Tag Archives: Larissa Pinkham

The Break-up Autopsy – 4 Stars

The Break-up Autopsy

The Break-up Autopsy

Etcetera Theatre

Reviewed – 30th October 2018


“delivered on its promise of an hour of black comedy”


The Break-up Autopsy opens slap bang in the middle of a very messy situation. Dee (Larissa Pinkham), is sat by a window throwing book after book out onto the street. One of her legs is dangling over the frame, marinara has spilt across the front of her dress and she is howling as if her life depended on it. Steven Jeram’s character Alex stands by helplessly, shirt adorned with the same red stains, while Yasmin (Anna Christian) and Jake (Hraban Luyat), look in from the outside.

The play dissects the relationship of Dee and Alex. From meet-cute to present day, Alex’s step-sister Yasmin and Dee’s best-friend Jake force the couple to confront their dysfunctional history and show them the many times they could have broken up in a less dramatic fashion. However, how the characters related to each other is a point which was not clear to me until we were already half-way through. I thought the scene was set beautifully and I very quickly picked up on the personalities of all involved, I particularly enjoyed Anna Christian’s portrayal of motherly exasperation and the way Steven Jeram wove Alex’s dangerously manipulative nice guy net, but I ached for a bit of background information. For a long time, I had the four down as being old friends from school or university.

A little more about the characters would have also made for an easier ending. Which, without wanting to give anything away, felt like a struggle to tie everyone into the relationship. A valiant effort, but too late to give it a lasting impact.

The Break-Up Autopsy delivered on its promise of an hour of black comedy. I commend it more, however, for the sharp changes from one scene unfolding to a documentary style play-by-play of the couples’ best moves; a feat which could not have been pulled off without the cast’s impeccable timing and quick shifts of energy in their performance.

The production was a definite mood changer, worthy of every laugh and the applause it received.


Reviewed by Alexandra Wilbraham


The Break-up Autopsy

Etcetera Theatre until 4th November


Previously reviewed at this venue:
Find Your way Home | ★★★★ | February 2018
A Woman’s World / Monster of State | ★★½ | April 2018
Hello Georgie, Goodbye Best | ★★ | April 2018
Ophelia | ★★★ | May 2018
Saphira | ★★½ | May 2018
Keep Calm I’m Only Diabetic | ★★★ | June 2018
To the Moon… and Back… and Back… | ★★★ | August 2018
Too Young to Stay in | ★★★ | August 2018
Your Molotov Kisses | ★★★★ | August 2018
Bully | ★★★★ | September 2018
Little by Little | ★★ | September 2018


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Review of A Womb of One’s Own – 3 Stars


A Womb of One’s Own

The Space

Reviewed – 16th August 2017





“Carla Garratt shone throughout”



This fresh-faced company of actors, straight out of the National Youth Theatre are a marvellous inspiration for aspiring actors and women.


A Womb of One’s Own is a new piece of writing (Claire Rammelkamp) that will attract a young audience with its themes of coming of age, sex and sexuality, and abortion. Plugging key facts such as ‘1 in 3 women in the UK have abortions’, and asking questions like ‘Where are all the abortion clinics?’ and ‘Why isn’t anyone talking about this?’, the writing touches on some challenging topics with enthusiastic actors showing us how young women’s sexual health can be side-lined by society.

The writing did ebb and flow in places, and a few misplaced moments of comedy and awkwardness sometimes made for an unsure audience.

Nerves did appear to get the better of a couple of this youthful bunch, and a few lines were lost to over enthusiasm and a quick pace, but Carla Garratt shone throughout and gave the most consistent performance.


The venue (The Space on the Isle of Dogs) is an intimate one and the bubbly cafe attached gave it some good vibes which were fitting for the piece. The lighting and set (Olivia Early) were basic yet effective.

Overall a great production with a few hiccups owing to nerves and writing. At 60 minutes it was a fast paced piece in which a little too much was packed in a little too tightly. Overall 3 stars for these up and coming artists.


Reviewed by Lucy Marsh



is at The Space until 19th August



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