Trestle

Jack Studio Theatre

Reviewed – 17th June 2021

★★★

 

“light and comfortable viewing”

 

The delightfully intimate Jack Studio Theatre reopens in front of a socially-distanced audience with this charming two-hander by Stewart Pringle. Last seen live-streamed from the Maltings Theatre, the production is directed by Matthew Parker. Jilly Bond reprises her role as Denise, the sinewy Zumba teacher, who meets weekly with retired widower Harry played by Timothy Harker.

Our scene is one end of the Billingham Temperance Hall with its stark entrance, a stack of black plastic chairs and the ubiquitous trestle table at centre stage. There is just enough clutter in and on top of a cupboard to represent the paraphernalia that such community spaces attract and an appropriate selection of posters (almost certainly out-of-date) on the community noticeboard.

Numerous mini-scenes flash by, one week apart. Harry’s committee meeting finishes before Denise’s Zumba class starts and in the few minutes’ hiatus, beginning with a misunderstanding, we see their friendship – if not a relationship – develop and blossom. There is small talk and the sharing of sandwiches, and little by little personal information leaks out. But can we believe these short meetings can develop into romance? Denise talks of the steamy scenes she is reading but she does not follow such talk into action. Harry is too content with his mundane unchanging routine to risk the turmoil of change.

Harker excels as the fastidious Harry, with his shuffling of papers and bumbling manner, in a tweed jacket and sleeveless woollen sweater, and a flat cap to remind us of his Yorkshire-ness. When appointed Chairman to his board he buys his own gavel on eBay but sheepishly admits he has never had to use it in a meeting. But he mimes with it when no-one is looking.

Denise is brash, and confident enough to run both an exercise class and a book club, but she is unable to confront a man who makes comments on her eating a banana in the library.

The well-rehearsed movement between the couple in the confined space is slick and easy. Entrances and exits through the one small door are timed perfectly. Only when the couple attempt to sit on the table does the fluency stutter; Harker (or Harry) can’t hide his doubts that the trestle is sufficiently stable.

There is no full blackout between scenes so that we can see the reset for the next meeting. Tedium from the repetitive actions of stacking and restacking the chairs and the repositioning of the trestle table is narrowly avoided. Only the continuous opening and closing of Harry’s briefcase becomes a bugbear. And it jars when the trestle is incongruously left standing in some later scenes as the premise of the play is surely that the table has to be moved for Denise’s Zumba class.

Both Bond and Harker play the comedy gently and convincingly. It is light and comfortable viewing – the potential source for a Sunday evening TV sit-com – but the personal stories lack depth and, whilst we learn that even older people can get muddled in their efforts to forge relationships, the journey our couple make is not long enough.

 

 

Reviewed by Phillip Money

Photography by Laura Harling

 

Trestle

Jack Studio Theatre until 26th June

 

Previously reviewed by Phillip:

The Money | ★★★ | Online | April 2021

Animal Farm | ★★★★ | Royal & Derngate | May 2021

 

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