Tag Archives: Anthony Lamble




Assembly Rooms



Assembly Rooms – Music Hall

Reviewed – 15th August 2019



“it becomes an over the top, pantomime of character traits and gestures”


“How YOU doin’?” Not great! After seeing my favourite 90s American sitcom Friends has been turned into a confusing musical parody.

Friendsical disappointingly misses the mark in many ways. Branding itself as a parody but it is clearly a failed attempt to recreate a condensed version of David Crane and Marta Kauffman’s original hit show with a few beige musical numbers thrown in for good measure. Iconic colourful umbrellas in hand – the cast of Friendsical take to the stage, singing a second rate adaptation of the “I’ll Be There For You” theme song. Although their umbrella-ography by Darren Carnall is slick, and energetic that is about the only thing worth note in this ninety minute “romp”.

The premise for the show as Ross Geller (Jamie Lee Morgan) explains to the audience is that he has decided to make a “musical spectacular” to celebrate their ten years of friendship together but particularly commemorating his relationship with Rachel (Charlotte Elisabeth Yorke) and so he has cast his friends to play themselves and re-enact their own memories through song in this live performance. Get it? No? Me neither.

Miranda Larson’s writing makes excuses from the beginning when Ross explains that the ‘timelines’ might get mixed up but the audience just have to allow it in the name of “theatrical license”. This prerequisite allows Larson to cram the rest of the show with word for word re-creations of moments such as: ugly naked guy, the wedding dress scene, Janice and Chandler’s break up and out of context catchphrases in the hopes that we won’t notice the lack of any real substance.

These are the characters we know and love – as if they are on acid. The actors do a great imitation of each of their parallels with clear in depth research in physicality and voice. In particular, Sarah Goggin’s up-tight, control freak Monica and Thomas Mitchell’s snarky and awkward Chandler couldn’t BE anymore spot on. However, once the novelty of seeing these imitations wears off it becomes an over the top, pantomime of character traits and gestures.

Anthony Lamble’s set design is one of the things this production got right. With the iconic purple door, the huge bay window and the neon Central Perk coffee sign. Lamble has recreated in great detail the famous locations of Manhattan life, generating an overwhelming sense of nostalgia which this show is definitely lacking.

In truth Friendsical doesn’t feel like a lovingly made homage to the sitcom with 236 episodes which we have all rewatched at least ten times. It feels like a ‘play by numbers’ venture, riding off a multi-billion dollar brand to get hyped fans bums on seats. This ambitious remake is a steep price to pay for fans with not much given in return.


Reviewed by Liz Davis

Photography by Dale Wightman



Assembly Rooms – Music Hall until 25th August as part of Edinburgh Festival Fringe 2019



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Octopus Soup!

Theatre Royal Windsor & UK Tour

Octopus Soup

Octopus Soup!

Theatre Royal Windsor

Reviewed – 1st April 2019



“In spite of the dogged efforts of the cast, the audience just didn’t get many of the jokes”


Billed as ‘an instant modern classic like ‘The Play that Goes Wrong’’, Jack Milner and Mark Stevenson’s ‘Octopus Soup!’ is a new British farce, developed and premiered by the Belgrade Theatre, Coventry, before a national tour which continues to May 4.

Where would theatre be without farce? At its best and in the hands of masters like Ayckbourn or Feydeau its ingredients are brilliant wit, sexual intrigue, and a lot of ‘business’ as comedic stereotypes get utterly confounded by impossible situations. But is the recipe right for this particular bouillabaisse?

‘Octopus Soup!’ has an accomplished and hard-working cast, admirably led by Nick Hancock, who helped to create and then presented ‘Room 101’ for seven years from its inception in 1992. He plays the risk-averse but increasingly desperate insurance man Seymour Norse who is about to make the biggest presentation of his life to the CEO of GIT, a troubled insurance company (an authoritative and satisfying performance by Gillian Bevan, who recently appeared as Theresa May in Channel 4’s ‘The Windsors’).

Before a word of dialogue is spoken, Seymour Norse has lost his trousers. A predictable enough part of the mix, but pretty wasted at the top of the show. The arrival of a blundering burglar (a smart performance by Paul Bradley) stirs up the plot, which then takes a few fishy twists before a fairly predictable ending. Norse’s nervy wife is wittily played by Carolyn Backhouse, a regular at the Chichester Festival Theatre. Eric Richard makes a satisfying appearance as a nasty underworld boss with a taste for seal sanctuaries. Terry the octopus twitches, a bullet is fired. Thanks to a well-known casserole company, which got the biggest laugh of the evening, someone is dead, or are they? So much for the slide presentation and for the plot, which stretches pretty thinly over the evening.

Actors often say that a play that seems lack-lustre one night will shine the next, simply because of the mood of one audience compared to another. I have to report that the audience in Windsor on Monday weren’t hungry for octopus soup. The fault seemed to lie not with the performances, or the set, or even the slightly dodgy sound effects, but with the writing. Many of the jokes relied on fairly improbable malapropisms of the ‘Ethics? – I come from there!’ kind. In spite of the dogged efforts of the cast, the audience just didn’t get many of the jokes, particularly in the limping first act.

The final line sank like a damp soufflé, and the cast seemed only too quick to leave the stage.


Reviewed by David Woodward

Photography by Robert Day



Octopus Soup!

Theatre Royal Windsor until 6th April then UK Tour continues


Previous shows covered by this reviewer:
Teddy | ★★★★★ | Watermill Theatre Newbury | January 2018
The Rivals | ★★★★★ | Watermill Theatre Newbury | March 2018
A Midsummer Night’s Dream | ★★★★ | Watermill Theatre Newbury | May 2018
Jerusalem | ★★★★★ | Watermill Theatre Newbury | June 2018
Trial by Laughter | ★★★★ | Watermill Theatre Newbury | September 2018
Jane Eyre | ★★★★ | Watermill Theatre Newbury | October 2018
Murder For Two | ★★★★ | Watermill Theatre Newbury | February 2019
The Trials Of Oscar Wilde | ★★★★ | Theatre Royal Windsor | March 2019


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