Tag Archives: Lion and Unicorn Theatre

Mama G’s Story Time Roadshow
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Lion & Unicorn Theatre

Mama G’s Story Time Roadshow

Mama G’s Story Time Roadshow

Lion & Unicorn Theatre

Reviewed – 21st May 2019

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“Mama G is the perfect host for these charming stories. She is sensationally endearing, sparkly and witty.”

 

As soon as Mama G burst onto the stage to the sound of RuPaul’s β€œCall me Mother” – or in this case β€œCall me Mama”, the adult members of the audience were immediately on board with where the evening’s proceedings were likely to be headed.

Mama G’s Story Time Roadshow (ably directed by AmΓ©eΒ Smith and produced by Petite Pantos) is what I would imagine Jackanory Live! might be – if Jackanory had ever had a Pantomime Dame telling stories about Bette Midler songs and having a job in a second hand furniture store. There is a comfortable looking chair and a full bookcase, but no time for sitting down during this story time.

Mama G has been telling stories to children and their families since 2018, and now through the Road Show to anybody who would care to listen. The narration is very much a physical performance and the animated delivery makes it all the more captivating. All of the original stories are written by Robert Pearce, who is the Diana Prince to Mama G’s Wonder Woman – you will never see them both in the same room at the same time.

It is not simple to deliver a performance that has the young ones and the adults equally in stitches, as most of the jokes go whooshing overhead, but Mama G manages it impeccably. The show is filled with sparkling stories of love and inclusion about being who you are, loving who you want and learning never to be afraid of that – no matter what others may think. It uses the traditional art of storytelling to introduce children to the world that you want them to grow up in – a world filled with acceptance, empathy – and a bit of twerking.

Mama G is the perfect host for these charming stories. She is sensationally endearing, sparkly and witty. The show is perfectly suited for all audiences and we as a family adored it. Now – Everybody say Love!

 

Reviewed by Emma Gradwell

Photography courtesy Petite Pantos

 

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Mama G’s Story Time Roadshow

Lion & Unicorn Theatre until 26th May

 

Last ten shows reviewed at this venue:
Feel | β˜…β˜…β˜…β˜…β˜… | March 2018
Feel/More | β˜…β˜…β˜…β˜… | March 2018
The Seagull | β˜…β˜…Β½ | June 2018
How to Make me Happy | β˜…β˜…β˜…β˜…β˜… | July 2018
Hummingbird | β˜…β˜…β˜… | August 2018
In the Wake of | β˜…β˜…β˜… | August 2018
The German Girls | β˜…β˜…β˜… | August 2018
The Cut | β˜…β˜… | November 2018
BackPAGE | β˜…β˜…Β½ | February 2019
Like You Hate Me | β˜…β˜…β˜… | April 2019

 

Click here to see more of our latest reviews on thespyinthestalls.com

 

Like You Hate Me
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Lion & Unicorn Theatre

Like You Hate Me

Like You Hate Me

Lion & Unicorn Theatre

Reviewed – 25th April 2019

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“Tom Lodge’s writing is exciting, vibrant and explores a subject that everyone can connect with”

 

Within the small but adequate space of the Lion & Unicorn Theatre Like You Hate Me takes a seemingly simplistic approach in representing love and loss. The play sees two characters performed by Acushla-Tara Kupe and Aimee Kember who show us a relationship starting, growing, evolving and finally ending. Through the erratic short scenes, we are shown two people who meet at a party where they β€œhit it off”. Moving along their relationship’s timeline without an obvious pattern we see snippets from their lives together from drunken mishaps to choosing your favourite Quality Street. This allows us to get a broader sense of the relationship on the surface but sometimes feel that we are left short in certain areas where we wish we could delve deeper. Whereas this is not the main issue with the performance it does stop you from fully investing in the relationship being shown to you.

Clearly the writer Tom Lodge has talent but as the play progresses and you laugh along, you realise that most of the writing is geared towards small quick laughs and where at first this allows you to relax into the show, after a while you start to find it tedious. The comedy element to the performance starts to feel like it is hindering the subject matter being explored, stopping the audience connecting with the characters on a deeper level. In some instances, it seems that certain lines shouldn’t have landed comedically but due to how they were delivered left the audience with no option but to laugh. I think that this would be different depending on directorial decisions, allowing the characters to deliver the quite brilliant script to the audience.

The acting ability of the two young actresses shadows everything else about the play, they allow us in with their genuine and heartfelt performances. We believe that these two people are going through life and experiencing things that we all have been through or will do very soon. As good as the acting is in this production there are some problems with the direction (Jess Barton) especially in scene transitions. These are stylised in low light with choreographed movements that take us out of the world they have created for us. I wanted the performance to stay on its realistic and relatable level that it sets within every scene, but the transitions take us out of the story and remind us that we are just watching a play.

Tom Lodge’s writing is exciting, vibrant and explores a subject that everyone can connect with. This, teamed with the fantastic performances of Acushla-Tara Kupe and Aimee Kember mean you really are in for a treat. Clearly this show does have a few issues, on the surface these seem to be with the directing aspects of the production, with a few minor changes it could match the high level of writing and acting.

 

Reviewed by Laurie Wilson

Photography courtesy Fight or Flight ProductionsΒ 

 


Like You Hate Me

Lion & Unicorn Theatre until 4th May

 

Previously reviewed at this venue:
Feel | β˜…β˜…β˜…β˜…β˜… | March 2018
Feel/More | β˜…β˜…β˜…β˜… | March 2018
The Seagull | β˜…β˜…Β½ | June 2018
How to Make me Happy | β˜…β˜…β˜…β˜…β˜… | July 2018
Hummingbird | β˜…β˜…β˜… | August 2018
In the Wake of | β˜…β˜…β˜… | August 2018
The German Girls | β˜…β˜…β˜… | August 2018
The Cut | β˜…β˜… | November 2018
BackPAGE | β˜…β˜…Β½ | February 2019

 

Click here to see more of our latest reviews on thespyinthestalls.com