Tag Archives: King’s Head Theatre

The Crown Dual
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King’s Head Theatre

The Crown Dual

The Crown Dual

King’s Head Theatre

Reviewed – 14th March 2019

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“Clarkson’s script lives up to the challenge, hilariously capturing the essence of the blockbuster series”

 

I must admit that I’m a huge fan of The Crown, and was beyond eager to attend The Kings Head Theatre to watch the new comedy based on the popular series. With season three of The Crown soon approaching, there couldn’t have been a better opportunity for Daniel Clarkson (playwright) and Owen Lewis (director) to present their ambitious production of The Crown Dual. The production promised to condense twenty episodes worth of royal content into a seventy-minute production, cleverly reimagining the story of how Elizabeth Windsor became Queen Elizabeth II. Fortunately, Clarkson’s script lives up to the challenge, hilariously capturing the essence of the blockbuster series by adding a humorous twist to the characters we’ve grown to know so well.

The story centres on Beth Buckingham (played by Rosie Holt), an aspiring actress and avid despiser of Claire Foy, who with the help of Stanley Diamond (Brendan Murphy) her idiotic agent, gets the opportunity to prove her rightful role as Elizabeth in the popular Netflix series. The two actors juggle the characters of the series perfectly, with Stanley playing every character imaginable, including Winston Churchill, Princess Margaret, Prince Philip, Peter Townsend and even the Queen’s favoured corgis. The show should be praised for its comedy value from the start, as the actors hilariously create the opening scene of The Crown. We watch as Beth prances around the stage, dressed in a black costume, twiddling green ribbons and flailing around to the haunting orchestral tune. Stanley interrupts Beth’s performance by holding a β€˜skip’ sign, (an option that appears on Netflix) to an eagerly awaiting audience member who complies, therefore cutting Beth’s performance short and sending us all into fits of laughter.

The writing is meticulous in its attention to detail and appreciation of the well-known characters. In particular, Stanley’s portrayal of Winston Churchill was just brilliant. We watched as he amplified the characters mannerisms by laboriously travelling across the stage, dragging repetitively on his cigar and screaming about sticking to tradition and not breaking protocol in their meetings. This same appreciation should be given to both Beth and Stanley for recreating Princess Margaret’s character by reimagining scenes of her writing in her diary with a cigarette and drink in hand. We see Princess Margaret persistently slurping on her drink, declaring through every reading, β€˜I’m drunk again.’

The actors really honed in on the series presentation of the Royal family, exaggerating certain characteristics and playing them to perfect comedy value. They persisted to break the fourth wall, calling upon lucky audience members to assist with different scenes from the TV show. There is often a tendency for audience participation to become quite awkward, but luckily that wasn’t the case.

The lighting (Robbie Butler) and sound (James Nicholson)Β complemented the performance perfectly, as did the simple yet effective costume design (Lee Newby).Β Although slightly mad, and at times a bit slow between scene transitions, this is a comedy that stands well on its own and will definitely also get you excited for the new series of The Crown.

 

Reviewed by Maddie Stephenson

Photography by Geraint Lewis

 


The Crown Dual

King’s Head Theatre until 7th April

 

Last ten shows reviewed at this venue:
La Traviata | β˜…β˜…β˜…β˜… | October 2018
No Leaves on my Precious Self | β˜…β˜… | October 2018
Beauty and the Beast: A Musical Parody | β˜…β˜…β˜…β˜…β˜… | November 2018
Brexit | β˜…β˜…β˜…β˜…β˜… | November 2018
Buttons: A Cinderella Story | β˜…β˜…β˜…β˜… | November 2018
Momma Golda | β˜…β˜…β˜… | November 2018
The Crumple Zone | β˜…β˜… | November 2018
Outlying Islands | β˜…β˜…β˜…β˜… | January 2019
Carmen | β˜…β˜…β˜…β˜… | February 2019
Timpson: The Musical | β˜…β˜…β˜… | February 2019

 

Click here to see more of our latest reviews on thespyinthestalls.com

 

Vulvarine

VULVARINE

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VAULT Festival 2019

Vulvarine

Vulvarine

The Vaults

Reviewed – 14th March 2019

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“It’s a rare treat to find musical comedies on the fringe circuit that are as technically good as they are funny”

 

Nothing ever happens in High Wycombe. Bryony Buckle spends her days living alone with her cat Elton, working a monotonous office job with her friend Poppy, and crushing on her colleague Orson. But one day, the combination of a hormone injection from her doctor, and being struck by lightning on her way home, results in Bryony waking up with superpowers! She decides to use them for good: Wherever men are arseholes, Vulvarine is there to stop them. But it isn’t long before she’s challenged by an evil scientist: The Mansplainer. Can Vulvarine and her friends defeat him?

Fat Rascal Theatre continue to set the bar for off-West End musicals. I was lucky enough to catch their Beauty and the Beast: A Musical Parody back in November at The King’s Head, and arrived at VAULT Festival last night with impossibly high expectations. Their Beauty and the Beast was the most fun I’d had at a show in ages; it was a question whether they’d be able to match their own standard. But without doubt, Fat Rascal have done it again. Vulvarine is a triumph of musical theatre.

A powerhouse of a show, Vulvarine is an astoundingly clever and absolutely hilarious musical parody of the superhero genre. It’s also feminism at its silliest and most entertaining. West-End voices belt out smart, witty lyrics (Robyn Grant, Daniel Elliot) to fun, highly accomplished music (James Ringer-Beck). The performers are superb. Their comedy is faultless, their parody expert.

Self-aware humour is one of Fat Rascal’s own superpowers. With a somewhat lower budget than the typical Marvel film, they create a brilliantly funny aesthetic with cheap wigs, comically fast costume changes, flimsy props, and total mockery of β€˜effects’ (a handheld vacuum in reverse is the wind as Vulvarine β€˜flies through the air’). The show is laugh-out-loud from start to finish. The audience really almost never stops laughing. There ought to be a warning for anyone prone to hysterical fits; some people lost it completely.

Allie Munro is equally lovable and fierce as Bryony/Vulvarine. Jamie Mawson is delightful as the β€˜pretty’ love interest, Orson (a nice gender swap from typical Marvel plotlines). Steffan Rizzi is great as Sonya, and sings a particularly powerful solo – β€œBoys Will Be Boys” – which is done with surprising heart and skill. Robyn Grant and Katie Wells slay their multi-rolling performances. All of the voices in this show belong on much larger stages. It’s a rare treat to find musical comedies on the fringe circuit that are as technically good as they are funny.

Fat Rascal Theatre are at the top of their game. An undeniable hit, Vulvarine is the latest addition to their list of victories. The show is shamelessly silly fun, created by powerfully talented people. You’ll be hard-pressed to spend a more enjoyable hour and fifteen minutes in a theatre.

 

Reviewed by Addison Waite

Photography courtesy Fat Rascal Theatre

 

Vault Festival 2019

Vulvarine

Part of VAULT Festival 2019

 

Also by Fat Rascal Theatre:
Beauty and the Beast: A Musical Parody | β˜…β˜…β˜…β˜…β˜… | King’s Head Theatre | November 2018

 

Click here to see more of our latest reviews on thespyinthestalls.com