Tag Archives: Joanna Hetherington

Fairy Tales
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Lilian Baylis Studios

Fairy Tales

Fairy Tales

Lilian Baylis Studio

Reviewed – 27th June 2019

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“There is absolutely no need to consider Fairy Tales in a category of its own – it is fully-fledged dance by gifted dancers”

 

The power of the arts has always been a rich source of self-expression, enjoyment and emotional release; we can all discover an inner voice, hidden talents or absorbing satisfaction. As the younger sister of an autistic brother, Rashmi Becker realised, early in life, the benefits of dance for disabled people to improve communication, coordination and reduce anxiety. Passionate about dance herself, she lent immense support and energy to promoting inclusive activities before setting up Step Change Studios in 2018. This project gives everyone, regardless of age or ability, the opportunity to find pleasure and achievement in courses, workshops and developing performances that showcase the all-embracing possibilities of their work. After last year’s β€˜Strictly’-inspired β€˜Fusion’, Step Change has stretched both imagination and talent with their new show, β€˜Fairy Tales’. Born within a collection of popular tales from around the world, creatives and dancers conjure up a varied yet harmonious collage of narrative, characters and ambiences.

After a mood-setting welcome read by Chanaye Armorer Dumbuya-Johnson, whose mother is a cast member, we are swept into the secret fairyland of the twelve dancing princesses with the grace and charm of Adrienne Armorer, Abigail Brown, Clair Gleave, Laura Jones and Freya Spencer. And their spell continues to enchant, soothe and captivate. In solo numbers, Romano Solano’s exquisite fluidity of movement and Pawel KarpiΕ„ski’s bold command of the stage convey ideas of beauty and self-esteem from The Ugly Duckling and Anastasia’s nostalgic mood. Against a background of blue sky and white clouds, Laura Jones and Lauren Russell glide and float as free spirits while Rashmi Becker joins Romano Solano in a magical, sparkling take on Sleeping Beauty and Anna Alvarez creates and interprets a powerful and beautifully integrated duo with Sander Verbeek as they tell the Inca tale of β€˜The Skeleton Woman’.

Particularly moving is the sincerity of Clair Greave and Andrew Self’s care and affection as they glide and spin to Someone to Watch Over Me. Adding a nightmarish note, Pawel KarpiΕ„ski, Joshua Moore, Romano Solano and Sander Verbeek show physical versatility and artistic flair in a dynamic Red Riding Hood and it is impossible to resist the foot-tapping fun and energy as Kat Ball, Abigail Brown, Natasha Julien and Freya Spencer take to the floor to bring The Red Shoes to life. Closing the evening, Lauren Russell blends with the skilful elegance of classical Indian Kuchipudi dancers, Pragnya Dara, Arunima Kumar, Bhagya Lakshmi and Sravani Vootukur in a celebration of Vishnu and his tale of renewal and hope.

There is absolutely no need to consider Fairy Tales in a category of its own – it is fully-fledged dance by gifted dancers. The cleverly picked story fragments matched with perfectly-chosen music, the sensitive choreography and artistic expertise combine to shine in an entertainment which stirs a flood of emotions.

 

Reviewed by Joanna Hetherington

 


Fairy Tales

Lilian Baylis Studio

 

Previously reviewed at this venue:
Dystopian Dream | β˜…β˜…β˜…β˜…β˜… | November 2018
Layla and Majnun | β˜…β˜…β˜…Β½ | November 2018
Tom | β˜…β˜…β˜…β˜… | November 2018
Swan Lake | β˜…β˜…β˜…β˜…β˜… | December 2018
Bon Voyage, Bob | β˜…β˜…Β½ | February 2019
The Thread | β˜…β˜…Β½ | March 2019
Mitten Wir Im Leben Sind/Bach6Cellosuiten | β˜…β˜…β˜…β˜…β˜… | April 2019
Rite Of Spring | β˜…β˜…β˜…β˜…β˜… | May 2019
Constellations | β˜…β˜… | June 2019
Elixir Extracts Festival: Company Of Elders | β˜…β˜…β˜…β˜…β˜… | June 2019

 

Click here to see more of our latest reviews on thespyinthestalls.com

 

Twelfth Night
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Bridge House Theatre

Twelfth Night

Twelfth Night

Bridge House Theatre

Reviewed – 19th July 2019

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“the huge amount of thought, work, imagination and versatility makes this Twelfth Night an enjoyable evening of love, laughter and, of course, cross-dressing”

 

Joining recent updated versions of Shakespearean favourites, Bridge House Productions presents a bright and spirited Twelfth Night with a colourful crowd of characters, plenty of music and lashings of vitality. Without any specific resetting, director, Guy Retallack, designs each role to become a modern and, in some cases, unusual conception of the original, bringing a refreshing take on the familiar script. As the audience sits around the shore of Illyria – a discreetly tasteful set by Natalie Johnson – five talented actors multitask, changing accents and costumes to create an array of distinctive personalities to tell this tale of love with energy, commitment and skill.

The lighting (Richard Williamson) and sound (Phil Lee) both fill the small theatre space with atmosphere but unlike other recent productions – Othello in the British Raj, the digital Facebook world of Much Ado, pre-war 1920s Midsummer Night’s Dream – Guy Retallack’s adaptation lacks a focal point in time or place for the cast to work around and identify with; without it, the performance doesn’t quite gel. The direction concentrates on a group of interesting and innovative individuals with a bond in certain relationships such as Sir Toby and Sir Andrew, but missing in others, importantly between Orsino and Viola. There are moments, for example Malvolio’s letter-reading, where a feeling of ensemble comes from some superb choreography by Paul Harris, but the denouement in the second half slackens without the natural integration of the characters to spark each other off.

Already a complexity of hidden identities, the doubling up by the company adds another layer to the melange. We discover their various qualities and facets, stretched to envelop the many contrasting portrayals. Eve Niker slips deftly into Viola’s disguise as Cesario and then switches to a wonderful, twinklingly Irish Maria. As Orsino and Malvolio, George Maguire steps from sleek American to pinched English, perhaps blending slightly towards the end, while, as well as enhancing the show with his live music, Ben Woods plays a diverse selection of parts, notably a hippie Feste and nit-witted Sir Andrew. Fayez Bakhsh (Sir Toby) and Miriam Grace Edwards (Olivia) both find an approach which sheds new light on clichΓ©d interpretations and we hear Shakespeare’s lines with fresh voices

At almost three hours, it is a substantial rendering of this comedy. Nonetheless, the huge amount of thought, work, imagination and versatility makes this Twelfth Night an enjoyable evening of love, laughter and, of course, cross-dressing.

 

Reviewed by Joanna Hetherington

Photography courtesy Bridge House Productions

 


Twelfth Night

Bridge House Theatre until 16th July

 

Previously reviewed at this venue:
Plaid Tidings | β˜…β˜…β˜… | December 2018

 

Click here to see more of our latest reviews on thespyinthestalls.com