Tag Archives: Jack Studio Theatre

Sweet Like Chocolate Boy – 5 Stars

Sweet Like Chocolate Boy

Sweet Like Chocolate Boy

Jack Studio Theatre

Reviewed – 2nd November 2018

★★★★★

“combines interesting characters, a captivating storyline and engaging language with brilliantly realised, often hilarious interpretations”

 

The richness and complexity of Tristan Fynn-Aiduenu’s play, ‘Sweet Like Chocolate Boy’, and the artistry of this new production at the Jack Studio Theatre is hard to describe. Based on two boys who live in the same London borough in different eras, he breaks down stereotypes and, with true understanding of character, takes us into a world of merging lives, reality, fantasy and music which celebrates how the growth of Black British culture in the 90s has made it what it is today.

Mars is today’s youth. Street-wise, full of enthusiasm, imagination and confidence, he heads towards the girl of his dreams, only to be confronted by people who question his heart, head and vanity. Bounty is from the 90s. Quietly out of place in a politically electric climate, he wants and tries to be a part of the world he’s in. Andrew Umerah (Mars) and Michael Levi Fatogun (Bounty) give compelling performances, showing the strengths and vulnerabilities of their times – Bounty swept along by a powerful wave of Black identity, but unable to keep up and Mars living the strong cultural legacy of Bounty’s day, but struggling to find his own place. Fatogun also gives excellent portrayals as the policeman, ghost and, in particular, the frightening force of Fantasia’s dad as he challenges Mars’ feelings for his daughter. Umerah skilfully contrasts Mars with Bounty’s dad, Prophet (an American Black Panther type) and Bounty’s best friend, James, brought up to be the typical white racist of that time. Veronica Beatrice Lewis offers wonderfully colourful acting as the boisterous, self-assured Sandra who likes to tease Bounty’s meekness, the lovely, sincere Michele, Bounty’s first love and Fantasia, whose self-possessed nature Mars falls for.

Fynn-Aiduenu’s direction captures the vibrant energy of both today and the 90s with language, movement and music creating their own moments of drama and humour. As we enter the theatre, the DJ (Gabby Nimmo/Alice Fofana) presides and remains as a godly presence throughout. Sound (Shadé Joseph) and lighting (Bethany Gupwell) fit perfectly into the action, taking us slickly from one scene to another and the movement is ingeniously directed by Sean Graham while simple costumes (Tara Usher) effectively use minimal alterations and details to change persona.

‘Sweet Like Chocolate Boy’ combines interesting characters, a captivating storyline and engaging language with brilliantly realised, often hilarious interpretations, innovative staging and plenty of garage and jungle to create a uniquely descriptive and unforgettable experience.

 

Reviewed by Joanna Hetherington

Photography by Aaron Kelly

 


Sweet Like Chocolate Boy

Jack Studio Theatre until 17th November

 

Previously reviewed at this venue:
Fear and Misery of the Third Reich | ★★★ | January 2018
The Tempest | ★★★½ | February 2018
Stuffed | ★★★★ | March 2018
Three Sisters | ★★★★ | March 2018
The Golden F**king Years | ★★★ | April 2018
Kes | ★★★★★ | May 2018
The Night Alive | ★★★½ | May 2018
Stepping Out | ★★★ | June 2018
Back to Where | ★★★★ | July 2018
The White Rose | ★★★★ | July 2018
Hobson’s Choice | ★★★★ | September 2018
Dracula | ★★★½ | October 2018

 

Click here to see more of our latest reviews on thespyinthestalls.com

 

Dracula – 3.5 Stars

Dracula

Dracula

Jack Studio Theatre

Reviewed – 11th October 2018

★★★½

“it doesn’t always feel like the comedy is intentional”

 

Bram Stoker’s ‘Dracula’ is a classic horror text and Arrows & Traps Theatre present a lively and committed production of it just in time for Halloween. For those who don’t know the story, Count Dracula is a vampire who feeds off the blood of the living, a murderer and seducer who has just moved from Transylvania to London. He is pursuing Mina Murray, the fiancé of Jonathan Harker, a solicitor who has recently been to visit the Count and is now plagued with visions of terrible things. As time begins to run out, a small team led by Professor Van Helsing, must fight to stop him.

The set, designed by Francine Huin-Wah, works really well. Set over two levels, the theatre is covered in thick castle stone and hung with ropes. The multiple levels allow lots of scope for use of the staging which Ross McGregor, writer and director of the piece, uses for maximum effect. The interweaving narratives are placed alongside each other so that sinister characters lurk in corners of seemingly innocent scenes, foreshadowing what is to come.

The cast is consistently strong. Lucy Ioannou as Lucy, and Beatrice Vincent who plays Mina, are a strong and lively duo. Cornelia Baumann’s Renfield is both terrifying and moving in her performance. Christopher Tester’s Dracula is wonderfully classic, sexual and camp, dressed in the long black robes of the night.

The production does seem occasionally confused – part comic, farcical almost, part genuine horror. A particularly jarring moment of this involves a cover of ‘Toxic’ by Britney Spears. Jump scares are followed by comic moments then another jump scare, and it doesn’t always feel like the comedy is intentional. There is a tendency at points towards melodrama but in this context the result is rather a fun one.

This is undoubtedly an entertaining and engaging evening delivered by committed and genuine performances.

 

Reviewed by Amelia Brown

Photography by Davor Tovarlaza

 


Dracula

Jack Studio Theatre until 27th October

 

Previously reviewed at this venue:
Fear and Misery of the Third Reich | ★★★ | January 2018
The Tempest | ★★★½ | February 2018
Stuffed | ★★★★ | March 2018
Three Sisters | ★★★★ | March 2018
The Golden F**king Years | ★★★ | April 2018
Kes | ★★★★★ | May 2018
The Night Alive | ★★★½ | May 2018
Stepping Out | ★★★ | June 2018
Back to Where | ★★★★ | July 2018
The White Rose | ★★★★ | July 2018
Hobson’s Choice | ★★★★ | September 2018

 

Click here to see more of our latest reviews on thespyinthestalls.com