Tag Archives: Duncan Burt

Friendsical

Friendsical

★★

Assembly Rooms

Friendsical

Friendsical

Assembly Rooms – Music Hall

Reviewed – 15th August 2019

★★

 

“it becomes an over the top, pantomime of character traits and gestures”

 

“How YOU doin’?” Not great! After seeing my favourite 90s American sitcom Friends has been turned into a confusing musical parody.

Friendsical disappointingly misses the mark in many ways. Branding itself as a parody but it is clearly a failed attempt to recreate a condensed version of David Crane and Marta Kauffman’s original hit show with a few beige musical numbers thrown in for good measure. Iconic colourful umbrellas in hand – the cast of Friendsical take to the stage, singing a second rate adaptation of the “I’ll Be There For You” theme song. Although their umbrella-ography by Darren Carnall is slick, and energetic that is about the only thing worth note in this ninety minute “romp”.

The premise for the show as Ross Geller (Jamie Lee Morgan) explains to the audience is that he has decided to make a “musical spectacular” to celebrate their ten years of friendship together but particularly commemorating his relationship with Rachel (Charlotte Elisabeth Yorke) and so he has cast his friends to play themselves and re-enact their own memories through song in this live performance. Get it? No? Me neither.

Miranda Larson’s writing makes excuses from the beginning when Ross explains that the ‘timelines’ might get mixed up but the audience just have to allow it in the name of “theatrical license”. This prerequisite allows Larson to cram the rest of the show with word for word re-creations of moments such as: ugly naked guy, the wedding dress scene, Janice and Chandler’s break up and out of context catchphrases in the hopes that we won’t notice the lack of any real substance.

These are the characters we know and love – as if they are on acid. The actors do a great imitation of each of their parallels with clear in depth research in physicality and voice. In particular, Sarah Goggin’s up-tight, control freak Monica and Thomas Mitchell’s snarky and awkward Chandler couldn’t BE anymore spot on. However, once the novelty of seeing these imitations wears off it becomes an over the top, pantomime of character traits and gestures.

Anthony Lamble’s set design is one of the things this production got right. With the iconic purple door, the huge bay window and the neon Central Perk coffee sign. Lamble has recreated in great detail the famous locations of Manhattan life, generating an overwhelming sense of nostalgia which this show is definitely lacking.

In truth Friendsical doesn’t feel like a lovingly made homage to the sitcom with 236 episodes which we have all rewatched at least ten times. It feels like a ‘play by numbers’ venture, riding off a multi-billion dollar brand to get hyped fans bums on seats. This ambitious remake is a steep price to pay for fans with not much given in return.

 

Reviewed by Liz Davis

Photography by Dale Wightman

 


Friendsical

Assembly Rooms – Music Hall until 25th August as part of Edinburgh Festival Fringe 2019

 

 

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Mob Wife: A Mafia Musical

Mob Wife: A Mafia Comedy
★★★

Cockpit Theatre

Mob Wife: A Mafia Musical

Mob Wife: A Mafia Comedy

Cockpit Theatre

Reviewed – 24th January 2019

★★★

 

“The frenetic, knockabout comedy of the second half is more effective than the stodgier and sedate first”

 

This new mafia musical by Michael Mott and Corey Skaggs is typical screwball stuff. All is not well on mob wife Debra Delbono’s (Ashleigh Aston) a tenth anniversary with her husband, and newly promoted mob boss, Tony. He seems ill-at-ease in his new role, flowers have arrived at the house from a mysterious woman and rumours are swirling that her psychopathic father, Vincenzo (James Edge), may have somehow wangled his way off death row. Misunderstandings and hijinks duly ensue.

The parodic mobster shtick has been done an awful lot and this show doesn’t shy away from the ‘yous guys’ and ‘cup of cowafee’ cliches. It feels overlong – well over two hours – and the plot (while intentionally ridiculous) borders on incomprehensible at times. The songs are generally solid and performed with gusto by a ten-strong cast but are not particularly memorable and will need some lyrical tweaks. The show could also be staged more imaginatively: despite the Cockpit’s generous thrust space, several scenes are bunched up at the back of the stage and the blocking feels awkward and under-rehearsed in places.

The show is at its best when it leans into its more farcical instincts. The frenetic, knockabout comedy of the second half is more effective than the stodgier and sedate first. Some running jokes are mined effectively with one magnificent payoff at the start of the second act. Dru Stephenson stands out as Debra’s sassy and quick-tempered confidant, Joanne Trevesani, and makes the most of some of the best lines in the show. I particularly enjoyed her description of her car: ‘the deep cherry cadillac parked in the disabled spot’. Elsewhere, Matt Bond gives an extraordinary vocal performance as Tony Delbono which is worth the price of admission alone.

It’s far from groundbreaking, and will need a good deal of refinement, but it’s a sufficiently diverting evening out.

 

Reviewed by Joe Spence

 


Mob Wife: A Mafia Comedy

Cockpit Theatre until 26th January

 

Previously reviewed at this venue:
Cantata for Four Wings | | April 2018
Into the Woods | ★★★★ | May 2018
On Mother’s Day | ★★★½ | August 2018
Zeus on the Loose | ★★ | August 2018
The Distance You Have Come | ★★★★ | October 2018
Don’t You Dare! | ★★★ | November 2018
Unbelonger | ★★★½ | November 2018

 

Click here to see more of our latest reviews on thespyinthestalls.com