Showtune
Union Theatre
Reviewed – 10th August 2019
★★★★
“It’s a delight to see such a young cast take on Herman’s music”
Tough week? Life getting you down? Then hurry along to the Union Theatre in Southwark for some musical therapy. Showtune, a two act tribute to the music and lyrics of the perennially upbeat Jerry Herman, will give you The Best of Times, and (I) Promise You A Happy Ending in this lively revival of Paul Gilger’s Jerry Herman fest. Produced by Sasha Regan, Showtune takes place in a charming auditorium underneath some railway arches. It is an intimate space that produces a surprisingly big Broadway sound, and you will be impressed by the skilful direction and choreography of Luke Byrne that permits a cast of ten to sing and dance without falling into the laps of the front row.
There is lots to like in this ninety minute medley of songs from Herman’s hit musicals. The music includes several from Mame, Hello Dolly!, Mack and Mabel, Dear World, and La Cage Aux Folles. The cast manage all these in a performing space that is crammed full of the flotsam and jetsam of a rehearsal room, complete with a suggestion of a dressing room, and of course, a grand piano. Somehow the cast work around these obstacles to keep the audience’s attention firmly focused on the singing, and yes, even a tap dancing number (Tap Your Troubles Away). In these endeavours they are ably supported by the talented Henry Brennan, pianist and musical director. It’s a delight to see such a young cast take on Herman’s music, and while the singing is at times a little uneven, special mention must be given to Aidan Cutler for his poignant sound; and to Alex Burns and Ella-Maria Danson for their spirited singing duel in Bosom Buddies. But the whole cast brought off the complicated ensemble numbers with verve and nerve — and was rewarded by an appreciative audience.
Showtune reminds us that Jerry Herman’s heartfelt songs are the perfect antidote for our stressed out modern lives —and if some of the lyrics hark back to a more old-fashioned age (It Takes A Woman from Hello, Dolly! for example) — it is also Herman’s inspiration to give us an opportunity to see two men sing a tender duet to each other (Song On The Sand from Cage Aux Folles). There is enough flexibility in Herman’s work to ensure that a compilation musical like Showtune has many years of successful revivals ahead of it. Enjoy this one.
Reviewed by Dominica Plummer
Photography by Jamie Scott-Smith
Showtune
Union Theatre until 24th August
Last ten shows reviewed at this venue:
It’s Only Life | ★★★★ | June 2018
Around the World in Eighty Days | ★★★ | August 2018
Midnight | ★★★★★ | September 2018
Brass | ★★★★ | November 2018
Striking 12 | ★★★★ | December 2018
An Enemy of the People | ★★ | January 2019
Can-Can! | ★★★★ | February 2019
Othello | ★★★★ | March 2019
Elegies For Angels, Punks And Raging Queens | ★★★ | May 2019
Daphne, Tommy, The Colonel And Phil | ★ | July 2019
Click here to see more of our latest reviews on thespyinthestalls.com
