Tag Archives: Euan Vincent

Breakin' Convention

Breakin’ Convention: Breakout Convention

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Sadler’s Wells Theatre

Breakin' Convention

Breakin’ Convention: Breakout Convention

Sadler’s Wells Theatre

Reviewed – 3rd July 2021

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a rich celebration of culture

 

Returning for its 18th year, Breakin Convention is a 2-hour cornucopia of Hip Hop Dance theatre that revels in showcasing the full bounty that hip hop culture has become over the past 30 years. Devised, curated and MC’d by dancer and spoken word poet, Jonzi-D, the show takes in talents from around the world and is sure to satiate the appetite of any of the trueheads out there.

Dance and performance were interspaced with two short film series: β€˜Next Day Delivery’ and β€˜Power to the Pixel’. The concept for β€˜Next Day Delivery’ was to make a new film within 24 hrs which had to feature props, music, and words of Jonzi’s choosing. For me the standout piece was dancer and choreographer Sun Kim’s collaboration with wordsmith and poet Surid in β€˜(Gas) lighting’ which showcased Sun Kim’s slowed down popping and locking over a beautiful soundtrack performed by Ffion Campbell Davies and accompanied by Surid’s crisp diction.

Later, Atypical with Attitude, a company comprised of dancers with atypical physical or mental capabilities, premiered β€˜Blindfolded’- a beautiful and engaging piece which appeared to reflect living through the digital, dystopian times of Covid-19. Opening to sounds reminiscent of frantic morse-code tapping and lighting that flicker the performers in and out of illumination; the dancers jolted their bodies to the flickering lights before performing a piece of staccato, interrupted routines which seems all too familiar to the stop start nature of the last two years.

The sense of being locked in routine also ran through Spoken Movement’s β€˜Family Honour’. A multi award-winning dance psychodrama that explored the taut relationship between father and daughter through tutting (think vogueing in a toned-down, a hip hop sort of way), popping and precise choreography. Elsewhere Spin & S.I Stature used combative breaking and spoken word to shine light on the violent present-day struggles in Colombia and the female quartet Betty’s Blues merge jazz tap, popping and spoken word to wonderful effect in a fun and sassy piece. The show ended with the suitable finale of Patience J’s β€˜Colours’; a 20-piece, high energy celebration of modern Afro Dance forms which featured the Congolese N’dombolo and the Ghanian Azonto which will be familiar to most, if not in name.

It must be said that not all pieces were five stars and there were awkward moments too when, for example, one Power to the Pixel entry appeared to promote the anti-vaccine conspiracy theory #Plandemic. However, it would be churlish to try to pick holes in individual performances when witnessing such a rich celebration of culture. A perfect offering to greet those blinking groggily back into life, theatre, and dance after our long-imposed hibernations.

 

Reviewed by Euan Vincent

Photography by Paul Hampartsoumian

 


Breakin’ Convention: Breakout Convention

Sadler’s Wells Theatre until 4th July

 

Reviewed at this venue this year:
Reunion | β˜…β˜…β˜…β˜…β˜… | Sadler’s Wells Theatre | May 2021
Overflow | β˜…β˜…β˜…β˜…β˜… | Sadler’s Wells Theatre | May 2021
Wild Card | β˜…β˜…β˜…β˜… | Sadler’s Wells Theatre | June 2021

 

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Imaginarium

Imaginarium

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Online

Imaginarium

Imaginarium

Online via Applecart Arts until 23rd October

Reviewed – 15th October 2020

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“The audience is the performance. The bedroom, the stage”

 

Through the back weeks of October, Applecart Arts present the Dazed New World Festival – an online only showcase of new narrative forms which explore a range of social and environmental issues; all against the backdrop of β€œthe new normal” of life within a pandemic.

Running for three shows; Imaginarium is the debut production of Out of the Blue Theatre. The show is inspired by the social seclusion of Lockdown and uses audience members’ bedrooms as the stage for a guided exploration of space and the possibilities of imagination. Like the rest of Dazed New World Festival, Imaginarium is β€œLivestreamed” through Vimeo, accessible only at ticketed times. The term β€œLivestream” here, being a slight misnomer for what appears to be pre-recorded content.

The content and form raise interesting questions for theatregoers and academics alike. Theatre & performance is a couplet term for a collection of ever-evolving, ever-flexible art forms that intrinsically reflect societies norms and mores. That they should migrate online, seems an increasingly appropriate development. However, one metric used to delineate theatre from its innumerate modern cousins is the concept of liveness- Things that happen at a certain moment and only thern. How Imaginarium deals with this concept seemed to be the foundation of which the show’s success rested.

Director Haylin Cai tackles the problem of liveness through the imagination and physical body of each participant. The audience is the performance. The bedroom, the stage. We are asked to position ourselves in our room; to have a glass of water to hand, and to use headphones. Voice Actor, Harry Dean then takes control and begins to lead us on a journey…

First, the context of the performance is set- We spend too much time online with other people’s opinion swirling through our underused and under-explored minds. We are then invited to imagine our bedroom anew; we are told that the everyday objects around us can now be explored with fresh eyes. We are encouraged to create a new language for them, to talk to them and to explore how they might feel and relate to one another. In other words, we are live and active participants on our solitary stage. Later, we are asked to imagine ourselves as supple 8-year olds playing hide and seek within the space. It’s within these moments that the show lives up to the billing of creating a live performance based on imagination.

Moments of participation are however, interspersed with Dean taking us on a variety of journeys through time, space and imagination, aided always by confident and apt sound design of Tingying Dong. We are in one moment holding our glass of water, the next imagining the journey of that water through the vast annuls of space and time. It is in these moments when the shows liveness unfortunately disappears, and the β€œperformance” takes on the guise of a form of guided meditation or audio book and sadly things fall slightly flat.

2020 is an exciting and testing time for theatre makers to represent. Out of the Blue’s debut production confidently meets these challenges head on with an audio journey filled with imagination and play. I’m excited to explore more of Dazed New World Festival and look forward to more of Out of the Blue theatre.

Reviewed by Euan Vincent

Main image courtesy Out of The Blue Theatre Company – this is a rehearsal image of actor Harry Dean, director Haylin Cai and sound designer Tingying Dong

 

Imaginarium

Imaginarium

Online via Applecart Arts until 23rd October

 

Previously reviewed by Euan:
The Glass Will Shatter | β˜…β˜…β˜…β˜… | Omnibus Theatre | January 2020
Aamira And Gad | β˜…β˜…β˜…β˜…β˜… | The Vaults | February 2020
Blitz! | β˜…β˜…β˜… | Union Theatre | February 2020
The Incident Room | β˜…β˜…β˜…β˜… | New Diorama Theatre | February 2020
Woyzeck | β˜…β˜…β˜… | Theatro Technis | September 2020

 

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