Tag Archives: David Cumming

Operation Mincemeat
β˜…β˜…β˜…β˜…β˜…

New Diorama Theatre

Operation Mincemeat

Operation Mincemeat

New Diorama Theatre

Reviewed – 17th May 2019

β˜…β˜…β˜…β˜…β˜…

 

“With such a small audience and such a big production, it feels like everyone has the best seats in a much bigger theatre”

 

This is the true story of how a floating corpse kept Hitler off our shores. Set in the Home Office in 1943, the Double Cross Committee is busy brainstorming brilliant plans to win the war – exploding seagulls, spies disguised as flamingos and eavesdropping insects are all among their finest ideas. But the winning gambit involves the corpse of a soon-to-be married young man named Bill, who enjoys cocktails at the Ritz, dinner at the Groucho Club, fine tailoring and, oh yes, he’s not real.

Sitting somewhere between Monty Python and Mission Impossible, SpitLip’s β€˜Operation Mincemeat’ is full of catchy numbers, quick wit, and a lot of heart. Each cast member transforms in to a plethora of dimensional characters with a mere hip swagger or a slight pursing of the lips. A lot of fun is had with gender roles and stereotypes, and to great effect.

Felix Hagan’s musical direction also sees a brilliant display of composition, and musical ability from the whole cast: each and every one sings beautifully and, believe it or not, raps like a pro. Special mention goes to Zoe Roberts (playing Bevan among others) whose rhythm is infectious – you feel as though you might accidentally join in. Along with his brilliant physical comedy, Jak Malone also has a heart-breaking falsetto – a surprising yet effective combination.

The setΒ (Helen Coyston)Β and lighting design (Sherry Coenen) create illusions of a much grander space, illustrated with particular prowess during a hectic split-scene between a big, bawdy cabaret song and dance, and a dark and echoing submarine under threat of attack. With such a small audience and such a big production, it feels like everyone has the best seats in a much bigger theatre.

This production has the feel of something just on the cusp of great success – see it before word gets out and there are no tickets left!

 

Reviewed by Miriam Sallon

Photography by Alex Harvey-BrownΒ 

 


Operation Mincemeat

New Diorama Theatre until 15th June

 

Previously reviewed at this venue:
Close Up | β˜…β˜…β˜… | February 2018
It Made me Consider | β˜…β˜…β˜… | February 2018
Trap Street | β˜…β˜…β˜…β˜… | March 2018
Left my Desk | β˜…β˜…β˜…β˜… | May 2018
Bitter | β˜…β˜…β˜… | June 2018
Taking Flight | β˜…β˜…β˜… | June 2018
4.48 Psychosis | β˜…β˜…β˜…β˜… | September 2018
Boys | β˜…β˜…β˜…β˜…β˜… | November 2018
The War Of The Worlds | β˜…β˜…β˜…Β½ | January 2019

 

Click here to see more of our latest reviews on thespyinthestalls.com

 

Frankenstein: How To Make A Monster
β˜…β˜…β˜…β˜…β˜…

Battersea Arts Centre

Frankenstein: How To Make A Monster

Frankenstein: How To Make A Monster

Battersea Arts Centre

Reviewed – 14th March 2019

β˜…β˜…β˜…β˜…β˜…

 

“it’s the complex musical arrangements, inventive lyrics, slick choreography and brilliant vocals which inspire and lift β€˜Frankenstein’ beyond its genre”

 

The expectation of a beatbox show is a great evening of infectious rhythm, but walking into Battersea Arts Centre’s suitably gothic Grand Hall, filled with an audience buzzing with intoxicating anticipation and the scene set with bare, hanging bulbs and smoky lighting, is a suggestion that it is more than just that. Beatbox Academy’s β€˜Frankenstein’, fuses singing, rapping and movement with the group’s rhythmic skills in a production worthy of its standing ovation. Entertaining with energy and humour and mesmerising with seemingly limitless voices, Aminita Francis, Nadine Rose Johnson, Tyler Worthington, Nathaniel Forder-Staple, Alex Hackett and Beth Griffin (alias Aminita, Glitch, Wiz-rd, Native, ABH and Grove) move through every vocal possibility imaginable from industrial soundscape to Baroque cover version, each bringing a strong, contrasting personal slant but working in complete harmony.

After two industrious years of teamwork between devoted and enlightening directors, Conrad Murray and David Cumming, and the cast, the reconstruction of Frankenstein’s monster unfolds as a story reflecting on themes in Mary Shelley’s well-worn tale. She warns of the advance of technology and society’s condemnation of physical imperfection; here we are warned of the addiction of social media, smart phones, selfies and the loneliness they bring. Chapter one leads us from peaceful, forest birdsong to the noise of the city and breaks into the first number, introducing us to the β€˜Genius’. In the second chapter the monster is compiled of body parts in the form of musical fragments – James Brown, The Prodigy and Pachelbel, to spoil as little as possible. It is followed by β€˜growing pains’ and continues to develop its messages in varied numbers and breath-taking changes of mood. The sound (Marcello Coppola) is immaculate and perfectly balanced and Sherry Coenen’s lighting heightens the atmosphere at every turn.

Beatbox Academy is celebrating ten years of teaching, learning and personal development mixed with enjoyment. Enveloping inspiration, creativity and dedication with a powerful community spirit enables young people to discover and express themselves. The brief appearance of the younger members at the beginning and end of the show put into perspective the exciting journey these children are on and how much they can achieve. But it’s the complex musical arrangements, inventive lyrics, slick choreography and brilliant vocals which inspire and lift β€˜Frankenstein’ beyond its genre. To those already familiar with the group, it is an hour of excitement and exuberance; to those who aren’t, it is a thrilling and heart-filled revelation.

 

Reviewed by Joanna Hetherington

Photography by Joyce Nicholls

 


Frankenstein: How To Make A Monster

Battersea Arts Centre until 29th March

 

Previously reviewed at this venue:
How to Survive a Post-Truth Apocalypse | β˜…β˜…β˜… | May 2018
Rendezvous in Bratislava | β˜…β˜…β˜…β˜…β˜… | November 2018
Dressed | β˜…β˜…β˜…β˜…β˜… | February 2019

 

Click here to see more of our latest reviews on thespyinthestalls.com