her neon pink wig and succinctly breaks down many horrible aspects of capitalist patriarchy.

The show is in fact as a whole strongest when it lingers on the dark and harsh realities of such a system. The murder of Reeva Steenkamp by her boyfriend Paralympian Oscar Pistorious, the murder of Anne Shortall at the hands of Roy Webster after she asked him to fund an abortion, and the mere necessity of a rape alarm are some important topics mentioned. There is also some thoughtful commentary about companies encouraging punters to β€˜treat themselves’ by buying new products for World Mental Health Day. More moments like this will go a long way in improving the production.

Smashing It! is a fun concept but it will take a lot of changes for Bowie to win big with this lacklustre gameshow.

 

Reviewed by Flora Doble

 

Clapham Fringe 2019

Smashing It!

Bread & Roses Theatre as part of Clapham Fringe

 

Last ten shows reviewed at this venue:
Two Of A Kind | β˜…β˜…β˜… | January 2019
Just To Sit At Her Table, Silver Hammer & Mirabilis | β˜…β˜…β˜… | April 2019
Starved | β˜…β˜…β˜…β˜…β˜… | April 2019
The Mind Reading Experiments | β˜…β˜…β˜… | May 2019
The Incursion | β˜…β˜…Β½ | July 2019
Coco’s Adventures | β˜…β˜…β˜… | September 2019
Room Service | β˜…β˜…β˜…β˜…β˜… | September 2019
The Bacchae | β˜…β˜…β˜… | September 2019
Trial Of Love | β˜…β˜…β˜…Β½ | September 2019
The Gravy Bunch | β˜…β˜…Β½ | October 2019

 

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Coco’s Adventures

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Bread and Roses Theatre

Cocos Adventures

Coco’s Adventures

Bread and Roses Theatre

Reviewed – 28th September 2019

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“Khokynkova has flair as a puppeteer … and has a good understanding of what will appeal to her audience”

 

Coco’s Adventures is a charming peek into the world of a clown and her monkey, Coco. It is currently playing at the Bread and Roses Theatre in North Clapham as part of the Clapham Fringe Festival. Devised, created and performed by the versatile Kamila Khokynkova of Apis Studios, this is a one-woman show (with puppets and clowning) that has much to appeal to both children and their adult companions. The story is simple, heartwarming and child friendly, as is appropriate for a show aimed at four year olds and up. It begins with an introduction to the clown and her companion, Coco, and together they embark on a sea voyage around the world in search of buried treasure. Along the way, they encounter a flamenco dancer in Spain; a lion in Africa (as well as a baby chimp who mistakes Coco for her mother); try a spot of snake charming in India, and watch a beautiful starry night at sea, complete with shooting stars. Then a giant squid threatens the ship, and is finally chased off by a storm. Coco and the clown find the treasure underneath a rainbow and return home.

In Coco’s Adventures, Khokynkova plays the clown, while the rest of the cast, including Coco, are a collection of large puppets cleverly attached to both clown and/or props. Audience participation is encouraged, and a child from the audience is invited onto the stage to assist the clown and Coco in their travels. She describes herself as an emerging artist and it is true that her clowning skills need a degree of work, especially as the show has no dialogue, and all the information must be communicated through slapstick, gestures and visuals. Some of these are makeshift, and some of the props combine rather uneasily with the overall design of the show. But Khokynkova has flair as a puppeteer (and designer of puppets) and has a good understanding of what will appeal to her audience. There was also a nice use of music to indicate a change of scene and location. Bubbles blown over the audience at the end of the show were a big hit. In time, with the acquisition of more skills, and better understanding of how to integrate the design of a show, Coco’s Adventures should become a welcome addition to the children’s theatre circuit.

 

Reviewed by Dominica Plummer

Photography by Β Paul D. MacIntyre

 

Clapham Fringe

Coco’s Adventures

Bread and Roses Theatre until 5th October as part of Clapham Fringe

 

Last ten shows reviewed at this venue:
Baby Blues | β˜…β˜…β˜… | December 2018
A Modest Little Man | β˜…β˜…β˜… | January 2019
Two Of A Kind | β˜…β˜…β˜… | January 2019
Just To Sit At Her Table, Silver Hammer & Mirabilis | β˜…β˜…β˜… | April 2019
Starved | β˜…β˜…β˜…β˜…β˜… | April 2019
The Mind Reading Experiments | β˜…β˜…β˜… | May 2019
The Incursion | β˜…β˜…Β½ | July 2019
Room Service | β˜…β˜…β˜…β˜…β˜… | September 2019
The Bacchae | β˜…β˜…β˜… | September 2019
Trial Of Love | β˜…β˜…β˜…Β½ | September 2019

 

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