Tag Archives: Katre

Life And Death Of A Journalist

★★★

VAULT Festival 2020

ReviewsAnna Reddyhoff, Harry Blake, Jingan Young, Katre, Life And Death Of A Journalist, Lucy Roslyn, Max Lindsay, Melissa Woodbridge, Pokfulam Rd Productions, Robert Bradley, VAULT Festival 2020thespyinthestalls

Life And Death Of A Journalist

Cage – The Vaults

Reviewed – 29th February 2020

★★★

“a play that could be extremely good, but is currently only good in parts”

Life and Death of a Journalist centres on Laura, a journalist who has just returned to London from covering the Hong Kong riots. There is an important story to tell here, a story of one woman’s struggle to tell the truth in the face of immense pressure, of whether it’s right to compromise sometimes, in the hope of getting what you want and for the greater good, and the story of what’s been happening in Hong Kong recently. Laura is played by Lucy Roslyn, with engaging strength and conviction. She is a magnetic actor, immediately charming the audience and holding this sometimes creaky play together.

Melissa Woodbridge plays Vicky, the editor of an independent paper who offers Laura a job, promising her freedom to write about what she believes in. She is professional, spiky and manipulative, but also warm and attractive, as she gets what she wants from Laura and from her own career. But has Laura been right to trust her?

The other pull on Laura is her boyfriend Mark. Robert Bradley is relatable and rather sweet in the role, but sometimes hampered by clunky dialogue. Who asks their girlfriend, in the heat of a row, where they see their relationship in five year’s time? It sounded like a belligerent job interview, not a relationship.

So there is the narrative of Laura’s determination to be an honest journalist and fight for justice in Hong Kong, a place she loves, and the narrative of her relationship issues. At times this works really well, and Laura’s conflict between these two parts of her life escalates nicely. But the writing doesn’t always help. Much of it is good, but some moments jar. On hearing that Mark’s father has died Laura’s response is ‘let’s get married. let’s have kids.’ It’s out of the blue, off piste and unbelievable. At times it feels like a lecture too, as though the writer, Jingan Young, is using her characters as a mouthpiece, rather than allowing points to be made organically, through credible natural dialogue and action.

Harry Blake’s sound, and lighting by Anna Reddyhoff, work well with the set. Some upended chairs, a couple of barricades and protest posters effectively evoke the riots and become the newspaper office, the streets of Hong Kong, a bar and Laura and Mark’s home.

This is a play that could be extremely good, but is currently only good in parts. Max Lindsay’s direction is not quite consistent, and the ending is just odd. I hope it gets a bit of a rewrite, because it’s full of potential.

Reviewed by Katre

Click here to see all our reviews from VAULT Festival 2020

Killing It

★★★★

VAULT Festival 2020

ReviewsAmeena Hamid Productions Ltd, Anna Reid, Ant Doran, Doña Croll, Janet Henfrey, Josephine Starte, Julian Starr, Katre, Killing It, Lily McLeish, VAULT Festival 2020thespyinthestalls

Killing It

Network Theatre

Reviewed – 25th February 2020

★★★★

“you wouldn’t expect a play about dealing with grief to be funny, but this one is”

Sometimes dark comedy can come from pain, as a way of coping, as catharsis or simply as something that happens. Writer Josephine Starte says: “Then a close friend died suddenly and depression turned into layers of grief: hysteria, disbelief, panic, despondency. Being this heartbroken seemed like something that could easily ruin my life, and my impulse was to write about it, to take back a little control.”

And Killing It is the result. Three women try to cope with the loss of a loved one in different ways, doing what works for them, or trying to. They support each other, not always understanding, but wanting all of them to find a way of being that works. The girlfriend, Molly, played by Starte, has turned her grief into a standup act, much as in real life she has fuelled this fine piece of writing. Molly is funny, warm and likeable, sometimes stepping out to share her thoughts with the audience; pieces from her show. Doña Crol is the mother, channeling her energy into making YouTube videos about flower arranging, and the grandmother is the fabulous Janet Henfrey, full of mischief and plotting to assassinate the president. Three ages of women, three different ways of coping. There is strength, vulnerability, laughter and weeping on stage, and plenty of laughter and a few tears from the audience too. Director Lily McLeish’s decision to have three sections of stage, each inhabited by one woman, gives a sense of their aloneness, a place they return too after being with each other. Anna Reid’s set frames these three areas, creating believable environments that complement the characters of the women and their interactions, helped by Anthony Doran’s lighting and Julian Starr’s sound.

Perhaps you wouldn’t expect a play about dealing with grief to be funny, but this one is. It’s also full of feeling and warmth. It was a pleasure to see two older women on stage, especially Henfrey, who is in her eighties, and refreshing that a young woman can write so well for older characters.

Reviewed by Katre

Click here to see all our reviews from VAULT Festival 2020