★★★★

“The costumes are dazzling and thoroughly authentic”

It’s been a particularly wet and cool summer so far in London, and if you’ve not had a chance to escape the rain, let me suggest a trip to Flamenco/Orígenes. This show is currently playing at the Etcetera Theatre as part of the 2023 Camden Fringe Festival. There, for a brief hour, you can sit and imagine yourself, without much difficulty, in Seville, perhaps, or any other Spanish city fa-mous for its small dark spaces where you can crowd in to see authentic flamenco. It’s a treat to climb the steep stairs at the Etcetera Theatre, and be part of an enthusiastic sold out house that knows how to appreciate good music and good dancing.

Flamenco/Orígenes, presented by the Lourdes Fernandez Flamenco Company based here in London, is not just about the dancing. There’s a story attached to the seven pieces performed in this show as well. Each dance, or palos, presents a piece of the history of flamenco. From its earliest origins in India and North Africa, the Company moves through the contributions of the indigenous peoples who gave us what we now recognize as flamenco. There’s even several changes of costume to emphasize the visual component. It’s quite a feat to pull this off in such a small space (and there is a moment when a spinning shawl catches a music stand and it goes flying) but the Company manages the whole show with style and confidence. By the time the show ends with a bravura presentation of modern day flamenco, it is not just the dancers and musicians who are clapping and stamping their feet with enthusiasm. The audience has caught the energy as well, leaping to their feet with applause and cries of “Olé!”

“You are about to be transported to the warmth of another world”

This talented company consists of two dancers including Lourdes Fernandez herself, and a very accomplished band of singer, drummer, violinist and guitar. Singer Mónica García in particular captures the unique sound of flamenco, and she is very ably supported by the other musicians. The costumes are dazzling and thoroughly authentic, including the brightly coloured shawls that the dancers manage so adroitly. In short, there’s plenty of feast the eyes and ears in this show, even if it’s sometimes hard to see the footwork when seated more than a couple of rows back. I suggest sitting in the front rows, and as Lourdes herself recommends, placing your drink well back under your seat so it doesn’t get upset in all the excitement.

Flamenco/Orígenes is well worth sixty minutes of your time. It’s a welcome escape from Lon-don’s shivery summer, for an absolute bargain of a price. You may need an umbrella to get to the 2023 Camden Town Fringe Festival, but once you are inside the Etcetera Theatre, fold it up. You are about to be transported to the warmth of another world that is the unforgettable beauty of flamenco!

INVASION! AN ALIEN MUSICAL at the Camden People’s Theatre

★★

“It is possible to see how, with more work, Invasion! can become something that audiences will enjoy”

If Edinburgh is beyond your budget this year, you should definitely visit the varied performances now being offered as part of the 2023 Camden Fringe Festival instead. You’re bound to find something appealing, and at bargain prices too. It’s great to find interesting theatre in your own backyard, and the number of shows on offer seems to grow every year. So feast your eyes on all the intriguing performances listed on the Camden Fringe website, and hurry to get your tickets before it’s too late.

This year I’m beginning with a visit to the latest musical from the Cambridge University Musical Theatre Society. This is the group that gave the West End its blockbuster musical hit SIX, about King Henry VIII’s unfortunate wives. The packed audience in the Camden People’s Theatre last night sounded eager to see if there’s another hit musical in the making. While there’s certainly conspicuous talent on display in Invasion! An Alien Musical, the show is a long way from the West End at the moment, figuratively speaking. This is mostly because Invasion! is a big budget musical put together on a shoestring. The money appears to have gone into boosting the sound of the keyboards at the expense of the singers. If you’re going to use amplification for the music, it seems only fair to give your singers a fighting chance by giving them an amplified sound as well.

But let’s backtrack a bit, and provide a sketch of the plot. With more than a little nod from classics such as the Little Shop of Horrors, the story behind Invasion! An Alien Musical is familiar enough. In brief, we meet exploited workers toiling away in a miserable theme park with not enough to live on, while an evil prime minister welcomes in sinister aliens disguised as plush toys. These aliens are, not surprisingly, here to take over the Earth. This would seem to be a pretty poor choice on the aliens’ part, given the current state of the Earth, but OK. The plush toys, called Larry Lotus’, that the aliens inhabit in order to mind meld with humans, are adorable, and of course, all the more threatening for that. If the plot had just stuck to the main story of Johnny Fox, exploited worker, trying to free himself and his fellow humans from alien plush toys (with the help of another alien called Sola) the audience could have reached the end of the show reasonably clear about what had happened. But there’s a ton of extra characters, some with mysterious American accents (take that how you will), and a lot of muddled rushing on and off the stage. There’s too much exposition to explain why these characters are on stage in the first place. The Rocky Horror Show, which also began as a musical on a shoestring, did this all very successfully, keeping the alien mayhem caught within a sinister mansion, rather than a theme park. And it brought all the extraneous events and characters into the mansion, while keeping Downing Street out of it. Keep it simple, folks.

It is possible to see how, with more work, Invasion! can become something that audiences will enjoy. Sci fi musicals have been successful in the past—even another low budget one like Return to the Forbidden Planet, which toured London parks in the Bubble Theatre’s inflatable yellow tent before transferring to the West End. It can be done, and the music and lyrics by the talented Lily Blundell deserve to reach a wider audience. But Jasper Cresdee-Hyde and Jonathan Powell, as writers and directors, are several drafts away from a workable book. The cast has some great singers, Kate South and Iona Rogan in particular. Gregory Miller is rather underused as a performer. But the leads, Jamie Ellis as Johnny Fox, Nathan Galpin as Brian Fox, and Freya Cowan as the alien Sola, are simply lost among the overpowered playing of Blundell on keyboards, and the acting and singing of the rest of the cast. The whole show needs to go for broke, and that includes the lighting, costumes and make up.

Hopefully this run at the Camden People’s Theatre won’t be the last we see of Invasion! An Alien Musical. If the cuddly plush toys go back to the drawing board and work on another draft, I, for one, would welcome the alien wannabe overlords back to the Camden Fringe next year. It would be cool to see how their plans for taking over the Earth—or even the West End—are progressing

FLAMENCO: ORIGENES at the Etcetera Theatre

★★★★

“The costumes are dazzling and thoroughly authentic”

“You are about to be transported to the warmth of another world”

FLAMENCO: ORIGENES at the Etcetera Theatre

Reviewed on 2nd August 2023

by Dominica Plummer

Photography – Lourdes Fernández Flamenco Company

More shows reviewed by Dominica:

Flamenco: Origenes

Flamenco: Origenes

INVASION! AN ALIEN MUSICAL at the Camden People’s Theatre

★★

“It is possible to see how, with more work, Invasion! can become something that audiences will enjoy”

INVASION! AN ALIEN MUSICAL at the Camden People’s Theatre

Reviewed on 31st July 2023

by Dominica Plummer

Photography Charlotte Dargan

Recently reviewed by Dominica:

Invasion! An Alien Musical

Invasion! An Alien Musical