Tag Archives: Etcetera Theatre

Keep Calm I’m Only Diabetic – 3 Stars

diabetic

Keep Calm I’m Only Diabetic

Etcetera Theatre

Reviewed – 9th June 2018

★★★

“the funnier words are at points swallowed and the humour of the writing isn’t always brought out”

 

Jon-Sel Gourkan has Type 1 diabetes, the type that no one talks about, the type that is unpreventable, incurable and potentially life threatening. This show is his response to dealing with a lifetime of ignorance that has cost him careers, relationships, living spaces and his mental health. ‘Hypos’ have him slurring his words, swiping yes to everyone on Tinder, ranting inappropriately on Facebook, doing and saying things that he is not in control of in an extreme bodily response to a lack of sugar. “It’s ruining everything for me,” he confesses. Over the course of the show we are whisked through his worlds of professional footballing, pop-stardom and customer service jobs, some of which are more accepting than others of his condition.

Jon-Sel talks about his tendency to use humour to cope: “In adverse times, I laugh,” he says. And indeed the script is full of humour, couching the difficulties diabetes has made him face in witty wording and an infectious optimism. Unfortunately, frequently these moments fail to land. Jon-Sel’s comic timing is not quite right so that the funnier words are at points swallowed and the humour of the writing isn’t always brought out. His impressions suffer no such problem. They are sharp, well observed and delivered with ease.

But this is not just about humour, and some of Jon-Sel’s more serious moments lack impact, lost in his apparent inability to stop ‘performing’. Even as he impresses upon the audience the fact that this is a very real issue, that this narrative is the truth of his everyday life, he is still acting, undermining the genuineness of the narrative. His hypo moments, however, are some of the most impactful moments of the play, and are deeply affecting, as he jumps from playful performance mode to barely intelligible attack mode, begging for sugar through a mouth that won’t articulate. The piece does take us to an unexpectedly dark place, where Gourkan is dealing with alcoholism, depression and loss of self, and a more genuine delivery at this point would supply these moments with the impact that they deserve.

Ultimately, Gourkan’s apparent goal is achieved. I leave with a considerably greater understanding of Type 1 diabetes (which I will never again confuse with Type 2 diabetes), its symptoms and its severity – all made accessible via his personal story of battling the condition. Gourkan himself is incredibly likeable, energised, warm and playful, so that weaker moments of the piece are more easily forgivable than they might otherwise be.

‘Keep Calm, I’m only diabetic’ is a fun and informative show, that sheds light on a deeply under-discussed medical condition. Greater development could help it go beyond this and really access the emotional depth of the piece, taking it to a higher level, but it is still an enjoyable and accessible performance, from which I learnt a lot!

 

Reviewed by Amelia Brown

 


Keep Calm I’m Only Diabetic

Etcetera Theatre

 

 

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Saphira – 2.5 Stars

Saphira

Saphira

Etcetera Theatre

Reviewed – 31st May 2018

★★½

“a classic love and betrayal theme, but it falls short in the telling and in the detail”

 

A man lies unconscious. As he comes to, he can hear distant marimba music. He’s the only survivor of a plane crash somewhere in Africa. Apart from a slight wound (and his immaculate white shirt being unbuttoned) our ‘reputable businessman’ is unharmed. Putting this apparent miracle behind him, he falls in love with a local girl, Saphira. Their courtship is celebrated in song, as Saphira teaches him a lullaby that her grandmother used to sing her. Abruptly, however, overtaken by a concern that his absence may benefit his rivals, he decides to head back to sit at a desk and make deals. Saphira vows to find him and eat his heart (because, you know, she’s from Africa). She cleverly becomes his secretary without him realising, from which position she attempts to execute her deadly plan.

‘Saphira: A Deadly Beauty’, staged at the Etcetera Theatre in Camden, is a deceptive title as it’s Zack, her lover from above, that dominates the action. ‘A male fantasy’ might better describe the story, as surviving an air crash unscathed, wooing an exotic beauty before casting her aside to run a successful business is a dubious plot straight from the colonial adventures of ‘Tintin’.

As writer, director and playing the role of Zack, Stavros Symeonidis has nowhere to hide and this is a brave performance on all fronts. He commands the stage with a limited emotional range, measurable only in decibels, while Saphira is played sweetly by Evridiki Yakubu without much vocal projection, appearing more comfortable with the dancing and singing requirements.

The forty five minutes run time is well-structured, but the preposterous storyline is denied a lifeline by the two-dimensional writing. Zack announces that he is in love, he is sad, he feels conflicted, he wants to sleep with her, he wants to save his business. She reciprocates in the same style, inevitably and the singing brings little relief. It’s totally plausible that a reputable businessman/crash survivor would be tone deaf when called upon to sing, but it didn’t make it any easier to listen to.

The one true respite is the music and dance of Otto Gumaelius, a gifted performer who gives the show a beating heart it hardly deserves. Elsewhere, the production is robust, with unfussy lighting and sound while wardrobe choices are simple, to the point of simplistic.

Etcetera Theatre is a Camden institution and a vital try-out space for writers, performers, comedians and their ideas. As Stavros Symeonidis stretches his wings here he sketches out an imaginative tale with a classic love and betrayal theme, but it falls short in the telling and in the detail.

 

Reviewed by Dominic Gettins

 


Saphira

Etcetera Theatre

 

Related
Previously reviewed at this venue
Hello Georgie, Goodbye Best | ★★ | April 2018
Ophelia | ★★★ | May 2018

 

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