Tag Archives: Dominic Kennedy

You Stupid Darkness!

★★★

Southwark Playhouse

You Stupid Darkness!

You Stupid Darkness!

Southwark Playhouse

Reviewed – 20th January 2020

★★★

 

“There’s a lot to like in the gentleness of Steiner’s script, but it’s a slow burn that’s really too slow”

 

In a time of political chaos, social turmoil, and environmental catastrophe, it’s easy to feel like the end of the world is right around the corner. It’s no surprise apocalypse stories feel particularly relevant right now.

Sam Steiner’s play, directed by James Grieve, is set in a future, disintegrating Britain. People are more-or-less keeping calm and carrying on despite toxic air, power outages, bridges collapsing, and buildings crumbling. The disaster is never specified – we don’t know whether this is the aftermath of WWIII, the effects of unchecked climate change, or both – but we do know trees are falling and the sea has turned viscous.

Four volunteers meet in a dilapidated call centre one night a week to run an emotional support helpline. Their job is to provide reassurance, although they’re barely holding it together themselves. On top of the world falling apart, Frances (Jenni Maitland) is heavily pregnant at a time when pregnancy is considered misguided or radically optimistic. Jon (Andy Rush) is going through a rough patch in his marriage. Angie (Lydia Larson) makes the best of her difficult upbringing. Joey (Andrew Finnigan), seventeen years old, is facing what feels like a pointless question of applying for university.

It may sound bleak, but Steiner handles the dark subject matter with a refreshingly light touch. While the apocalypse rages outside, the Brightline volunteers do their best to simply get on with the day. They hang up their gas masks when they arrive, attempt to make coffee without a working kettle, deal with perverts on the phones, and reluctantly participate in Frances’ positivity exercises.

The play is a series of small moments. Steiner gives us little window-like scenes through which we see the characters try to make connections with the people on the phones and each other, conversations hinting at personal lives and troubles beyond the office walls. There’s a lot to like in the gentleness of Steiner’s script, but it’s a slow burn that’s really too slow. Without much in the way of story, the two-hour runtime feels very long. Steiner’s scenes may be delicate and perceptive, but they lack momentum. And while the characters are strong, and well-performed by a talented cast, the show needs the backbone of a plot to help support its length.

Amy Jane Cook’s astute design presents the call centre as a little haven from the desolation outside, held together purely by blind optimism and denial. Everywhere signs of deterioration are refusing to be acknowledged. Gaping holes in the walls are covered up by motivational posters. Frances stubbornly tacks them back up each time they fall down. A whiteboard enthusiastically displays the word of the week (‘Communication’ ‘Optimism’). Intense storm winds blowing snow-like debris occasionally blast open the door. When the call centre floods, the stage fills with water. But when Frances fills the space with candles, the scene conveys a powerful sense of hope. The message of perseverance, resilience, and hope, no matter how irrational, will undoubtedly resonate with anyone feeling overwhelmed by the world today.

You Stupid Darkness! is a show full of heart and humour about the end of the world. A distinctive, insightful script with something to say – it’s a shame it’s missing a trick.

 

Reviewed by Addison Waite

Photography by Ali Wright

 


You Stupid Darkness!

Southwark Playhouse until 22nd February

 

Last ten shows reviewed at this venue:
The Curious Case Of Benjamin Button | ★★★★★ | May 2019
Afterglow | ★★★½ | June 2019
Fiver | ★★★★ | July 2019
Dogfight | ★★★★ | August 2019
Once On This Island | ★★★ | August 2019
Preludes | ★★★★ | September 2019
Islander | ★★★★★ | October 2019
Superstar | ★★★★ | November 2019
Potted Panto | ★★★★ | December 2019
Cops | ★★★★★ | January 2020

 

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Angry Alan

Angry Alan
★★★★

Soho Theatre

Angry Alan

Angry Alan

Soho Theatre

Reviewed – 8th March 2019

★★★★

 

“this saw me laughing out loud – but it’s an uneasy and short-lived laughter”

 

Reams of scrolling comments with an incel flavour loop down a screen as we take our seats for Angry Alan. ‘Is there a bigger waste of time and money than pursuing a female?’ asks one, concluding that ‘if it wasn’t for their pussies it would be open season on them’. Nice. So begins our all-too credible glimpse into the men’s rights movement.

As the play opens, we’re also told that the YouTube clips we’ll see throughout are all real. I sincerely hope this is dramatic license. They’re nothing more than nonsense, and hard to watch. Amusing, certainly, and this engaged audience at the Soho Theatre crack up at the more ridiculous moments (the allegedly ‘gynocentric’ White House topped by an enormous breast, anyone?). But this narrative of a ‘normal’, even affable, American man falling into the dark side of masculinity in crisis leaves the audience suitably uneasy.

Donald Sage Mackay masterfully (if the gendered language can be overlooked) offers up entertainment as well as depth in this solo performance. Roger could be so many men; divorced, estranged from his son and adjusting to life post-redundancy. Hints of his #everydaysexism flicker early on – he ignores his long-suffering partner, Courtney (who’s studying feminism in her community college course, of which Roger takes a dim view), only to pipe up to request a sandwich. Later he criticises her cooking and grumbles when she starts her washing up mid-argument. The seeds are sown. But the world of men’s rights activist Angry Alan in which Roger finds kinship in is a different league. Sage Mackay brings Roger’s sense of much-missed belonging alive so acutely it’s almost touching.

However, each time our feelings soften, Penelope Skinner’s deft writing resets us. His earnest enjoyment of feeling ‘safe’ acceptance at a men’s rights conference could even be seen as sweetly vulnerable – but lines like ‘she was quite attractive – for a feminist’ remind us of just how deep in the mire our protagonist is.

Roger’s absent son Joe has something he wants to share with his dad, and it’s in this denouement we finally see the extent to which Roger’s exposure to Angry Alan’s material has affected his ability to be open-hearted. The results are dramatic, and the clever use of sound (Dominic Kennedy), light (Zak Macro) and Stanley Orwin-Fraser’s projection (a strength throughout here, with really skilful use of digital) indicate that this at first light performance, has taken a dark turn.

Angry Alan is a deep dive into the underbelly of the community of unhappy men, and we’re left reminded that this is a brotherhood that it harms as much as it supports. On International Women’s Day, this saw me laughing out loud – but it’s an uneasy and short-lived laughter.

 

Reviewed by Abi Davies

Photography by The Other Richard

 


Angry Alan

Soho Theatre until 30th March

 

Last ten shows reviewed at this venue:
There but for the Grace of God (Go I) | ★★★★ | August 2018
Fabric | ★★★★ | September 2018
The Political History of Smack and Crack | ★★★★ | September 2018
Pickle Jar | ★★★★★ | October 2018
Cuckoo | ★★★ | November 2018
Chasing Bono | ★★★★ | December 2018
Laura | ★★★½ | December 2018
No Show | ★★★★ | January 2019
Garrett Millerick: Sunflower | ★★★★ | February 2019
Soft Animals | ★★★★ | February 2019

 

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