Tag Archives: Lucy Bennett

Check-in/Check-out
★★★

VAULT Festival

Check-in/Check-out

Check-in/Check-out

The Vaults

Reviewed – 6th March 2019

★★★

 

“the space was filled with song, dance and moments of physical theatre which at times lost focus and appeared to lose momentum”

 

Outside Edge Theatre Company showcased their offering Check-in/Check-Out as part of this year’s VAULT Festival. Entering into the Brick Hall to the bass of loud dance music playing overhead, you first meet the six individuals who welcome you to an Alcoholics/Narcotics Anonymous meeting, like you’ve never seen before. The company, all performers in recovery, collaboratively devised the piece which appears to be inspired by the mantra “from personal journeys of chaos come authentic stories of recovery”, which features across their flyer. As they each introduce themselves, the rules of the meeting are outlined and from this point on anything goes as we are transported through the turbulent years they each faced, whilst on their journey towards sobriety.

The array of performers highlighted one thing: addiction doesn’t discriminate. To see individuals on stage that felt strikingly ‘familiar’ to friends and family drummed in the message that it can happen to anyone. As they delivered their accounts of sexual abuse, drink driving and theft, it often teetered on the borderline of humorous yet uncomfortable. A dark comedic undertone bubbled away throughout where heavy topics were discussed in a frank and deadpan fashion. The audience were often caught mid laugh as light-hearted lines were swiftly followed with cold hard accounts of addiction. The vulnerability of each individual standing up to recall their darkest moments is something to be greatly respected. The power of art as a means of therapy is clearly evident here as we watch the performers physically draw the damage they have done to their bodies to then wipe it all away; symbolic of their twelve-steps to recovery.

The set (Robson Barreto) was simple yet more dynamic than first anticipated. Various stacks of plastic chairs were moved and restacked throughout creating new spaces for stories to be explored by the performers. A hybrid version of verbatim and documentary style theatre, the space was filled with song, dance and moments of physical theatre which at times lost focus and appeared to lose momentum. Authentic, unpolished and a little rough around the edges, it was an eclectic mix of storytelling co-facilitated by Matt Steinberg and Christopher Holt, which laid bare the various roots to recovery in a very human way.

As the performance drew to a close, in walks Lauren who introduces herself as an addict, the newest arrival to the group. A cold reminder that as one person makes it to recovery someone else’s twelve-step journey is just about to begin. Despite this nod to the ongoing battle faced by many others, Check-In/Check-Out is a show of hope, sharing the success of one very mixed group of individuals; who despite their setbacks are ready to share their honest accounts of how they turned their lives around.

 

Reviewed by Lucy Bennett

Photography courtesy Outside Edge Theatre

 

Vault Festival 2019

Check-in/Check-out

Part of VAULT Festival 2019

 

 

 

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My Brother's Keeper

My Brother’s Keeper
★★★★

Playground Theatre

My Brother's Keeper

My Brother’s Keeper?

The Playground Theatre

Reviewed – 28th February 2019

★★★★

 

“Splashes of dark humour feature throughout adding to the emotional roller-coaster of this insightful and complex piece” 

 

My Brother’s Keeper? first debuted in 1985 at the Greenwich Theatre. Over three decades later, it is now inviting audiences in at The Playground Theatre. Underneath the low hanging fluorescent lights, we observe a family at its most vulnerable. They have been brought together in a hospital ward (realistically represented by Victoria Spewing’s design) and are at their Father’s bedside, dealing with the impact of his recent stroke. Brothers Sam and Tony are forced to confront their past, accept the present and find hope for the future. Can they navigate their way to reconciliation before it’s too late?

The play is a triumph from Nigel Williams whose writing stands the test of time proving to be just as relevant now, with references to feminism, politics and the continuous constraints faced by the NHS. The exploration of the characters encapsulated the turbulence of family dynamics providing the audience with a truly ‘fly on the wall’ experience. Splashes of dark humour feature throughout adding to the emotional roller-coaster of this insightful and complex piece of writing exploring love, conflict, and acceptance.

To capture such a ‘classic’ middle-class family dynamic, the casting had to be just right and it was. David Partridge and Josh Taylor were a wonderful pairing to demonstrate the strained relationship between two brothers who have very different outlooks on life; a chalk and cheese combination throughout that provided a continuous momentum. Kathryn Pogson made a very endearing Mrs Stone who despite her gentle approach showed much vigour in her battle to bring her family together. So ‘real’ were the characters on stage, that I couldn’t help but empathise with their circumstances, finding myself catching glimpses of my own life. One must, therefore, applaud Craig Gilbert’s direction as the whole piece felt seamless in its journey, subtle in its approach while still packing a punch. The combination of writing and acting is a wonderful partnership reminding us just how precious life is.

 

Reviewed by Lucy Bennett

Photography by Bertie Beor Roberts

 

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My Brother’s Keeper?

The Playground Theatre until 23rd March

 

Previously reviewed at this venue:
Fanatical – the Musical | ★★★ | November 2018
Sacha Guitry, Ma Fille Et Moi | ★★★½ | January 2019

 

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