Tag Archives: London Horror Festival 2021

Lights Out

Lights Out

★★★★

Pleasance Theatre

Lights Out

Lights Out

Pleasance Theatre

Reviewed – 24th October 2021

★★★★

 

“Lights Out is thrillingly unconventional, sits in a sweet spot of tension and comedy”

 

It’s that time of the year again: London Horror Festival is in full swing, providing all manner of uneasiness to get you feeling spooky for Halloween. The festival often does a great job of making space for quirkier, off-beat shows, and Lights Out proves that this year is no different, with this fantastic role-playing stage seance from Merely Roleplayers and Blackshaw Theatre Company.

Moving from their regular podcast format to the Pleasance Theatre, the Merely Roleplayers ensemble (consisting of Natalie Winter, Alexander Pankhurst, Helen Stratton, and Richard Stratton, with Matt Boothman hosting) take on the characters of the Blackout Four – a group of Londoners who (apparently) went mysteriously missing on the Northern Line in 2017. Under eerie candlelight, they try to recreate the events of that night to discern what happened, improvising their way through a story whose outcomes are dictated by tarot cards.

If you’ve ever played Dungeons and Dragons or any similar sort of role-playing game, the rules will feel familiar. The actors describe what their characters do and perform any dialogue they might have, while the host keeps things running smoothly and dictates what’s happening in the world. When an actor chooses to do something that will irrevocably affect the story, the suit of the tarot card they draw decides whether the outcome will be hopeful or sinister. There’s a bit more nuance to it than that, but the rules are easy to follow during the show. It’s a great device for keeping the proceedings spontaneous and engaging, with the actors having to make some very difficult spur-of-the-moment decisions.

Thankfully, the cast are all very much up to the task – Winters in particular does an excellent job as the emotional core of the group, encouraging characters who start off very comedic, such as Richard Stratton’s narcissistic journalist, to open up and reveal more complex shades of their personality. Boothman is also stellar as the host, ensuring the pace of the story never drops, and painting some striking images with his narration.

Considering the whole show is consisted of five people speaking from behind a table, it carries a lot of flair – the use of candles provides a suitably spooky atmosphere, and the team’s dynamic and confidence enraptures you in their narrative. Lights Out is thrillingly unconventional, sits in a sweet spot of tension and comedy, and is absolutely worth your time this Halloween.

 

Reviewed by Ethan Doyle

 


Lights Out

Pleasance Theatre as part of London Horror Festival 2021

 

Previously reviewed at this venue this year:
Express G&S | ★★★★ | June 2021
Ginger Johnson & Pals | ★★★★ | June 2021
Godot is a Woman | ★★★½ | June 2021
Catching Comets | ★★★★ | September 2021

 

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One Man Poe

One Man Poe

★★★

The Space

One Man Poe

One Man Poe

The Space

Reviewed – 19th October 2021

★★★

 

“One Man Poe’s strong points are definitely the sounds—not just Smith’s flexible voice skills, but also Joseph Furey’s music and sound design”

 

The London Horror Festival is once again bringing chills and thrills across the metropolitan area, even if the pandemic means a pared down festival this year. One Man Poe, performed by Stephen Smith at the suitably spooky Space in London’s East End, is one of several offerings for the 2021 Halloween season. It’s hard to find a writer more accomplished in the horror genre than Edgar Allan Poe—and there’s a reason why this American nineteenth century writer is still widely read and enjoyed today, despite the archaic language, and the dictionary workout his words will give you. Based on three of Poe’s best known stories, and one very well known poem, One Man Poe is a no-brainer of a choice for the Festival by Smith and the Threedumb Theatre Company.

Nevertheless, One Man Poe is a bit of a misnomer. This piece, clocking in at one hundred and forty minutes (including the interval) is not so much a play, as a staged performance of Poe’s stories by Smith. And while Smith’s is the only voice on stage throughout the show, he is not always the only person there. Assisted by Jack Hesketh as a doctor in one story, and as a policeman in another, Smith performs The Tell-Tale Heart; The Pit and the Pendulum, and The Black Cat. The Raven, Poe’s signature poem, is the final piece that sets the seal on an evening of blood chilling revelations.

Smith does have a great voice for these kind of stories, and his presentation is appropriate, if verging on the melodramatic. But then, the Victorians did appreciate a good melodrama. Smith’s diction is clear and measured, allowing the audience to relish Poe’s language. It’s overkill, then, to project the words on the back of the stage, above the actor’s head, for the whole performance. It is a distraction the audience could do without, and dispensing with them might also allow the lighting designer (Eddie Stephens) to shine a bit more light on the proceedings on stage without obscuring the text on the wall. One Man Poe’s strong points are definitely the sounds—not just Smith’s flexible voice skills, but also Joseph Furey’s music and sound design. Kudos also to dramaturgs Amber Buttery, Amy Roberts, Jonah York and Rebecca Phythian for the thoughtful support and programme notes. But the overall effect of One Man Poe is to make one wonder if the show would not be more powerful if enjoyed at home with the lights off and the amplifiers on.

Fortunately for us, there is one livestream performance on offer, and perhaps there will be more. One Man Poe will be livestreamed on October 21st. Just the ticket for a horrifying evening at home with the family. Or, for the truly brave among you, alone.

 

Reviewed by Dominica Plummer

Photography by Alya Sayer

 

 

One Man Poe

The Space until 23rd October as part of London Horror Festival 2021

 

More shows reviewed this month:
Dumbledore Is So Gay | ★★½ | Online | October 2021
Back To The Future | ★★★★ | Adelphi Theatre | October 2021
Roots | ★★★★★ | Wilton’s Music Hall | October 2021
The Witchfinder’s Sister | ★★★ | Queen’s Theatre Hornchurch | October 2021
Rice | ★★★★ | Orange Tree Theatre | October 2021
The Cherry Orchard | ★★★★ | Theatre Royal Windsor | October 2021
Love And Other Acts Of Violence | ★★★★ | Donmar Warehouse | October 2021
Yellowfin | ★★★★ | Southwark Playhouse | October 2021
Brief Encounter | ★★★ | Watermill Theatre Newbury | October 2021

 

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