Tag Archives: Grace Venning

Gaps – 3 Stars

Gaps

Gaps

Katzpace Studio Theatre

Reviewed – 23rd April 2018

★★★

“an astute and interesting piece of theatre exploring issues that are unique to this place and time”

 

Succinctly drawing together the lives and problems of five Londoners, Gaps at the Katzpace Studio theatre leads us to explore the ins and outs of both dating and simply existing in the big city. Through swift glances into the lives and interactions of office workers, teachers and dentists we’re left with more questions than we started with, but also with a certain insight as to how life here in London can be approached.

This newly devised piece is built around moments of miscommunication. As conversations lapse into silence and words are left unsaid, there’s a certain undercurrent of melancholy. The relationships played out on stage go wrong in so many ways that it’s tempting to ask if they could ever have gone right. Through this lack of connection, characters write each other off as “weird” or a “psychopath”- in other words, different from themselves and therefore impossible to understand.

Part of the tragedy of this piece is that it holds a mirror very close to real life, and the reflection isn’t pretty. The fear and anger of a woman working in an office who is being sexually and socially harassed is one we see all too often both in the news and in our own lives. Seeing it played out on a virtually empty stage is a reminder of what we as a society so often choose to look past.

Despite this level of cynicism, there are moments which are unexpectedly funny. For example, Tim Larkfield’s mild mannered primary school teacher and Joanna Lord’s brash Australian dentist clash so horribly that there’s something comedic about it. Uncomfortable, but amusing nonetheless. Grace Venning’s simple but effective set design is built around a large black and white grid as a backdrop, with heavily pixelated footage of the underground projected at intervals. This worked well for the swift, episodic nature of the play, providing structure while blending in without distracting.

However, it may be worth questioning why, in an effort to show a cross section of dating life in London, only middle class, professional and heterosexual relationships were portrayed. If this play was missing anything, it was definitely short of a sense of the true diversity that London is home to. All in all though, this is small criticism. At its heart, Gaps is an astute and interesting piece of theatre exploring issues that are unique to this place and time.

 

Reviewed by Grace Patrick

Photography courtesy Woohoo Debbie

 


GAPS

Katzpace Studio Theatre until 2nd May

 

Related
At same venue
What the Feminist?! | ★★★★ | Katzpace Studio Theatre | April 2018

 

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Review of FCUK’D – 4 Stars

FCUK’D

FCUK’D

The Bunker

Reviewed – 13th December 2017

★★★★

“a mature and thought provoking reflection on the consequences of living in an economically beleaguered, run-down society”

 

People run away for different reasons, some serious and others trivial. What if the streets held the only option for you? Seventeen-year-old tracksuit clad Boy may have a lot of bravado, but in reality his world is crumbling. He lives in a decrepit council flat in Hull with his alcoholic mother and little brother Matty. It’s the lead up to Christmas and ‘the people in silver cars’, social services, are eager to split the inseparable brothers up and take Matty away.

The overall impression Niall Ransome’s poetic vernacular creates is of a helpless and vulnerable teenager yearning for something beyond. He hopes there is a world elsewhere. A world where he and his brother can live and be safe. Unsurprisingly, a pivotal point is when the authorities are stood on the other side of the bedroom door, attempting to separate the two. Will Mytum proves a wonderfully versatile actor, playing both boys whilst skilfully using verse in the rhythm of naturalistic dialogue. It’s here when a frantic Boy realises that although it might be a chance for his little brother to have a childhood in a happy home, he’s scared of losing him forever. Gripping his little brother’s hand, the two flee across fields and through towns, shoplifting food and ultimately stealing a car. These aren’t just juvenile pranks, they’re genuine acts of desperation.

Peter Wilson’s music thunders and vibrates a marked out playground with piles of autumn leaves, a streetlamp which often flickers and bathes Boy in its sodium light. Although no actual setting of a house, the few key pieces designer Grace Venning has cleverly chosen really make the stage feel like a housing estate. The piece is a mature and thought provoking reflection on the consequences of living in an economically beleaguered, run-down society. These problems don’t just go away at Christmas.

 

 

Reviewed by Chloe Cordell

Photography by Andreas Lambis

 

Read our interview with FCUK’D writer Niall Ransome here

 

FCUK'D

 

FCUK’D

is at The Bunker until 30th December

 

 

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